Johann Ludwig Krebs
| Johann Ludwig | Krebs |
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Liste des compositions
Musique sacrée
Musique de chambre
Musique instrumentale
Musique lyrique
Musique vocale
Musique concertante
Compositions sorted on opus (if available)
Op. 1
Op. 2
Op. 3
Op. 4
perdu
Sheet music for Johann Ludwig Krebs
Johann Ludwig Krebs - Prelude and Fugue in D Major - Prelude — Johann Ludwig Krebs
Organ — Score — Baroque Period
Composed by Johann Ludwig Krebs (1713-1780). Arranged by Guido Menestrina. Baroque Period. Score. 9 pages. Published by Guido Menestrina (S0.74097).
Price: $4.00
Complete Works for Organ and obbligato Instrument — Johann Ludwig Krebs
organ, obbligato instrument — — Baroque
Urtext. Composed by Johann Ludwig Krebs (1713-1780). Edited by Gerhard Weinberger. Edition Breitkopf. This edition opens a new chapter in the Complete Organ Works of Johann Ludwig Krebs. Baroque. Breitkopf and Haertel #EB-8560. Published by Breitkopf and Haertel (BR.EB-8560).
Price: $54.00
Johann Ludwig Krebs - Prelude and Fugue in D Major - Fugue — Johann Ludwig Krebs
Organ — Score — Baroque Period
Composed by Johann Ludwig Krebs (1713-1780). Arranged by Guido Menestrina. Baroque Period. Score. 12 pages. Published by Guido Menestrina (S0.74353).
Price: $4.00
Krebs JL: Fantasia in F minor krebs-wv604 arr. for String Quartet — JL Krebs
String Quartet — Score,Set of Parts — Baroque Period
Composed by JL Krebs. Arranged by D Oppenheim. Baroque Period. Score, Set of Parts. 14 pages. Published by Dan Oppenheim (S0.286317).
Price: $7.00
Krebs: Four Chorale Preludes — Johann Ludwig Krebs
organ solo — Full score — Organ music based on hymns
Composed by Johann Ludwig Krebs (1713-1780). Edited by Felix Friedrich. This edition: Paperbound. Hymns by Martin Luther: Ein feste Burg ist unser Gott. German title: Vier Choralvorspiele Fur Orgel. Organ music based on hymns. Full score. 20 pages. Carus Verlag #CV 18.164/00. Published by Carus Verlag (CA.1816400).
Price: $15.00
Complete Organ Works — Johann Ludwig Krebs
organ — — Baroque
Urtext. Composed by Johann Ludwig Krebs (1713-1780). Edited by Gerhard Weinberger. Edition Breitkopf.
Krebs, among the pupils of J. S. Bach, continued the Baroque tradition with conviction. However, he did not refrain from using elements of the galant, empfindsam style which was also to leave its mark in the organ music of the mid-18th century.
Baroque. Breitkopf and Haertel #EB-8417. Published by Breitkopf and Haertel (BR.EB-8417).Price: $33.00
Six Suites — Johann Ludwig Krebs
Harpsichord (Piano, Organ) — Full score — Free organ music
Composed by Johann Ludwig Krebs (1713-1780). Edited by Felix Friedrich. This edition: Paperbound. German title: Clavier-Ubung Iv. Sechs Suiten. Free organ music. Full score. Composed 1993. Krebs-WV. 64 pages. Carus Verlag #CV 18.512/00. Published by Carus Verlag (CA.1851200).
Price: $38.00
Sonata in a — Johann Ludwig Krebs
Harpsichord (Organ, Piano) — Full score — Free organ music
Composed by Johann Ludwig Krebs (1713-1780). Edited by Felix Friedrich. This edition: Paperbound. German title: Sonata In A Per Il Cembalo. Free organ music. Full score. Composed 1756-1765. Krebs-WV. 12 pages. Carus Verlag #CV 18.510/00. Published by Carus Verlag (CA.1851000).
Price: $11.00
Complete Organ Works — Johann Ludwig Krebs
Organ — — Baroque
Urtext. Composed by Johann Ludwig Krebs (1713-1780). Edited by Gerhard Weinberger. Edition Breitkopf. Krebs, among the pupils of J. S. Bach, continued the Baroque tradition with conviction. However, he did not refrain from using elements of the "galant", "empfindsam" style which was also to leave its mark in the organ music of the mid-18th century. Baroque. Breitkopf and Haertel #EB 8411. Published by Breitkopf and Haertel (BR.EB-8411).
Price: $56.00
Krebs: Partita in a — Johann Ludwig Krebs
— Full score —
Composed by Johann Ludwig Krebs (1713-1780). Edited by Felix Friedrich. This edition: Paperbound. Method Books. German title: Partita A-Moll Per Il Cembalo. Full score. 36 pages. Carus Verlag #CV 18.508/00. Published by Carus Verlag (CA.1850800).
Price: $23.00
The recent edition of Krebs’ “Complete Organ Works” by Gerhard Weinberger (Beitkopt & Härtel, 1985) lists the following:
- 7 Preludes and Fugues
- 2 Toccatas and Fugues
- 3 Preludes
- 4 Preludes (small)
- 2 Fantasias and Fugues (one fugue is a fragment)
- 3 Fantasias
- 11 Fugues (including one on B-A-C-H)
- 17 Trios
- 35 Chorale Settings (with 5 Variants and 6 other Chorale Settings of dubious authenticity)
- 13 Chorales with 3 Settings of each — "Clavierübung" (Nuremberg, 1752–1753)
- 5 Fantasias for wind instrument (trumpet, flute, oboe) and organ; 1 Variant
- 15 Chorale Settings for wind instrument and organ; 1 Fragment
The following derived from the work list by McLean, op. cit.:
Vocal
- 2 Cantatas (surviving)
- Missa in F
- Sanctus in D (2 settings)
- Magnificat in D
- Magnificat in F (German)
- Oratorio (for the funeral of Maria Gioseppa Regina di Pollonia, c. Nov. 1757)
- Bist du noch fern (aria for soprano and harpsichord)
- 2 Motets known, one of which is "lost"
Instrumental (2 or more instr.)
- 6 Trios — 2 flutes or violins and basso continuo (Nuremberg, n.d.)
- 6 Sonata da Camera — flute or violin and harpsichord (Leipzig, 1762)
- 2 Sonatas — flute or violin and harpsichord (Nuremberg, n.d.)
- 3 Sonatas — flute, violin, basso continuo
- Sonata — violin and basso continuo
- VI Soli — violin, harpsichord
- 2 Sinfonias — 2 violins, viola, basso continuo
- 2 Concertos for lute and strings
- Concerto for violin and strings
- Concerto for harpsichord, oboe, and strings
- Conerto in a for 2 harpsichords (no orch.)
Keyboard (harpsichord et al.)
- Erste Piece, ... 6 ... Praeambulis (Nuremberg, 1740)
- Andere Piece, ... Suite (Nuremberg, 1741)
- Dritte Piece, ... Ouverture (Nuremberg, 1741)
- Vierte Piece, ... Concerto (Nuremberg, 1743)
- Clavier-Ubung ... Suite ... zweyter Theil (Nuremberg, n.d.)
- Clavier-Ubung ... sechs Sonatinen ... IIIer Theil (Nuremberg, n.d.)
- Exercise sur le Clavessin ... VI Suites, Op. 4 (Nuremberg, n.d.)
- Sonata (in Musicalisches Magazin, in Sonaten ... Pt. 2) (Leipzig, 1765)
Most of the instrumental music, as well as some of the vocal, are available in modern editions. The writer has promoted this composer’s music for several years in north Texas and north Oklahoma (coincidentally, there is a town in Oklahoma called “Krebs”).
Contribution by D.C. "il Buranello", North Texas, USA.
A Concerto in C a 5 and a Concerto in F a 5 are preserved in Berlin, Staatsbibliothek, Preusisscher Kulturbesitz, Mus. Ms. 12019, 1-2; and Ms. 12020 (ca. 1770) (13-course lute)
RISM Volume VII also list a Concerto a 5 Mus. Ms. 12021 which contains a work of Krebs, but here only the tablature has survived (12-course lute)
Krebs was first and foremost an organist. He was a pupil of Bach at the Thomasschule in Leipzig from 1726 to 1735. Krebs also learned the lute and the violin in Leipzig. Some possible teachers in Leipzig at that time: Johann Caspar Gleditsch (d 1747), Maximillan Nagel (b 1712; d 1748), Maximilian Nagel — in Leipzig to 1744– , and Johann Christian Weyrauch (b 1694; d 1771). Bach regarded Krebs as one of his favourite pupils. From 1735–37 he studied at the University of Leipzig. Simultaneously he was occasionally assisting as a harpsichord player in Bach’s Collegium Musicum. Krebs was later organist in Zwickau (1737–1743), Zeitz (1744) and Altenburg (1755). His instrumental works reflects both the Bachian style and the galant style. It becomes apparent from his two concertos for lute and strings that he must have been a very qualified lutenist.
As stated by
Associate professorPh.D Per Kjetil Farstad
Agder College
The Faculty of Fine Arts
The Conservatory of Music
Kongensgt. 54
4610 Kristiansand
Norway
e-mail private: pkfarsta@online.no
e-mail work: Per.K.Farstad@hia.no
Visit my WWW-page: http://home.hia.no/~perkf/
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Commentaires
Anonyme (non vérifié)
dim, 2011-10-09 22:11
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Birth
October 12!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
jpgadmin
mar, 2011-10-11 06:42
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baptized
Krebs was baptized on 12 October. According to the German Wikipedia entry this means he was born between 10 and 12 October. Anyway, I have now listed his date of baptism, and indicated it as such.
Anonyme (non vérifié)
mar, 2011-10-11 13:19
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Thank you!
I think is better to have the baptism day that a supposed day of birth. Thank you!