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Liste des compositions
Musique de chambre
Compositions sorted on opus (if available)
Op. 22/ 1
Op. 33/ 1a
Sheet music for Joseph Jongen
— listening CD —
By Joseph Jongen, Jean Langlais, Dupre, Joseph Bonnet, and Widor. By Joseph Jongen (1873-1953), Jean Langlais (1907-1991), Dupre, and Bonne. Listening CD. Delos #DE 3123. Published by Delos (NX.DE-3123).
Voice, Piano and String Orchestra — Set (Score & Parts) —
Composed by Joseph Jongen (1873-1953). Music Sales America. Set (Score & Parts). Bosworth & Co. #BWH100595. Published by Bosworth & Co. (HL.14042997).
organ — — Pieces & Studies
Composed by Joseph Jongen (1873-1953). Edited by John Scott Whiteley. Pieces & Studies. 56 pages. Oxford University Press #9780193754942. Published by Oxford University Press (OU.9780193754942).
— CD — Classical
Composed by Joseph Jongen (1873-1953). Classical. CD. Naxos #MEW1993. Published by Naxos (NX.MEW1993).
Organ and Orchestra — Solo Part — Classical
For Organ. Composed by Joseph Jongen (1873-1953). This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Solo Part. Op. 81. 52 pages. Duration 34'. Schott Music #CRZ 799-01. Published by Schott Music (HL.49028539).
viola and piano — Score — classical
Composed by Joseph Jongen (1873-1953). Classical. Score. 23 + 7 pages. Editions Henry Lemoine #29205. Published by Editions Henry Lemoine (LM.29205).
Trombone — Part(s) — 20th Century; Masterwork; Romantic
Composed by Joseph Jongen (1873-1953). Brass - Trombone Solo; Masterworks; Solo; Solo Small Ensembles. Kalmus Edition. 20th Century; Masterwork; Romantic. Part(s). 20 pages. Kalmus Classic Edition #00-K09808. Published by Kalmus Classic Edition (AP.K09808).
Violin and Piano — Book Only — Classical
Violin and Piano. Composed by Joseph Jongen (1873-1953). Music Sales America. Classical. Book Only. 16 pages. Chester Music #MUSCT00325. Published by Chester Music (HL.14016723).
Flute, Harp, Piano Accompaniment — Book Only — Post-1900
Composed by Joseph Jongen (1873-1953). Music Sales America. Post-1900. Book Only. Composed 2002. 12 pages. Chester Music #MUSCH01553. Published by Chester Music (HL.14017200).
Organ — — Classical, French, Sacred
Organ Solo. Composed by Joseph Jongen (1873-1953). Editions Durand. Classical, French, Sacred. 8 pages. Editions Durand #DF0814100. Published by Editions Durand (HL.50562519).
Recently a new CD was released with Jongen’s flute sonata. The CD is called "Hommage à Debussy" and is played by Maurice Heugen (soloflutist Opera Zürich) and Marianne Boer (piano). The CD is available at http://www.bloomline.net/heugenboer.
<email@example.com> writes: There are two more cd’s with compositions of Joseph Jongen:
- In Flanders’ Fields vol.12 (works by Daniel-Lesur, Joseph Jongen, Wilfried Westerlinck and Willem Pelemans) performers: The Arpae ensemble. CD - Phaedra - DDD - 92012
- In Flanders’ Fields vol.30 : The complete chamber music for violoncello and piano. Performers: Karel Steylaerts,cello and Piet Kuijken, piano. CD - Phaedra - DDD - 92030
The Erard Ensemble from Holland recorded two piano trios: Op.10 and op. 30 (with viola). Released by Phaedra CD, In Flander’s Fields vol. 41. Available via http://www.erard-ensemble.nl or http://www.jpc.de
Jongen was Belgiums greatest composer after Franck, whose music was an early influence. His first successes were with chamber music (notably a large piano quartet and his 1st string quartet, which won a prize) and several orchestra works, particularly the Fantasie on Walloon Christmas Carols op.24.
Jongen’s compositional style can be divided into three periods: the first period shows the cyclic treatment of Franck and flowing modulations of Fauré. The second, from about 1910 shows a responsiveness to the impressionists, more from Debussy than Ravel. The breakthrough works are the cello sonata(1912) and the appended scherzo of the Epithalme et Scherzo for three violins and orchestra. His most famous work of this time is the Symphonie Concertante for organ and orchestra the third period, from the late thirties shows Jongen incorporating aspects of both neo-classicism (Prelude and Chaccone for string quartet op. 101, String Trio op. 135) and modernism (Piano concerto op. 127). Through all of his style changes there is a consistent, seamless blend of form, idea, and craft. He ultimately achieved an individual style, which deserves far wider exposure. (contribution by John M. Williams <firstname.lastname@example.org>