Ricardo Castro Herrera
| Ricardo | Castro |
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Liste des compositions
Compositions sorted on opus (if available)
inachevé
Op. 1
Op. 22
Op. 27
Sheet music for Ricardo Castro Herrera
Moonlight -Song for a double reed quartet — Ernesto Herrera
Oboe,English Horn,Bassoon,Woodwind Quartet,Woodwind Choir or Ensemble,Contrabassoon (Double Bassoon) — Score,Set of Parts — 21st Century,Modern
Composed by Ernesto Herrera. 21st Century, Modern. Score, Set of Parts. 6 pages. Published by Ernesto Herrera (S0.121235).
Price: $10.00
Sorrow's Light -Piano Composition — Ernesto Herrera
Piano,Piano Solo,Keyboard/Synthesizer, — Individual Part,Score,Sheet Music Single,Solo Part — 21st Century,Modern
Composed by Ernesto Herrera. 21st Century, Modern. Individual Part, Score, Sheet Music Single, Solo Part. 1 pages. Published by Ernesto Herrera (S0.121251).
Price: $5.00
Obras Escogidas - Volume 1 — Ricardo Castro
Piano Solo — Softcover — Classical
Piano Solo. Composed by Ricardo Castro. Peermusic Classical. Classical. Softcover. 36 pages. Peermusic #62337-501. Published by Peermusic (HL.229270).
Price: $19.00
Obras Escogidas - Volume 2 — Ricardo Castro
Piano Solo — Softcover — Classical
Piano Solo. Composed by Ricardo Castro. Peermusic Classical. Classical. Softcover. 48 pages. Peermusic #62338-501. Published by Peermusic (HL.229271).
Price: $29.00
ANAUCO IV movimiento Sinfon√≠a coral — Dr. Ricardo Jos√© Romero N√∫√±ez
Flute,Oboe,Clarinet,English Horn,Bassoon,Trumpet,Trombone,Tuba,Horn in F,Violin,Viola,Cello,Double Bass,Timpani,Voice,Soprano Voice,Alto Voice,Tenor Voice,Baritone Voice,Bass Voice,Choir,SATB,Full Orchestra — Set of Parts — Classical Period,World
Composed by Dr. Ricardo José Romero Núñez. Arranged by Dr. Ricardo José Romero Núñez. Classical Period, World. Set of Parts. 43 pages. Published by Ricardo José Romero Núñez (S0.645767).
Price: $36.00
ANAUCO I Movimiento — Dr. Ricardo Jos√© Romero N√∫√±ez
Flute,Oboe,Clarinet,English Horn,Bassoon,Trumpet,Trombone,Tuba,Horn in F,Violin,Viola,Cello,Double Bass,Timpani,Soprano Voice,Alto Voice,Tenor Voice,Bass Voice,SATB — Set of Parts — 21st Century,Musicals,World
Composed by Dr. Ricardo José Romero Núñez. Arranged by Dr. Ricardo José Romero Núñez. 21st Century, Musicals, World. Set of Parts. 34 pages. Published by Ricardo José Romero Núñez (S0.552693).
Price: $20.00
Pasacaglia 1 — Ricardo Montoya
Piano Solo — — Baroque Period
Composed by Ricardo Montoya. Arranged by Ricardo Montoya. Baroque Period. 2 pages. Published by Ricardo Montoya (S0.584423).
Price: $3.00
Pasacaglia 2 — Ricardo Montoya
Piano Solo — Individual Part — Baroque Period,European
Composed by Ricardo Montoya. Arranged by Ricardo Montoya. Baroque Period, European. Individual Part. 2 pages. Published by Ricardo Montoya (S0.584427).
Price: $3.00
cuarteto para viol√≠n I , viol√≠n II , Violoncello y contrabajo — Dr. Ricardo Jos√© Romero N√∫√±ez
Violin,Cello,Double Bass,String Quartet,String Orchestra,viol√≠n i,Viol√≠n II,Violoncello y Contrabajo — Score — General Worship
Composed by Dr. Ricardo José Romero Núñez. Arranged by Dr. Ricardo José Romero Núñez. General Worship. Score. 2 pages. Published by Ricardo José Romero Núñez (S0.237295).
Price: $2.00
Canon de la vocalizaci√≥n — Dr. Ricardo Jos√© Romero N√∫√±ez
Soprano Voice,Alto Voice,Tenor Voice,Bass Voice — Score — General Worship
Composed by Dr. Ricardo José Romero Núñez. Arranged by Dr. Ricardo José Romero Núñez. General Worship. Score. 3 pages. Published by Ricardo José Romero Núñez (S0.237303).
Price: $2.00
Piano music:
- Amor filial, fantasia poetica (1880)
- Vals Capricho, Op. 1
- Nerveux et Gracieux, Deux mazurkas, Op. 3
- Clotilde, vals elegante, Op. 4
- Ballade en sol mineur, Op. 5
- Scherzino, Op. 6
- Douze etudes pour piano d’apres Clementi, Op. 7
- Trois pensées musicales, Op. 8
- Appassionato
- Melodie
- Menuet
- Valse intime, Op. 9, no. 1
- Minueto en La bemol, Op. 9, no. 2
- Aires nacionales mexicanos, Capricho brillante, Op. 10
- Polonaise, Op. 11
- Laender, Op.12, no. 1
- Valse-bluette, Op. 12, no. 2
- Six préludes, Op. 15
- Feuille d’album
- Barcarole
- Rêve
- Sérènade
- Nocturne
- Etude
- Près du Ruisseau, Op. 16
- Valse impromptu, Op.17
- Suite, Op. 18
- Prélude — Moderato
- Sarabande — Andante
- Caprice —- Vivo
- Valse rêveuse, Op. 19
- Estudio de concierto, no. 1, 2, Op. 20
- Minué, Op. 23
- Deux morceux de concert, Op. 24
- Gondoliera (Souvenir de Venise)
- Tarantella
- Valse de concert, Op. 25
- Valse arabesque, Op.26, no. 1
- Berceuse, Op. 26, no. 2
- Impromptu en forma de valse, Op. 28, no. 1
- Impromptu en forma de polca, Op. 28, no. 2
- Improvisaciones, 8 danzas características mexicanas, Op. 29
- Deux pieces intimes, Op. 30
- Valse sentimentale
- Barcarolle
- Vals amoroso, Op. 31, no. 2
- Menuet a Ninon, Op. 32
- Moment de valse, Op. 34, no. 1
- Petite Marche militaire, Op. 34, no. 2
- Berceuse, Op. 36, no. 1
- Valse mélancolique, Op. 36, no. 2
- Barcarolle, Op. 37, no. 1
- Valse fugitive, Op. 37, no. 2
- Menuet rococo, Op. 38, no. 1
- Plainte, Op. 38, no. 2
- Valse printanière, Op. 39
- Menuet humoristique, Op. 40
- Impromptu, Op.41
- Scherzando, Op. 42
- Fileuse, Op. 43
- Nostalgie, Op. 44
- Gavotte et Musette, Op. 45
- Mazurka, Op. 46
- Thème Varié, Op. 47
- Primero nocturno en Si menor, Op. 48
- Segundo nocturno en Fa# menor, Op. 49
- Alegría de corazón
- Canción sin palabras
- Canto de amor
- Cuatro danzas
- Coqueteria
- Declaración
- Si...
- En vano
- Danza frivola
- Deuxième polonaise
- Josefina, Vals
- Mazurca en si menor
- Mazurca melancólica
- Scherzetto
- Soirées mondaines (Cinq valses legéres)
- Vibration d’amour
- Parfums de Vienne
- Paris entrainant
- Fleurs, femmes et chant
- Frivole passionnée
- Valse capricieuse
- Vals caressante (Vals cariñoso)
Ricardo Castro, pianist and composer was director of the National Conservatory, and there was assisted by a corps of teachers, consisting of fifty-five professors, nearly all Mexicans.
Señor Castro was Mexico’s foremost pianist and composer. His opera, “La Leyenda de Rudel” (“The Legend of Rudel”) has distinct merit and has found great popular favor. An Italian opera company playing in the city of Mexico offered their services for the first production of the opera, which took place in October of 1906, and was a signal triumph, not only for Ricardo Castro, but for Mexico, for it demonstrated the fact that there is latent talent among the people and that only careful development is necessary to produce a national music worthy of universal recognition.
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