Musical works (as of 2003)

Solo

• School of Velocity for piano (14’), in 3 movements (1992), commissioned by Donald Berman; recorded by him on CRI CD 812 (1999).
• Lumen I, Lumen II for flute (8’), in 2 movements (2001).

Chamber

• Learning to Swim for clarinet and piano (6’) (1989).
• Tranced for violin and piano (6’) (1990); commissioned by the Massachusetts Music Teachers Association and the Music Teachers National Association.
• Echoi for violin and piano (14’), in 3 movements (1999).
• Sppooo for celesta and vibraphone (11’), in 5 movements (2001).
• Tesserae for viola and piano (7’) (2002); commissioned by Jonathan Bagg.
• Uncle Inferno for piano, 6 hands (7’), in 3 movements (1987); commissioned by the Longy School of Music; received 1990 Composers Guild First Prize (music for children), recorded by pianists Donald Berman, Sandra Hebert, Marti Epstein on CRI CD 812.
• Clarion/Shadowing for clarinet, violin, and piano (12’), in 2 movements (1992) received 1994 International Clarinet Association Competition honorable mention; recorded by Ian Greitzer, clarinet, Cyrus Stevens, violin, Donald Berman, piano on CRI CD 812.
• Tema for string quartet (12’) (1987); commissioned by the Boston Composers String Quartet; received 1990 Composers Guild First Prize and 1988 Malloy Miller Composition Prize (Boston University).
• Cloches for piano, violin, viola, cello (9’) (1995); commissioned by the Boston Conservatory Chamber Ensemble.
• Quaterna for saxophone quartet, in 3 movements (17’) (1998); commissioned by the Rascher Saxophone Quartet.
• Roulade for flute, harp, and string trio (8’) (1991); received 1992 Lee Ettelson Composers Award from Composers, Inc.; recorded by Christine Fish, flute, Susan Robinson, harp, Clayton Hoener, violin, Scott Woolweaver, viola, Andrew Mark, cello on CRI CD 812.
• Cortege for brass quintet (15’), in 3 movements (1994); commissioned by the Brass Consortium and funded by the National Endowmant for the Arts.
• Still Raining, Still Dreaming for 6 players: flute/piccolo, clarinet/bass clarinet, piano, percussion, violin, cello (7’) (1996); commissioned by Boston Musica Viva and the Barlow Endowment for Music Composition.
• Twenty Ways Upon the Bells for 7 players: flute/piccolo, clarinet/bass clarinet, piano/celesta, percussion, violin, viola, cello (9’) (1994); commissioned by the Dinosaur Annex Music Ensemble and funded by the National Endowmant for the Arts; received 1997 Heckscher Foundation Composition Prize; recorded by Dinosaur Annex Music Ensemble, Scott Wheeler, conductor on CRI CD 812.
• Cloches II for 8 players: flute/piccolo, clarinet/bass clarinet, piano, percussion, violin, viola, cello, contrabass (9’) (1997); commissioned by Musica dOggi; recorded by Dinosaur Annex Music Ensemble, Scott Wheeler, conductor on CRI CD 812.

Vocal

• Three Songs from Yeats for soprano, 2 harps, and 2 pianos (14’) (1986).
• The Applicant (Sylvia Plath) for narrator and string quartet (8’) (1986).

Orchestra

• Catena for piano and chamber orchestra: 1120, 2110, celesta, piano, 2 percussion, strings (15’), in 3 movements (2000); commissioned by the New Juilliard Ensemble; recorded by Dinosaur Annex Chamber Orchestra, Scott Wheeler, conductor, Donald Berman, piano (release pending).
• Furies for chamber orchestra (in progress); funded by the Guggenheim Foundation.
• Parallel Universe for string orchestra (in progress); funded by the Guggenheim Foundation.
• Times Arrow for orchestra: 2222, 2210, harp, piano, 2 percussion, strings (15’), in 2 movements (1995).