Liste des compositions
- Duos : 2 voix-b.c. — How delightful's the life of an innocent swain : Sop.-Basse-b.c. • Z.373
- Duos : 2 voix-b.c. — Beneath a dark and melancholy grove : Soprano-Basse-b.c. • Z.461
- Duos : 2 voix-b.c. — Draw near, you lovers : Sop.-Basse-b.c. • Z.462
- Duos : 2 voix-b.c. — High on a throne of glitt'ring ore : Sop.-Basse-b.c. • Z.465
- Duos : 2 voix-b.c. — No, to what purpose should I speak : Sop.-Basse-b.c. • Z.468
- Duos : 2 voix-b.c. — Young Thirsis' fate : Soprano-Basse-b.c. • Z.473
- Duos : 2 voix-b.c. — Above the tumults of a busy state • Z.480
- Duos : 2 voix-b.c. — Alas, how barbarous are we • Z.482
- Duos : 2 voix-b.c. — Go, tell Amynta, gentle swain • Z.489
- Duos : 2 voix-b.c. — Haste, gentle Charon : 2 Basses • Z.490
- Duos : 2 voix-b.c. — How great are the blessings or A Health to King James • Z.494
- Duos : 2 voix-b.c. — In all our Cynthia's shining sphere • Z.496
- Duos : 2 voix-b.c. — I spy Celia, Celia eyes me • Z.499
- Duos : 2 voix-b.c. — Julia, your unjust disdain • Z.500
- Duos : 2 voix-b.c. — Oh ! what a scene does entertain my sight : avec flute à bec • Z.506
- Duos : 2 voix-b.c. — See where she sits : avec 2 violons • Z.508
- Duos : 2 voix-b.c. — Soft notes and gently raised : avec 2 flutes à bec • Z.510
- Duos : 2 voix-b.c. — Sylvia, thou brighter eye of night • Z.511
- Duos : 2 voix-b.c. — There ne'er was so wretched a lover AS I • Z.513
- Duos : 2 voix-b.c. — Trip it, trip it in a ring • Z.515
- Duos : 2 voix-b.c. — What can we poor females do ? • Z.518
- Duos : 2 voix-b.c. — While bolts and bars my day control • Z.523
- Duos : 2 voix-b.c. — While you for me alone had charms • Z.524
- Duos : 2 voix-b.c. — How pleasant is this flowery plain : Soprano-Ténor-2 flutes à bec • Z.543
- Duos : 2 voix-b.c. — Scarce had the rising sun appear'd : Sop.-Basse-b.c. • (1679) • Z.469
- Duos : 2 voix-b.c. — Since the pox or the plague : Ténor-Basse-b.c. • (1679) • Z.471
- Duos : 2 voix-b.c. — What hope for us remains now he is gone ? : Sop.-Basse-b.c. • (1679) • Z.472
- Duos : 2 voix-b.c. — When Strephon found his passion vain : Soprano-Basse-b.c. • (1683) • Z.435
- Duos : 2 voix-b.c. — Let us, kind Lesbia, give away : Soprano-Basse-b.c. • (1684) • Z.466
- Duos : 2 voix-b.c. — When gay Philander left the plain • (1684) • Z.519
- Duos : 2 voix-b.c. — Farewell, ye rocks, ye sea and sands : Ténor-Basse-b.c. • (1685) • Z.463
- Duos : 2 voix-b.c. — Musing on cares of human fate : Sop.-Basse-b.c. • (1685) • Z.467
- Duos : 2 voix-b.c. — Come, lay by all care • (1685) • Z.484
- Duos : 2 voix-b.c. — Sit down, my dear Sylvia • (1685) • Z.509
- Duos : 2 voix-b.c. — Though my mistress be fair • (1685) • Z.514
- Duos : 2 voix-b.c. — When, lovely phyllis, thou art kind • (1685) • Z.520
- Duos : 2 voix-b.c. — Grasshopper and a fly (A) • (1686) • Z.481
- Duos : 2 voix-b.c. — Come, dear companions of th'Arcadian fields • (1686) • Z.483
- Duos : 2 voix-b.c. — I saw fair Cloris all alone • (1686) • Z.498
- Duos : 2 voix-b.c. — Sacharissa's grown old • (1686) • Z.507
- Duos : 2 voix-b.c. — Sylvia, 'tis true you're fair : Ténor-Basse-b.c. • (1686) • Z.512
- Duos : 2 voix-b.c. — When Teucer from his father fled • (1686) • Z.522
- Duos : 2 voix-b.c. — Gentle shepherds, you that know : Soprano-Basse-b.c. • (1687) • Z.464
- Duos : 2 voix-b.c. — Fill the blow with rosy wine • (1687) • Z.487
- Duos : 2 voix-b.c. — Hence, fond deceiver • (1687) • Z.492
- Duos : 2 voix-b.c. — How sweet is the air and refreshing • (1687) • Z.495
- Duos : 2 voix-b.c. — In some kind dream • (1687) • Z.497
- Duos : 2 voix-b.c. — Oft am I by the women told • (1687) • Z.505
- Duos : 2 voix-b.c. — Has yet your breast no pity learn'd ? • (1688) • Z.491
- Duos : 2 voix-b.c. — Here's to thee, Dick • (1688) • Z.493
- Duos : 2 voix-b.c. — See how the fading glories of the year : Sop.-Basse-b.c. • (1689) • Z.470
- Duos : 2 voix-b.c. — Let Hector, Achilles and each brave commander • (1689) • Z.501
- Duos : 2 voix-b.c. — Nestor, who did to thrice man's age attain • (1689) • Z.503
- Duos : 2 voix-b.c. — Were I to choose the greatest bliss • (1689) • Z.517
- Duos : 2 voix-b.c. — Lost is my quiet for ever • (1691) • Z.502
- Duos : 2 voix-b.c. — Why, my Daphne, why complaining ? • (1691) • Z.525
- Duos : 2 voix-b.c. — Fair Cloe, my breast so alarms • (1692) • Z.486
- Duos : 2 voix-b.c. — Underneath this myrtle shade • (1692) • Z.516
- Duos : 2 voix-b.c. — Dulcibella, when e'er I sue for a kiss • (1694) • Z.485
- Duos : 2 voix-b.c. — O dive custos Auriacae domus : 2 Sopranos • (1695) • Z.504
- Duos : 2 voix-b.c. — When Myra sings • (1695) • Z.521
Sheet music for Why, my Daphne, why complaining ? Purcell
The Moon Complaining — Winifred Bury
High Voice and Piano — Book Only — Classical
Composed by Winifred Bury. Classical. Book Only. Composed 2006. 4 pages. Paterson Ltd. #MUSPAT62128. Published by Paterson Ltd. (BT.MUSPAT62128).
Price: $8.00
Daphne (When Daphne from fair Phoebus did Fly) — Traditional
Harp — Score — Early Music,Repertoire,Folk,Celtic,Recital
Composed by Traditional. Arranged by Cynthia A. Boener. Early Music, Repertoire, Folk, Celtic, Recital. Score. 2 pages. Published by Cynthia Boener (S0.385121).
Price: $5.00
Paganini: Tre Duetti Concertanti per Violino e Fagotto — The Apollo Ensemble (Daphne Oltheten; Thomas Oltheten)
— listening CD — Classical
By The Apollo Ensemble (Daphne Oltheten; Thomas Oltheten). By Nicolo Paganini (1782-1840). Classical. Listening CD. Published by Centaur (NX.CRC3461).
Price: $16.00
Canon For Kings — Daphne Baker
Cello, Piano (optional), Violin I, Violin II, Violin III/Viola — —
Composed by Daphne Baker. With Standard notation. Spartan Press #514-02872. Published by Spartan Press (PR.514028720).
Price: $31.00
Why, Oh Tell Me Why (Burnt Grilled Cheese) — Jacob Bryant
Piano/Vocal/Chords — Score — 21st Century,Modern
Composed by Jacob Bryant. 21st Century, Modern. Score. 4 pages. Published by Jacob Donald Bryant (S0.268631).
Price: $2.00
Why Do The Heathen — Henry Purcell
Choir — Choral Score — Classical
Composed by Henry Purcell (1659-1695). Classical. Choral Score. Novello & Co Ltd. #MUSNOV460024. Published by Novello & Co Ltd. (HL.14026440).
Price: $5.00
Why Should Men Quarrel? — Henry Purcell
soprano, 2 treble recorders and piano; cello ad libitum — —
Song. Composed by Henry Purcell (1659-1695). Edited by Walter Bergmann. Sheet music. Schott. Schott Music #ED 11773. Published by Schott Music (HL.49014755).
Price: $4.00
Why Do The Heathen — Henry Purcell
String Ensemble Keyboard Continuo — Book Only —
Composed by Henry Purcell (1659-1695). Book Only. Novello & Co Ltd. #MUSNOV151017-011. Published by Novello & Co Ltd. (BT.MUSNOV151017-011).
Price: $27.00
Purcell Cortege, A — Henry Purcell
Concert Band — Score and Parts —
Composed by Henry Purcell (1659-1695). Arranged by Stephen Bulla. Print-instrumental Concert Band. FJH Masterworks for Concert Band. This four-movement work captures the essence of Henry Purcell's musical style. The scoring and ranges make this piece very idiomatic and accessible for all instruments. This is excellent teaching material and is ideal for any concert or festival appearanc. Score and Parts. Duration 6:24. The FJH Music Company Inc #B1085. Published by The FJH Music Company Inc (FJ.B1085).
Price: $60.00
Purcell Society Volume 30 — Henry Purcell
Voice — Book Only — Sacred
Sacred Music Part 6 Songs and Vocal Ensemble. Composed by Henry Purcell (1659-1695). Purcell Society Volume. Sacred. Book Only. Novello & Co Ltd. #MUSNOV151030. Published by Novello & Co Ltd. (HL.14028580).
Price: $54.00
(A) (B)
Soprano : Barbara Bonney Susan Gritton
(D) (Abd)
Ténor : Charles Daniels Basse : Michael George
(Basse de viole : Mark Caudle
Théorbe/Archiluth : David Miller - Orgue/clavecin : Robert King)
- 1Dgb -
Hyp 44161
- 1994 -
(C)
Soprano : Emma Kirby - Basse : David Thomas
Académie de musique ancienne
Direction : Christopher Hogwood
- £Agb -
Ol 425898.2