Vous êtes ici
Warning: images may be copyrighted. If no copyright is shown, see their site of origin for details, or contact me.
Liste des compositions
Sheet music for Abel-Marie Decaux
Yorick-Alexander Abel: Hommage a Pablo Casals — Yorick-Alexander Abel
— — Classical
By Yorick-Alexander Abel. By Enric Casals, Yorick-Alexander Abel, and Johann Sebastian Bach (1685-1750). Classical, Solo Instrumental. Classical. Naxos #8551418. Published by Naxos (NX.8551418).
C. F. ABEL TRIO No. 1 IN G MAJOR — CARL FRIEDRICH ABEL (1723 - 87)
Flute,Oboe,Clarinet,Bassoon,Woodwind Trio,Violin,FLUTE OR OBOE OR CLARINET OR VIOLIN 1 & 2,BASSOON OR CELLO — Score,Set of Parts — Classical Period,Repertoire,European,Recital
Composed by CARL FRIEDRICH ABEL (1723 - 87). Arranged by PAT SPENCE. Classical Period, Repertoire, European, Recital. Score, Set of Parts. 36 pages. Published by Piper Publications (S0.311149).
Concerto in D major — Carl Friedrich Abel
flute, orchestra — piano reduction — Classical period
Piano reduction. Composed by Carl Friedrich Abel (1723-1787). Edited by Ulrich Leisinger. Carl Friedrich Abel most likely wrote his Flute Concerto in Dresden before moving to London in 1759. The striking rhythms and transparent orchestral texture were inspired by the Italianate style of Johann Adolf Hasse. Classical period. Piano reduction. Breitkopf and Haertel #MR-2261. Published by Breitkopf and Haertel (BR.MR-2261).
ABEL TRIO No. 2 IN D MAJOR WK. 99 FOR FLUTE, VIOLIN & CELLO OR BASSOON — Carl Friedrich Abel (1723 - 1787)
Flute,Bassoon,Violin,Cello — Score,Set of Parts — Classical Period,Repertoire,Graduation,Recital
Composed by Carl Friedrich Abel (1723 - 1787). Arranged by edited by Pat Spence. Classical Period, Repertoire, Graduation, Recital. Score, Set of Parts. 28 pages. Published by Piper Publications (S0.749277).
Carl Friedrich Abel, Sonata in C — Carl Friedrich Abel
Double Bass — Individual Part — Baroque Period
Composed by Carl Friedrich Abel (1723-1787). Arranged by Klaus Stoll. Baroque Period. Individual Part. 6 pages. Published by Mesa Music Publishing (S0.660035).
Alan Abel Snare Drum Solos — Alan Abel
Snare Drum Solo — Book — 20th Century
Composed by Alan Abel. 20th Century. Book. 8 pages. LudwigMasters Digital #50610003. Published by LudwigMasters Digital (XM.50610003).
Abel Romero: Convergencias — Abel Romero
— — Classical
By Abel Romero and Onix Ensamble. By Eduardo Caballero, Gonzalo Macias, Ignacio Baca Lobera, Juan Jose Barcenas, Mario Mary, and Mario Lavista. Classical, Chamber Music. Classical. Urtext Digital Classics #jbcc278. Published by Urtext Digital Classics (NX.JBCC278).
Diccionario de la escuela Abel Carlevaro — Abel Carlevaro
Nomenclatura alfabetica: definiciones y explicationes. Composed by Abel Carlevaro (1916-2001). Sheet music. MDS (Music Distribution Services) #BBA 4077. Published by MDS (Music Distribution Services) (M7.BBA-4077).
A Guitar Lesson with Abel Carlevaro — Abel Carlevaro
— DVD —
Didactic. Composed by Abel Carlevaro (1916-2001). DVD. With Standard notation. Chanterelle #ECH9767. Published by Chanterelle (PR.ECH9767).
Variations on a Theme by Paganini — Abel Lifschutz
Piano Solo — Solo Part — 21st Century,Romantic Period,Contemporary Classical
Composed by Abel Lifschutz. 21st Century, Romantic Period, Contemporary Classical. Solo Part. 18 pages. Published by Abel Lifschutz (S0.513979).
Decaux has possibly the smallest output of any composer, uness there are
unknown, unpublished pieces - just one work, ‘Clairs de Lune’ for piano.
Perhaps these could be regarded as four works, for there are four constituent
movements, written at different times: 1 ‘Minuit passe’ (1900), 2 ‘La ruelle’
(1902), 3 ‘La cimitiere’ (1907), 4 La Mer (1903). A fifth piece was planned but
not written. Despite the smallness of this output, ‘Clairs de Lune’ is an
impressive and important cycle, influenced by Symbolism,
highly chromatic, yet rigorously controlled by a harmonic-motivic cell in a
manner that presages Roslavets, say, or even Schönberg. Nothing like this had
appeared in French music before.
Decaux studied at the Paris Conservatoire with Massenet for composition, and
with Widor and Guilmant for organ. He was oganist of the Church of Sacre-Coeur
de Montmartre for 25 years, and professor of organ at the Schola Cantorum under
d’Indy. From 1923 to 1937 he taught (organ, presumably) at the Eastman School
in Rochester, New York. He was famous as an improviser, though his ‘Clairs de
Lune’ is anything but improvisational in character.
- Connectez-vous ou inscrivez-vous pour publier un commentaire