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Liste des compositions
Sheet music for Georg Rhaw
Komm, Heiliger Geist, Herre Gott - Pfingstmotette aus Georg Rhaw "Newe Deudsche Geistliche Gesenge" 1544 — Arnoldus de Bruck (1480-1554)
Mixed Choir (SATB) — —
Composed by Arnoldus de Bruck (1480-1554). Published by Thomi-Berg (TH.CLS-372).
The Swan as a Duo with Bach Prelude from Suite No 1 for 2 cellos ! — Camille Saint-Saens, J.S. Bach, Georg Mertens
Cello,String Duet — Set of Parts — Romantic Period,Baroque Period,European,Recital,Comedy
Composed by Camille Saint-Saens, J.S. Bach, Georg Mertens. Arranged by Georg Mertens. Romantic Period, Baroque Period, European, Recital, Comedy. Set of Parts. 6 pages. Published by Georg Mertens (S0.351263).
20 Flute Sonatas for Flute and Harpsichord or Piano - Scores and Part — Johann Sebastian Bach, Johann Friedrich Fasch, Georg Friedrich H√§ndel, Georg Philipp Telemann, Giuseppe Sammartini, Alessandro Scarlatti, Antonio Vivaldi
Harpsichord,Flute — Sheet Music Single,Solo Part — Baroque Period
Composed by Johann Sebastian Bach, Johann Friedrich Fasch, Georg Friedrich H√§ndel, Georg Philipp Telemann, Giuseppe Sammartini, Alessandro Scarlatti, Antonio Vivaldi. Arranged by Santino Cara. Baroque Period. Sheet Music Single, Solo Part. 317 pages. Published by Santino Cara (S0.331201).
— Listening CD, 1 disc — Classical
By Georg Katzer. By Georg Katzer. Classical. Listening CD, 1 disc. Published by Wergo (NX.WER73382).
Beethoven: Triple Concerto - Brahms: Double Concerto — Isaac Stern; Leonard Rose; Eugene Istomin; Cleveland Orchestra; Georg Szell; Georg Szell
— CD (1 disc) — Classical
By Isaac Stern; Leonard Rose; Eugene Istomin; Cleveland Orchestra; Georg Szell; Georg Szell. By Ludwig van Beethoven; Johannes Brahms. Country of Origin: Canada. Classical. CD (1 disc). Published by Naxos (NX.DHR-8047).
Cello — Solo Part — Contemporary Classical,Impressionistic,Modern,Repertoire,Recital
Composed by Georg Mertens. Contemporary Classical, Impressionistic, Modern, Repertoire, Recital. Solo Part. 20 pages. Published by Georg Mertens (S0.350749).
Oboe, Woodwinds — — Classical, Collection
Unaccompanied Oboe. Composed by Georg Phillipp Telemann and Georg Philipp Telemann (1681-1767). Arranged by Sidney Forrest. Woodwind Solos & Ensembles - Oboe Collection. Southern Music. Classical, Collection. 28 pages. Southern Music Company #B453. Published by Southern Music Company (HL.3770644).
Violin,Viola,Cello,Double Bass,String Orchestra,Solo Viola,Violin 1,Violin 2,Viola,Bass continuo — Score — Baroque Period,Repertoire
Composed by Georg Philipp Telemann (1681-1767). Baroque Period, Repertoire. Score. 18 pages. Published by Cann Music Publishing (S0.50333).
violin duet — —
Composed by Georg Philipp Telemann (1681-1767) and Georg Philipp Telemann (1681-1767). Edited by C. Herrmann and C. Herrmann. This edition: pamphlet. Published by Library Commerce (LC.39087008530521).
basset horn and piano (BaHn/Klav, Bassetthorn/Klavier) — Sheet Music (Bachformat (230 x 302)) —
Composed by Johann Georg Heinrich Backofen. Edited by Fritz-Georg Holy. Clarinet(s)/Basset Horn(s) & Other Instruments (KA/SL, Klavierauszug/Solostimme. Gh, Geheftet.). Sheet Music (Bachformat (230 x 302)). 48 pages. Edition Kunzelmann #GM-1275. Published by Edition Kunzelmann (PE.GM1275).
Georg Rhaw is mainly remembered for his arrangements of other composers’ works.
“David Munrow — Music for Ferdinand and Isabella of Spain | Instruments of the Middle Ages and Renaissance”, recorded by The Early Music Consort of London for the Testament label (no. SBT 1251) and directed by David Munrow, contains three arrangements by Rhaw: of “Le cuer de vous” by Antonio Gardano, of “29. Mon petit cueur” by Guillaume Le Heurteur and of “Amour organ” by the Franco-Flemish polyphonist Pierre De Manchicourt.
This German printer and composer became cantor at the prestigious Thomasschule in Leipzig (as later J.S. Bach) in 1518, but as one of Luther’s first followers he abandoned this post in 1520, and in 1523 became a schoolmaster in Wittenberg. He started a printing business there in 1525, and published many important collections of early Lutheran music including works by all the leading composers of the day who had Protestant sympathies. These publications contained simple congregational psalm settings and sacred songs, and also the more elaborate Masses and motets still used in Lutheran worship.
[This contribution is based on the HOASM-site which links below.]