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Jan [Johann] Dismas Zelenka
Jan Dismas • Johann Dismas | Zelenka |
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Liste des compositions
Musique sacrée
Musique de chambre
Musique symphonique
Musique lyrique
Musique vocale
Compositions sorted on opus (if available)
Zwv 17
Zwv 18
Zwv 19
Zwv 20
Zwv 21
Zwv 45
Zwv 45a
Zwv 46
Zwv 47
Zwv 48
Zwv 50
Zwv 53
Zwv 55
Zwv 57
Zwv 58
Zwv 59
Zwv 60
Zwv 62
Zwv 68
Zwv 71
Zwv 81
Zwv 90
Zwv 107
Zwv 108
Zwv 134
Zwv 135
Zwv 145
Zwv 146
Zwv 147
Zwv 152
Zwv 155
Zwv 169
Zwv 175
Zwv 181
Zwv 186
Zwv 187
Zwv 188
Zwv 189
Zwv...
Sheet music for Jan Dismas Zelenka
Miserere in C minor ZWV 57 — Jan Dismas Zelenka
Chorus (with soloists) and piano — piano vocal score — Baroque
Urtext. Composed by Jan Dismas Zelenka (1679-1745). Edited by M. Hutzel and Th. Kohlhase. Arranged by Matthias Grunert. Edition Breitkopf. The Miserere in C minor ZWV 57 is one of the late works of the Bohemian composer Jan Dismas Zelenka, it was the only one to be reprised in Dresden's Hofkirche after his death. Baroque. Piano vocal score. Breitkopf and Haertel #EB 8049. Published by Breitkopf and Haertel (BR.EB-8049).
Price: $13.00
Missa votiva ZWV 18 — Jan Dismas Zelenka
soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, mixed choir, piano — vocal score —
Urtext. Composed by Jan Dismas Zelenka (1679-1745). Edited by Reinhold Kubik. Arranged by Matthias Grunert. Edition Breitkopf.
The Missa votiva ranks among the later works of the composer Jan Dismas Zelenka. The piano vocal score is based on the score published by Reinhold Kubik in volume 108 of the series Das Erbe deutscher Musik, now available as PB 5577.
Vocal score. Breitkopf and Haertel #EB-8053. Published by Breitkopf and Haertel (BR.EB-8053).Price: $27.00
Miserere in C minor ZWV 57 — Jan Dismas Zelenka
— full score —
Urtext. Composed by Jan Dismas Zelenka (1679-1745). Edited by Matthias Hutzel and Thomas Kphlhaase. Arranged by Wolfgang Horn. Partitur-Bibliothek (Score Library).
The Miserere in C minor ZWV 57 is one of the late works of the Bohemian composer Jan Dismas Zelenka, it was the only one to be reprised in Dresden's Hofkirche after his death.
Full score. Breitkopf and Haertel #PB-5594. Published by Breitkopf and Haertel (BR.PB-5594).Price: $51.00
Te Deum in D a due cori — Jan Dismas Zelenka
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo — vocal score — Sacred vocal music, Praise and thanks
Composed by Jan Dismas Zelenka (1679-1745). Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Praise and thanks. Vocal score. ZWV 146. 64 pages. Duration 28 minutes. Carus Verlag #CV 27.197/03. Published by Carus Verlag (CA.2719703).
Price: $21.00
Dixit Dominus (The Lord said unto my Lord) — Jan Dismas Zelenka
SATB vocal soli, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo, [2 trumpets, timpani] — Full score — Sacred vocal music, Psalms, Latin, Epiphany, Psalms, Daily hours
Composed by Jan Dismas Zelenka (1679-1745). Edited by Matthias Hutzel. Arranged by Wolfgang Horn. This edition: Paperbound. German title: Dixit Dominus. Sacred vocal music, Psalms, Latin, Epiphany, Psalms, Daily hours. Full score. Composed 1726. ZWV 68. 40 pages. Duration 14 minutes. Carus Verlag #CV 40.065/00. Published by Carus Verlag (CA.4006500).
Price: $16.00
From the Depths, in D (De profundis in D) — Jan Dismas Zelenka
AT vocal soli (ATBBB), SATB choir (SATBBB), 2 oboes, 3 trombones, 2 violins, viola, basso continuo — Full score — Sacred vocal music, Psalms
Composed by Jan Dismas Zelenka (1679-1745). Edited by Wolfgang Horn. This edition: Paperbound. German title: De profundis. Sacred vocal music, Psalms. Full score. Composed 1724. ZWV 50. 40 pages. Duration 13 minutes. Carus Verlag #CV 40.064/00. Published by Carus Verlag (CA.4006400).
Price: $17.00
Dixit Dominus (The Lord said unto my Lord) — Jan Dismas Zelenka
SATB vocal soli, SATB choir, oboe, violin solo, 2 violins, viola, basso continuo, [2 trumpets, timpani] — Choral Score — Sacred vocal music, Psalms, Latin, Epiphany, Psalms, Daily hours
Composed by Jan Dismas Zelenka (1679-1745). Edited by Matthias Hutzel. Arranged by Wolfgang Horn. German title: Dixit in D. Sacred vocal music, Psalms, Latin, Epiphany, Psalms, Daily hours. Choral Score. Composed 1726. ZWV 68. 8 pages. Duration 14 minutes. Carus Verlag #CV 40.065/05. Published by Carus Verlag (CA.4006505).
Price: $5.00
Magnificat in D — Jan Dismas Zelenka
Soli SA, SATB Choir, 2 Oboes, Bassoon, 2 Violins, 2 Violas, Basso continuo, [2 Trumpets, Timpani] — Single Part, Organ — Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours
Composed by Jan Dismas Zelenka (1679-1745). Edited by Wolfgang Horn. Organ. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Organ. Composed 1725. ZWV 108. 12 pages. Duration 11 minutes. Carus Verlag #CV 40.063/49. Published by Carus Verlag (CA.4006349).
Price: $13.00
Ave regina coelorum — Jan Dismas Zelenka
SATB choir, basso continuo — Full score — Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours
Composed by Jan Dismas Zelenka (1679-1745). Edited by Thomas Kohlhase. Arranged by Paul Horn. German title: Ave Regina. Sacred vocal music, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Full score. ZWV 128,4. 8 pages. Duration 2 minutes. Carus Verlag #CV 40.465/00. Published by Carus Verlag (CA.4046500).
Price: $4.00
Crucifixus - 2 Violins — Jan Dismas Zelenka
2 violins — 2 violins — Concert
Composed by Jan Dismas Zelenka (1679-1745). Arranged by Robert Sieving. Mary Alice Stollak Choral Series. Instrumental accompaniment only. Choral octavo sold separately (SBMP-833). Concert. 2 violins. Santa Barbara Music Publishing #SBMP833-1. Published by Santa Barbara Music Publishing (SB.SBMP-833.1).
Price: $5.00
- Six Trio Sonatas for 2 oboes, bassoon and basso continuo
- Some Caprici, Symponies for small instrumental groups
- The Lamentations of Jeremiah
- Much Church music, masses, etc.
(Source: Jeremiah lamentations CD booklet, Geofrey Chew, 1990, hyperion; Six trio sonatas CD, William Newman, Archiv, Germany)
Javier Ortega <jortega@solar.sar.net> writes:
Jan Dismas Zelenka is a great representative of Bohemian Baroque music. He spent most of his life at Dresden. His work is very little known today.
Zelenka was son of a local organist, and was educated at Prague at a Jesuit college. In 1710 he was appointed as Violone player of the Elector of Saxony court at Dresden under kapellmeister J.D. Heinichen. Also he travelled to Vienna and Italy, but he spent most of his life at Dresden Court and as a composer of Catholic church music. Unable to promotion after Heinichen’s dead, he remained as Dresden’s bass player until his death.
<anjanhinds@aol.com.uk> writes:
My understanding is that no picture of Zelenka is believed to exist. I have researched Zelenka’s music as a hobby since 1977 and have about 40 Cds of his music. Christopher Hogwood in a BBC Publication about the Trio Sonata (about 1979) included a chapter on Zelenka. He indicated that all Zelenka’s keyboard music was now lost. The critic J.A. Scheibe (and quite good composer who moved to Scaninavia - recent interesting CD) wrote adversely about J.S. Bach in the 1730s (later partly retracted) and favourably about Zelenka’s music (I think keyboard music) by comparison. Unearthing some Zelenka keyboard music would be as marvellous as finding a picture of this “dreamily pious” man.
Peter Herbert <peterandpat@leosjanacek.demon.co.uk> writes:
Your previous correspondent is absolutely correct. No known portrait exists
of Zelenka, unfortunately. However, there is a pen and ink and wash drawing
by Carl Heinrich Jakob Fehling dating from 1719. This is a picture of a
celebration held at the royal Italian Garden in Dresden in 1719. The
musicians are shown to one side, all dressed in “Turkish” clothes. Zelenka
was a virtuoso of the Bass Viol and one such is shown at the extreme left of
the group. The face is completely without detail but, since Zelenka would
certainly have been expected to perform at this event, one can only assume
that it is, at the least, a representation of Zelenka, if not a true
portrait. The picture can be seen as part of plate 6 in Janice Stockigt’s book “Jan Dismas Zelenka”, Oxford University Press, 2000. ISBN 0-19-816622-2
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Commentaires
Anonyme (non vérifié)
mer, 2011-04-13 06:21
Permalien
Jan Dismas Zelenka
Please use original Czech name Jan, that is commonly used for him also by Germans this time (see discography http://www.discogs.com/artist/Jan+Dismas+Zelenka). Also the birthplace right name is Louňovice pod Blaníkem (you can write Lounovice pod Blanikem), not Lunovice (http://en.wikipedia.org/wiki/Jan_Dismas_Zelenka). Thank you.
Jan Blanický