Mathias Spahlinger
| Mathias | Spahlinger |
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Liste des compositions
Musique de chambre
Musique vocale
Musique symphonique
Sheet music for Mathias Spahlinger
Adieu M'Amour: Hommage a Guillaume Dufay — Mathias Spahlinger
Cello, Violin, String Duet — Softcover — Classical
Violin and Cello. Composed by Mathias Spahlinger. Peermusic Classical. Classical. Softcover. 10 pages. Peermusic #62352-753. Published by Peermusic (HL.229285).
Price: $34.00
128 fulfilled instants — Mathias Spahlinger
Trio — performance score — Music post-1945
Systematically arranged, to be played variably. Composed by Mathias Spahlinger. Kammermusik-Bibliothek (Chamber Music Library). World premiere: Stuttgart, 1976. Music post-1945. Performance score. Breitkopf and Haertel #KM 2403. Published by Breitkopf and Haertel (BR.KM-2403).
Price: $93.00
Furioso — Mathias Spahlinger
ensemble — study score — 20th Century (after 1950)
Study score. Composed by Mathias Spahlinger. Partitur-Bibliothek (Score Library).
World premiere: Witten, April 26, 1992
Price: $58.00
Musica Impura — Mathias Spahlinger
Guitar, Percussion, Soprano — — Classical
Soprano, Guitar, and Percussion. Composed by Mathias Spahlinger. Peermusic Classical. Classical. 16 pages. Peermusic #70033-782. Published by Peermusic (HL.109301).
Price: $19.00
Musica Impura — Mathias Spahlinger
— —
High Voice, Guitar, and Percussion. Composed by Mathias Spahlinger. Peermusic Classical. Peermusic #70044-783. Published by Peermusic (HL.118197).
Price: $19.00
Farben der Fruhe — Mathais Spahlinger
Piano — Softcover — Classical
For 7 Pianos. Composed by Mathais Spahlinger. Peermusic Classical. Classical. Softcover. 222 pages. Peermusic #62354-508. Published by Peermusic (HL.229287).
Price: $49.00
Extension — Mathais Spahlinger
Violin — Softcover — Classical
Violin and Piano. Composed by Mathais Spahlinger. Peermusic Classical. Classical. Softcover. 102 pages. Peermusic #62353-602. Published by Peermusic (HL.229286).
Price: $79.00
Gengen Unendlich — Mathais Spahlinger
— —
Composed by Mathais Spahlinger. Peermusic Classical. 24 pages. Peermusic #62201-785. Published by Peermusic (HL.229139).
Price: $20.00
Akt, eine Treppe Herabsteigend — Mathais Spahlinger
Ensemble — Softcover — Classical
For 2 Instruments and Orchestra. Composed by Mathais Spahlinger. Peermusic Classical. Classical. Softcover. Peermusic #62355-861. Published by Peermusic (HL.229288).
Price: $29.00
Inter-mezzo — Mathais Spahlinger
Orchestra, Piano — Softcover — Classical
For Piano and Orchestra Full Score. Composed by Mathais Spahlinger. Peermusic Classical. Classical. Softcover. 56 pages. Peermusic #62356-517. Published by Peermusic (HL.229289).
Price: $29.00
Orchestral
- 1975 Morendo — für Orchester
- 1981 Rou a GH i FF (strange?) — für 5 Jazzsolisten und Orchester
- 1986 Inter-mezzo, concertato non concertabile tra pianoforte e orchestra
- 1988–1990 Passage / Paysage — für Orchester
- 1993 Und als wir — für 54 Streicher
- 1997–1998 Akt, eine Treppe herabsteigend — für Bassklarinette, Posaune und Orchester (nach einem Werk von Marcel Duchamp)
Chamber music
- 1969 Fünf Sätze — für zwei klaviere
- 1972 Phonophobie — für Flöte, Oboe, Klarinette, Horn und Fagott
- 1975 Vier Stücke — für Stimme, Klarinette, Violine, Violoncello und Klavier
- 1976 128 Erfüllte Augenblicke systematisch geordnet, variabel zu spielen — für Sopran, Klarinette, Cello
- 1977 Éphémère — für Schlagzeug, veritable Instrumente und Klavier
- 1979–1980 Extension — für Violine und Klavier
- 1981 Aussageverweigerung / gegendarstellung — zwei Kontra-Kontexte für Doppelquartett
- 1982 Aπò δω (Apo Do (From Here)) — für Streichquartett
- 1982–1983 Adieu m’Amour Hommage à Guillaume Dufay — für Violine und Violoncello
- 1983 Musica Impura — für Sopran, Gitarre und Schlagzeug
- 1991 Furioso — für Ensemble
- 1992–1993 Presentimientos Variationen für streichtrio
- 1993 Off — für sechs kleine Trommeln
- 1995 Gegen Unendlich — für Bassklarinette, Posaune, Violoncello und Klavier
- 1995 Über den frühen tod Fräuleins Anna Augusta Marggräfin zu Baden — für fünf männerstimmen, fünf posaunen, 3 frauenstimmen und 3 bläser
- 2000 Verlorener Weg Version 1 und 2 — für Ensemble
- 1997–2005 Farben der Frühe — für sieben klaviere
- 2006 Fugitive Beauté — für oboe, alt flöte und violine, bassklarinette, viola und cello
Vocal work
- 1969 Drama — für 12 Solostimmen
- 1974 Sotto Voce — für Vokalisten
- 1979–1980 El Sonido silencioso Trauermusik für Salvador Allende — für 7 Frauenstimmen und Tonband
- 1983 Signale — Chorszenen ohne Gesang
- 1983–1985 Verfluchung — für drei Vocalisten mit Holzschlaginstrumenten
- 1985 In dem ganzen Ocean von Empfindungen eine Welle absondern, sie anhalten — für Chorgruppen und Playback
- 1993 Vorschläge, Konzepte zur Ver(über)flüssigung der Funktion des Komponisten
Solo instrument
- 1974 Entlöschend — für großes Tamtam
- 1992 Nah, getrennt — für Altblockflöte solo
Tape
- 1974 Wozu noch Musik, ästhetische Theorie in quasi-ästhetischer Gestalt — hörspiel
- 1975 Störung
Theater music
- 1980 Pablo Picasso: wie man Wünsche beim Schwanz packt — ein Drama in 6 Akten
- Musik-Konzepte Sonderband Geschichte der Musik als Gegenwart Hanns Heinrich
Mathias Spahlinger is a German composer. His work on the field of tension between the diverse musical influences and styles ranging from Renaissance to jazz, between musique concrète and Webern-like minimalism, between the noise, improvisation and notation, between aesthetic autonomy and political awareness, the works Spahlinger conflicts for which there is no such models are established.
His father was a cellist. He advised him in 1951 to play violin, recorder, and then cello. In 1952 he received piano lessons. In 1959 he began an intensive interest in the Jazz, took saxophone lessons and wanted to be a jazz musician. In 1962, he left the school and made a typesetter teaching. Meanwhile, he took private lessons in composition with Konrad Lechner. When teaching, he continued his studies with Lechner at the Academy of Music in Darmstadt afterwards. In 1968, he taught at the Stuttgart School of Music for piano, theory, early music and experimental music. From 1973 to 1977 he studied composition with Erhard Karkoschka at the Musikhochschule in Stuttgart. In 1978 he was guest lecturer in music theory at the Hochschule der Künste in Berlin, in 1984 professor of composition and music theory at the Musikhochschule in Karlsruhe. Since 1990 he has been Professor of Composition and Director of the Institute for New Music at the Musikhochschule in Freiburg.
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Commentaires
Anonyme (non vérifié)
mer, 2010-03-31 20:45
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