Jean-Luc Fafchamps
| Jean-Luc | Fafchamps |
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Sheet music for Jean-Luc Fafchamps
It Might As Well Be Spring — Richard Rodgers, Oscar Hammerstein II, Jean Gauffriau, Jean Geiringer-Tallon, Jean Sablon
SATB choir, PIANO — choir and piano part — Secular, 20th Century
Composed by Richard Rodgers, Oscar Hammerstein II, Jean Gauffriau, Jean Geiringer-Tallon, Jean Sablon. Secular, 20th Century. Choir and piano part. 8 pages. Published by Editions a Coeur Joie (CJ.A112200144).
Price: $7.00
Les Tendres Plaintes: Works by Jean-Philippe Rameau — Jean-Francois Delcamp
— CD — Classical
By Jean-Francois Delcamp, John Duarte, Stephane Nogrette, Sylvie Proulx, Venancio Garcia Velasco, and Andres Segovia. By Jean-francois Delcamp, Stephane Nogrette, Sylvie Proulx, Venancio Garcia Velasco, Jean-Philippe Rameau (1683-1764), Andres Segovia, and John W. Duarte (1919-). Classical. CD. Centaur #CRC3603. Published by Centaur (NX.CRC3603).
Price: $16.00
Cantique de Jean Racine (Lobgesang des Jean Racine) — Gabriel Faure
SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, viola, cello, contrabass, harp — Full score — Sacred vocal music, Hymns
Version for choir and orchestra. Composed by Gabriel Faure (1845-1924). Edited by Jean-Michel Nectoux. This edition: paperback. Cantique De Jean Racine.Sinfon.Orch. Sacred vocal music, Hymns. Full score. Composed 1865. Op. 11. 24 pages. Duration 6 minutes. Carus Verlag #CV 70.303/00. Published by Carus Verlag (CA.7030300).
Price: $31.00
Cantique de Jean Racine (Lobgesang des Jean Racine) — Gabriel Faure
SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, viola, cello, contrabass, harp — Set of Orchestra Parts — Sacred vocal music, Hymns
Version for choir and orchestra. Composed by Gabriel Faure (1845-1924). Edited by Jean-Michel Nectoux. Cantique De Jean Racine.Sinfon.Orch. Sacred vocal music, Hymns. Set of Orchestra Parts. Composed 1865. Op. 11. Duration 6 minutes. Carus Verlag #CV 70.303/19. Published by Carus Verlag (CA.7030319).
Price: $68.00
Kullervo Op. 7 — Jean Sibelius
— study score — Early modern
Symphonic Poem - Urtext based on the Complete Edition "Jean Sibelius Works" (JSW). Composed by Jean Sibelius (1865-1957). Edited by Glenda D. Goss. Symphonic poem. Partitur-Bibliothek (Score Library). With the world premiere of Kullervo in 1892, Jean Sibelius staked his claim at the age of 27 to the front ranks of the symphonists of his day, long before he began writing his purely instrumental symphonies and tone poems. Early modern. Study score. Breitkopf and Haertel #PB 5304-07. Published by Breitkopf and Haertel (BR.PB-5304-07).
Price: $49.00
Finlandia Op. 26 — Jean Sibelius
piano — — Early 20th Century
Version for piano by the composer. Composed by Jean Sibelius (1865-1957). Arranged by Jean Sibelius. Edition Breitkopf.
Finlandia Op. 26 numbers among the most frequently played and best known works by Jean Sibelius.
Early 20th Century. Breitkopf and Haertel #EB-8176. Published by Breitkopf and Haertel (BR.EB-8176).Price: $18.00
En saga Op. 9 — Jean Sibelius
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trombones, tuba, percussion, strings — study score — Early 20th Century
Tone Poem for Orchstra - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius (1865-1957). Edited by Tuija Wicklund. Partitur-Bibliothek (Score Library).
Written in 1892, En saga takes its place at the beginning of Jean Sibelius's symphonic poems, and is also the first orchestral work by the Finnish composer to have won a lasting place in the concert repertoire.
Early 20th Century. Study score. Breitkopf and Haertel #PB-5319-07. Published by Breitkopf and Haertel (BR.PB-5319-07).Price: $19.00
Scherzo Brillante (Brilliante) — Jean-jean
Clarinet, Woodwinds — —
Clarinet. Composed by Jean-jean. Arranged by Daniel Bonade. Woodwind Solos & Ensembles - B-Flat Clarinet. Southern Music. 20 pages. Southern Music Company #SS83. Published by Southern Music Company (HL.3774495).
Price: $12.00
Cantates, Canons, Airs — Jean-Philippe Rameau
voice, flute, strings, basso continuo — score, anthology —
Composed by Jean-Philippe Rameau (1683-1764). Edited by Jean-Paul C. Montagnier and Sylvie Bouissou. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) III/1. Performing editions - BA 8946 and BA 8948. Score, anthology. Duration 2 hours, 30 minutes. Baerenreiter Verlag #BA08855. Published by Baerenreiter Verlag (BA.BA08855).
Price: $321.00
Vivaldi for Organ — Guillou, Jean Victor Arthur
— CD — Classical
By Guillou, Jean Victor Arthur. By Jean Victor Arthur, Johann Sebastian, Johann Sebastian Bach (1685-1750), and Jean Guillou (1930-). Classical. CD. Sono Luminus #DOR-90118. Published by Sono Luminus (NX.DOR-90118).
Price: $16.00
Jean-Luc Fafchamps (°1960) is a pianist and composer. He studied at the Conservatoire in Mons and at Louvain University. A member of the Ictus Ensemble, he has taken part in many concert performances in large ensembles or chamber groups (performances of works by Lindberg, Reich, Aperghis, Mernier, Leroux, Harada, Francesconi, etc.) and in mixed performances, particularly accompanying dance (multiple performances with Rosas (Anne-Teresa de Keersmaeker)) and theatre (several creations with Aperghis). He has made recordings for Sub Rosa – with the Bureau des Pianistes and as a soloist – of works by Bowles, Liszt, Feldman, Dallapiccola, Duchamp, Scelsi and Berio and has contributed to numerous recordings with the Ictus Ensemble (Francesconi, Aperghis, Lindberg, Harada, De Mey, Mernier, Harvey, etc.) and has accompanied many singers.
As a composer primarily for theatre and dance (Théâtre Impopulaire, Compagnie Bonté-Mossoux, etc.), his composition was hailed by the UNESCO International Rostrum of Young Composers (Attrition for string octet) and won him the Octave des Musiques Classiques 2006. The Ictus Ensemble, Musiques Nouvelles, the Danel quartet, the National Orchestra of Lille, Champ d’Action, Liège Philharmonic Orchestra, Champs d’Action and David Linx, Peter Rundel, Jean-Philippe Collard-Neven, Vincent Royer, Stephane Ginsburgh, and many more have performed his work. It has been on the programme of many international festivals (Ars Musica (Brussels), "Images Sonores" (Liège), Présences (Paris), Vilnius, Musique Action (Nancy), Musiques Démesurées (Clermond-Ferrand), Why Note (Dijon), Warsaw, Budapest, etc.).
Jean-Luc Fafchamps initially devoted himself to writing for small groups in which the piano plays a central role (Dynamiques, for two pianos; Melencholia si..., for two pianos and two percussionists; Neurosuite, for a keyboard trio), before his interest in non-tempered harmonies and polyphonies of timbres led him towards other sound combinations (A garden, for wind quintet; Bryce, for clarinet quintet, etc.). He is currently moving towards working for larger formations in which his taste for paradoxical constructions and his sense of synthesis are blossoming into mutually referential pieces. He is working on the development of a vast network of cycles – the Lettres Soufies – a manifesto for writing, stylistic openness as rhetoric and the use of analogue correspondences as the basis for a system: T for ensemble and electronics, K for orchestra, A for ensemble and orchestra, Z3 for trombone and electronics, and so on.
His work has been the subject of two monographic recordings for Sub Rosa (Attrition, 1993, and Melencholia si…, 2003). A record of his recent music for small formations, ….lignes…, has been published by Fuga Libera (2003).
He teaches musical analysis and composition at the Conservatoire in Mons.
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