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Sheet music for Johann Adolf Hasse
Trombone - Grade 4
Trombone Solo with Piano - Grade 4. Composed by Johann Adolf Hasse (1699-1783). Edited by William Gower. Rubank Solo/Ensemble Sheet. Classical, Contest. 12 pages. Rubank Publications #RUBX804. Published by Rubank Publications (HL.4477760).
Choral (Score & Parts)
Arranged by Johann Adolf Hasse. Hinshaw Sacred. Sacred. Octavo. Hinshaw Music Inc. #HMB196A. Published by Hinshaw Music Inc. (HL.8763150).
SSA vocal soli, SSAA choir, 2 violins, viola, basso continuo (cello/double bass, organ)
Vesperpsalm. Composed by Johann Adolf Hasse (1699-1783). Edited by Wolfgang Hochstein. Arranged by Wolfgang Hochstein. This edition: Paperbound. German title: Laudate Pueri (Frauenchor) (Psalm 112). Sacred vocal music. Full score. Composed circa 1737-1756. 72 pages. Duration 25 minutes. Carus Verlag #CV 40.700/00. Published by Carus Verlag (CA.4070000).
Composed by Johann Adolf Hasse (1699-1783) and Pietro Metastasio. Edited by Francesca Menchelli-Buttini and Reinhard Strohm. CRITICAL EDITIONS. Classical, Facsimile. Hardcover. 354 pages. Ricordi #NR141067. Published by Ricordi (HL.50499707).
Choral (SATB Choir)
Arranged by Johann Adolf Hasse. Hinshaw Sacred. Sacred. Octavo. 24 pages. Hinshaw Music Inc. #HMB196. Published by Hinshaw Music Inc. (HL.8763149).
Descant recorder and piano - Digital Download
Composed by Johann Adolf Hasse (1699-1783). Edited by Elisabeth Kretschmann. Arranged by Alfred Moffat. Copyright 2016 Schott Music GmbH & Co. KG, Mainz. 2 pages. Published by Schott Music (S9.Q43115).
Johann Adolf Hass is german composer, born at Bergedorf near Hamburg, on the 25th af March 1699. He received his first musical education from his father. Being possessed of a fine tenor voice, he chose the theatrical career, and joined the operatic troupe conducted by Reinhard Keiser, in whose orchestra Handel had played the second violin some years before.
Hasse’s success led to an engagement at the court theater of Brunswick, and it was there that, in 1723, he made his debut as a composer with the opera Antigonus. The success of this first work induced the duke to send Hasse to Italy for the completion of his studies, and in 1724 he went to Naples and placed himself under Porpora, with whom, however, he seems to have disagreed both as a man and as an artist. On the other hand he gained the friendship of Alessandro Scarlatti, to whom he owed his first commission for a serenade for two voices, sung at a family celebration of a wealthy merchant by two of the greatest singers of Italy, Farinelli and Signora Tesi. This event established Hasse’s fame; he soon became very popular, and his opera Sesostrato, written for the Royal Opera at Naples in 1726, made his name known all over Italy.
At Venice, where he went in 1727, he became acquainted with the celebrated singer Faustina Bordogni (born at Venice in 1700), who became the composer’s wife in 1730. The two artists soon afterwards went to Dresden, in compliance with a brilliant offer made to them by the splendor-loving elector of Saxony, Augustus II. There Hasse remained for two years, after which he again journeyed to Italy, and also in 1733 to London, in which latter city he was tempted by the aristocratic clique inimical to Handel to become the rival and antagonist of that great master. But this he modestly and wisely declined, remaining in London only long enough to superintend the rehearsals for his opera Artaserse (first produced at Venice, 1730).
All this while Faustina had remained at Dresden, the declared favorite of the public and unfortunately also of the elector, nor was her husband, who remained attached to her, allowed to see her except at long intervals. In 1739, after the death of Augustus II, Hasse settled permanently at Dresden until 1763, when he and his wife retired from court service with considerable pensions. But Hasse was still too young to rest on his laurels. He went with his family to Vienna, and added several operas to the great number of his works already in existence. His last work for the stage was the opera Ruggiero (1771), written for the wedding of Archduke Ferdinand at Milan. On the same occasion a work by Mozart, then fourteen years old, was performed, and Hasse observed “this youngster will surpass us all.”
By desire of his wife Hasse settled at her birthplace Venice, and there he died on the 23rd of December 1783.
His compositions include as many as 120 operas, besides oratorios, cantatas, masses, and almost every variety of instrumental music. During the siege of Dresden by the Prussians in 1760, most of his manuscripts, collected for a complete edition to be brought out at the expense of the elector, were burnt. Some of his works, amongst them an opera Alcide al Bivio (1760), have been published, and the libraries of Vienna and Dresden possess the autographs of others. Hasse’s instrumentation is certainly not above the low level attained by the average musicians of his time, and his ensembles do not present any features of interest. In dramatic fire also he was wanting, but he had a fund of gentle and genuine melody, and by this fact his enormous popularity during his life must be accounted for. The two airs which Farinelli had to repeat every day for ten years to the melancholy king of Spain, Philip V, were both from Hasse’s works. Of Faustina Hasse it will be sufficient to add that she was, according to the unanimous verdict of the critics (including Charles Burney), one of the greatest singers of a time rich in vocal artists. The year of her death is not exactly known. Most probably it shortly preceded that of her husband.
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