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Antonio Lotti

Antonio Lotti

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Naissance
appr.
1667
Venezia
Italie
Groupes
Italie
Baroque composers
Organists
♂
Mort
Mardi, Janvier 5, 1740
Venezia
Italie
Age: 
73

Liste des compositions

Cliquez une catégorie pour voir toutes compositions de Antonio Lotti dans cette catégorie. Cliquez le titre d'une composition pour voir informations plus détaillées.

Musique lyrique

Achille Placato • (1707) • Opéras
Alessandro Severo • (1716) • Opéras
Ama Piu chi Men si Crede • (1709) • Opéras
Ascanio ou Gli Odi Delusi dal Sangue • (1718) • Opéras
Ciro in Babilonia • (1716) • Opéras
Comando non Inteso et Ubbidito (Il) • (1709) • Opéras
Costantino • (1716) • Opéras
Foca Superbo • (1716) • Opéras
Forza del Sangue (La) • (1711) • Opéras
Giove in Argo • (1717) • Opéras
Giustino • (1693) • Opéras
Infedelta Punita (L') • (1712) • Opéras
Irene Augusta • (1713) • Opéras
Isacio Tiranno • (1710) • Opéras
Polidoro • (1714) • Opéras
Porsenna • (1712) • Opéras
Quattro Elementi (Li) : carrousel théatral • (1719) • Opéras
Sidonio • (1706) • Opéras
Teofane • (1719) • Opéras
Teuzzone • (1707) • Opéras
Tirsi • (1696) • Opéras
Tradimento Traditor di se Stesso (Il) • (1711) • Opéras
Trionfo dell'Innocenza (Il) • (1692) • Opéras
Vincitor Generoso (Il) • (1708) • Opéras
Ninfa Apollo (La) • (1709) • Opéras comiques
Cortulla e Lardone : intermezzo • (1707) • After plays
Dragontana e Policrone : intermezzo • (1707) • After plays
Griletta e Serpillo : intermezzo • After plays
Rovine di Troja (Le) : intermezzo • (1707) • After plays
Triumphus Fidei • perdu • (1712) • Oratorios sacrés
Gioas, Re di Giuda • perdu • Oratorios sacrés
Giuditta (La) • perdu • (1701) • Oratorios sacrés
Judith • perdu • Oratorios sacrés
Ritorno di Tobia (Il) • perdu • (1723) • Oratorios sacrés
Ultima Coronata in Esther (L') • (1714) • Oratorios sacrés
Voto Crudele (Il) • (1712) • Oratorios sacrés

Musique sacrée

Messe 'A Palestrina' : 4 voix • Messes
Messe 'Sapientiae' : 5-6 voix-orchestre • Messes
Messes • Messes
Benedictus : 4 voix • Ordinaire de la messe
Credo • Ordinaire de la messe
Crucifixus : 5-10 voix • Ordinaire de la messe
Fragments de messes • Ordinaire de la messe
Requiem • Requiems
Requiem : 5 voix • Requiems
Requiems : 4 voix • Requiems
Magnificat : 2 voix • Magnificat
Magnificat : 4 voix • Magnificat
Magnificat : 4 voix • Magnificat
Magnificat : 5 voix • Magnificat
Psaumes des vêpres • Fragments des offices - Leçons
Miserere : 4 voix-b.c. • Miserere
Miserere : 4-8 voix • Miserere
Salve regina : 2-6 voix • Antiennes - Antiphones - Répons
Salve Regina : Alto-orchestre • Antiennes - Antiphones - Répons
Salve Regina : Soprano-orchestre • Antiennes - Antiphones - Répons
Confitebor tibi : 4-6 voix • Psaumes
Dixit Dominus : 5-6 voix • Psaumes

Musique vocale

Cantate "Daliso io piu non veggio" : Soprano-Alto-cordes-b.c. • Cantates : 2 voix et plus avec orchestre
Cantate "Le stelle fortunate" : Soprano-Basse-cordes-b.c. • Cantates : 2 voix et plus avec orchestre
Cantate "Il tributo degli dei" : 4 voix-cordes • (1736) • Cantates : choeur-instruments
Cantate "Spirto di Dio" • (1736) • Cantates : choeur-instruments
Cantates : Alto-b.c. • Cantates : voix-instrument ou b.c.
Cantates : Soprano-b.c. • Cantates : voix-instrument ou b.c.
Cantates : Soprano-instrument-b.c. • Cantates : voix-instruments
Cantates : voix-instruments • Cantates : voix-orchestre
Madrigaux • Choeurs isolés
Arias : voix-orchestre • Mélodies isolées : voix-orchestre
Madrigal del Bucintoro "Spirto di Dio ch'essendo il mondo" : 4vx • (1736) • Oeuvres vocales isolées : 2 voix et plus
Madrigaux • Op. 1/ 3 • Recueil oeuvres vocales : 2 voix et plus
Duos • Op. 1/ 1 • (1705) • Recueil oeuvres vocales : 2 voix et plus
Trios • Op. 1/ 2 • (1705) • Recueil oeuvres vocales : 2 voix et plus

Musique instrumentale

Musique de chambre

Trio : flute-viole de gambe-clavecin • Trios instruments identiques
Trios : cordes • Trios instruments identiques
Sonate : flute-hautbois d'amour-b.c. • Trios 2 instruments avec B.C.
Sonates : violon-b.c. • Duos instruments différents
Trio : 2 hautbois-basson-contrebasse • Musique de chambre corde-vent

Musique symphonique

Sinfonie • Symphonie

Musique concertante

Concerto : hautbois d'amour-cordes • Concertos pour hautbois

Compositions sorted on opus (if available)

Op. 1/ 1

Duos • (1705) • Recueil oeuvres vocales : 2 voix et plus

Op. 1/ 2

Trios • (1705) • Recueil oeuvres vocales : 2 voix et plus

Op. 1/ 3

Madrigaux • Recueil oeuvres vocales : 2 voix et plus

perdu

Gioas, Re di Giuda • Oratorios sacrés
Judith • Oratorios sacrés
Giuditta (La) • (1701) • Oratorios sacrés
Triumphus Fidei • (1712) • Oratorios sacrés
Ritorno di Tobia (Il) • (1723) • Oratorios sacrés

Sheet music for Antonio Lotti

These are automatic search results at SheetMusicPlus.com. Not all results may be relevant.

Crucifixus a 10 by Antonio Lotti (Bassoon Choir) — Antonio Lotti

Bassoon Choir — Score,Set of Parts — Baroque Period,Christian
Composed by Antonio Lotti (1667-1740). Arranged by Richard Byrnes. Baroque Period, Christian. Score, Set of Parts. 21 pages. Published by R. Byrnes Music, LLC (S0.205273).
Price: $24.00

Crucifixus a 10 by Antonio Lotti (Brass Choir) — Antonio Lotti

Brass Choir or Ensemble — Score,Set of Parts — Baroque Period,Christian
Composed by Antonio Lotti (1667-1740). Arranged by Richard Byrnes. Baroque Period, Christian. Score, Set of Parts. 20 pages. Published by R. Byrnes Music, LLC (S0.205275).
Price: $24.00

Crucifixus a 10 by Antonio Lotti (Clarinet Choir) — Antonio Lotti

Clarinet Choir — Score,Set of Parts — Baroque Period,Christian
Composed by Antonio Lotti (1667-1740). Arranged by Richard Byrnes. Baroque Period, Christian. Score, Set of Parts. 20 pages. Published by R. Byrnes Music, LLC (S0.205277).
Price: $24.00

Crucifixus a 10 by Antonio Lotti (Conical Brass Choir) — Antonio Lotti

Conical Brass Choir — Score,Set of Parts — Baroque Period,Christian
Composed by Antonio Lotti (1667-1740). Arranged by Richard Byrnes. Baroque Period, Christian. Score, Set of Parts. 20 pages. Published by R. Byrnes Music, LLC (S0.205279).
Price: $24.00

Crucifixus a 10 by Antonio Lotti (Double Reed Choir) — Antonio Lotti

Double Reed Choir — Score,Set of Parts — Baroque Period,Christian
Composed by Antonio Lotti (1667-1740). Arranged by Richard Byrnes. Baroque Period, Christian. Score, Set of Parts. 20 pages. Published by R. Byrnes Music, LLC (S0.205281).
Price: $24.00

Crucifixus a 10 by Antonio Lotti (Euphonium-Tuba Choir) — Antonio Lotti

Euphonium-Tuba Choir — Score,Set of Parts — Baroque Period,Christian
Composed by Antonio Lotti (1667-1740). Arranged by Richard Byrnes. Baroque Period, Christian. Score, Set of Parts. 20 pages. Published by R. Byrnes Music, LLC (S0.205283).
Price: $24.00

Crucifixus a 10 by Antonio Lotti (Flute Choir) — Antonio Lotti

Flute Choir — — Baroque Period,Christian
Composed by Antonio Lotti (1667-1740). Arranged by Richard Byrnes. Baroque Period, Christian. 20 pages. Published by R. Byrnes Music, LLC (S0.205285).
Price: $24.00

Crucifixus a 10 by Antonio Lotti (Saxophone Choir) — Antonio Lotti

Saxophone Choir — Score,Set of Parts — Baroque Period,Christian
Composed by Antonio Lotti (1667-1740). Arranged by Richard Byrnes. Baroque Period, Christian. Score, Set of Parts. 20 pages. Published by R. Byrnes Music, LLC (S0.205287).
Price: $24.00

Crucifixus a 10 by Antonio Lotti (String Orchestra) — Antonio Lotti

String Orchestra — Score,Set of Parts — Baroque Period,Christian
Composed by Antonio Lotti (1667-1740). Arranged by Richard Byrnes. Baroque Period, Christian. Score, Set of Parts. 20 pages. Published by R. Byrnes Music, LLC (S0.205289).
Price: $24.00

Crucifixus a 10 by Antonio Lotti (Trombone Choir) — Antonio Lotti

Trombone Choir — Score,Set of Parts — Baroque Period,Christian
Composed by Antonio Lotti (1667-1740). Arranged by Richard Byrnes. Baroque Period, Christian. Score, Set of Parts. 31 pages. Published by R. Byrnes Music, LLC (S0.205291).
Price: $24.00

Find scores for Antonio Lotti at Sheet Music Plus.
Biography: 

One of his pieces is as follows: "Pur Dicesti, o Bocca Bella" Which when translated means "Gently Murmur". Lotti sang as a choir boy under Legrenzi’s direction at St. Marks Cathedral in Venice. He later became the music director there. He wrote about 30 operas and many cantatas. Origin of this aria above isn’t known.

(contribution by <jtmsu16476@aol.com>)

JF Bedel <avecensemble@noos.fr> writes:
I think he was born in Hanôvre and came in Venice at 17 years old and stay there until his death (1740).
He wrote only 16 operas and not 30 (only 11 of them are available nowadays).
I’m actually working on a video from his requiem and looking for a portrait of him. If you have any ideas about a way to get that, please let him know.

Soumis par Jean-Paul Giraudet le 2004-06-11 17:19.
Dernière modification: 
2014-06-05 16:19

Contributors for this composer

jtmsu ✔
avecensemble ✔