Sheet music for Fantasia para flauta y piano
Concierto para Flauta Dulce Contralto, Flauta Traversa y Cuerdas / Concerto for Alto Recorder, Flute and Strings — Carlos Zamora
Flute,String Orchestra,Recorder,Alto Recorder — Score — Contemporary Classical
Composed by Carlos Zamora. Contemporary Classical. Score. 24 pages. Published by Editorial Nacional (S0.360271).
Price: $20.00
Fantasia N¬∞ 1 para flauta sola "Detmold" — Cesar Peredo
Flute,flauta sola,flute alone — Individual Part,Solo Part — 21st Century,Contemporary Classical,Folk,South American,Indian
Composed by Cesar Peredo. 21st Century, Contemporary Classical, Folk, South American, Indian. Individual Part, Solo Part. 4 pages. Published by Cesar Peredo (S0.707101).
Price: $14.00
Fantasia N¬∞ 2 para flauta sola "Calahuayo" — Cesar Peredo
Flute,Flauta sola,flute alone — Individual Part,Solo Part — 21st Century,20th Century,Contemporary Classical,World,South American
Composed by Cesar Peredo. 21st Century, 20th Century, Contemporary Classical, World, South American. Individual Part, Solo Part. 3 pages. Published by Cesar Peredo (S0.707111).
Price: $14.00
Fantasia N¬∞ 3 para flauta sola "Cieneguilla" — Cesar Peredo
Flute,flauta sola,flute alone — Individual Part,Solo Part — 21st Century,20th Century,Contemporary Classical,World,South American
Composed by Cesar Peredo. 21st Century, 20th Century, Contemporary Classical, World, South American. Individual Part, Solo Part. 5 pages. Published by Cesar Peredo (S0.707117).
Price: $14.00
S√©rgio Varalonga - "Lenda do Jap√£o", arranjo para Flauta e piano ("Japan's Legend", arranged for Flute & Piano by the composer) — S√©rgio Varalonga
Piano Accompaniment,Flute — Score,Solo Part — 21st Century,Contemporary Classical,Impressionistic,Post-Romantic,Neo-Classical
Composed by Sérgio Varalonga. Arranged by Sérgio Varalonga. 21st Century, Contemporary Classical, Impressionistic, Post-Romantic, Neo-Classical. Score, Solo Part. 6 pages. Published by Sérgio Varalonga (S0.625265).
Price: $3.00
Sonatina para flauta e piano — Camargo Guarnieri
Piano Accompaniment,Flute — Individual Part,Score — 20th Century,South American
Composed by Camargo Guarnieri. 20th Century, South American. Individual Part, Score. 27 pages. Published by Musica Brasilis (S0.238981).
Price: $5.00
7 variaciones sobre un tema de Mozart —
Cello and Piano — Book Only — Classical
La Flauta Magica, para Violoncello y Piano. Carisch - Music Sales. Classical. Book Only. 10 pages. Real Musical #REALMK16686. Published by Real Musical (HL.14045684).
Price: $12.00
El Album Del Flautista O Ramillete De Salon — Eusebio Gonzalez Val
Flute and Piano — Book Only — Classical
Para Flauta Y Piano. Composed by Eusebio Gonzalez Val. Carisch - Music Sales. Classical. Book Only. 88 pages. Real Musical #REALMK16774. Published by Real Musical (HL.14045718).
Price: $25.00
Aria Antigua Para Flauta Y Piano — Joaquin Rodrigo
Flute and Piano — Book Only —
Composed by Joaquin Rodrigo (1901-1999). Book Only. 8 pages. Union Musical Ediciones #MUSUME21644. Published by Union Musical Ediciones (BT.MUSUME21644).
Price: $6.00
Carinita, para flauta y piano — Daniel Vargas
Piano Accompaniment,Flute — Individual Part,Set of Parts — 21st Century,20th Century,Repertoire,World,South American
Composed by Daniel Vargas. 21st Century, 20th Century, Repertoire, World, South American. Individual Part, Set of Parts. 6 pages. Published by Daniel Vargas (S0.413051).
Price: $6.00
The Fantasy for flute and piano was finished on March 31, 2007, and is dedicated to María Victoria Gómez and Alicia Correas, who premiered it the same year. The language is predominantly tonal, but certain passages use arpeggios with several just and augmented fourths, a characteristic technique in other works by the author. The work begins with a brief introduction followed by a piano ostinato which acompanies a very slow tetrachord in the low register of the flute, which will be used later as a motivic resource by diminution to different degrees. An episode with iridescent harmonies leads to a piano interlude featuring the arpeggios mentioned earlier and then a third theme is presented in which a chord counterpoint is pucntuated by several augmented arpeggios on both instruments. A new series of arpeggios of fourths, interrupted by a brief bucolic interlude, takes us back to the third theme and finally to the initial ostinato, which this time fades into one last arpeggio interlude. Then a lyric passage leads to a brief recapitulation. Although for a moment it seems that the work will be ending with a luminous G major harmony, the discourse is dramatically interrupted by a dark atonal coda.