Lera Auerbach
| Lera | Auerbach |
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Liste des compositions
Música instrumental
Música de cámera
Música lírica
Música concertanta
Música sinfonica
Música vocal
Música sacra
Compositions sorted on opus (if available)
80 numéros
Op. 19
Op. 27
Op. 28
Op. 31
Op. 33
Op. 33A
Op. 34
Op. 38
Op. 39
Op. 40
Op. 41
Op. 42
Op. 43
Op. 44
Op. 45
Op. 46
Op. 47
Op. 47B
Op. 52
Op. 54
Op. 56
Op. 57
Op. 58
Op. 59
Op. 60
Op. 61
Op. 63
Op. 64
Op. 65
Op. 66
Op. 68
Op. 69
Op. 70
Op. 72
Op. 75
Op. 76
Op. 77
Op. 79
Op. 80
Sheet music for Lera Auerbach
Preludes and Dreams — Lera Auerbach
— listening CD —
By Lera Auerbach. By Lera Auerbach (1973-). Listening CD. Published by BIS Records (NX.BIS-CD-1462).
Price: $21.00
Auerbach: 72 Angels — Lera Auerbach
— CD — Classical
Composed by Lera Auerbach (1973-). Classical. CD. Alpha #ALPHA593. Published by Alpha (NX.ALPHA593).
Price: $18.00
24 Preludes — Lera Auerbach
Piano — — Classical
For Piano. Composed by Lera Auerbach (1973-). Piano. Classical. 60 pages. Sikorski #SIK8536. Published by Sikorski (HL.50486628).
Price: $57.00
24 Preludes with Postlude — Lera Auerbach
Cello, Piano Accompaniment — — Classical
Cello and Piano. Composed by Lera Auerbach (1973-). String. Classical. 124 pages. Sikorski #SIK8508. Published by Sikorski (HL.50486980).
Price: $74.00
Images from Childhood (Bilder Der Kindheit) — Lera Auerbach
Piano/Keyboard — Softcover — Classical
12 Character Pieces for Piano. Composed by Lera Auerbach (1973-). Piano. Classical. Softcover. 16 pages. Sikorski #SIK2405. Published by Sikorski (HL.50486978).
Price: $12.00
24 Preludes for Violin and Piano — Lera Auerbach
Piano, Violin — —
Composed by Lera Auerbach (1973-). String. 106 pages. Sikorski #SIK8507. Published by Sikorski (HL.50485671).
Price: $70.00
T'filah and Lonely Suite — Lera Auerbach
Violin — — Classical
For Violin Solo. Composed by Lera Auerbach (1973-). Classical. 12 pages. Sikorski #SIK8545. Published by Sikorski (HL.50486630).
Price: $16.00
Trio No. 1 — Lera Auerbach
Piano Trio — Softcover — Classical
Violin, Violoncello, and Piano. Composed by Lera Auerbach (1973-). String Ensemble. Classical. Softcover. 52 pages. Sikorski #SIK8715. Published by Sikorski (HL.50499321).
Price: $46.00
10 Dreams — Lera Auerbach
Piano — — Classical
For Piano. Composed by Lera Auerbach (1973-). Piano. Classical. 28 pages. Sikorski #SIK8612. Published by Sikorski (HL.50486893).
Price: $31.00
Primera Luz (The First Light) — Lera Auerbach
String Quartet — — Classical
String Quartet No. 2 Score and Parts. Composed by Lera Auerbach (1973-). String Ensemble. Classical. 70 pages. Sikorski #SIK8576. Published by Sikorski (HL.50490495).
Price: $56.00
Orchestral works
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Concerto no. 1 for piano and orchestra Op. 39 1997-98
Commissioned by and dedicated to Herbert and Beverly Gelfand
1. Part I: River of Loss
2. Part II: Dialogue with Time
3. Part III: Wind of Oblivion
Duration: 38’
3 (picc).3(cor anglais).3.3(db bn) - 4.3.3(bass tbn).1 - timp. 3 perc (tgl, ratchet,
temple bl, rain-stick, tamb, snare dr, bass dr, cym, bells, gong, xyl, vibr). harp.
strings (16/14/12/10/8)
First performance (Part I): 18 November 1999, Newark
Lera Auerbach, piano - New Jersey Symphony - David Commanday, conductor
First performance (Part I - III): 18 November 2000, Yaroslavl
Lera Auerbach, piano - Yaroslavl Philharmonic - Murad Annamamedov, conductor -
Dialogue with time Op. 39b 1997
for orchestra
(Part II of the piano concerto - it can be performed separately as an orchestral
piece with the piano being part of the orchestra.)
Duration: 8’
3 (picc).3(cor anglais).3.3(db bn) - 4.3.3(bass tbn).1 - timp. 3 perc (tgl, ratchet,
temple bl, rain-stick, snare dr, gong, bass dr, cym, bells, xyl, vibr). harp. piano.
strings (16/14/12/10/8) -
Double concerto for violin, piano and orchestra Op. 40 1997
Dedicated to Vadim Gluzman and Angela Yoffe
1. Moderato
2. Chorale (Andante religioso)
3. Vivace
Duration: 31’
3 (picc).3(cor anglais).2(bass cl).2(db bn) - 4.3.2.1, 3 perc (timp, tgl, tamb,
snare dr, bass dr, cym, gong, xyl, ratchet, rain-stick, cel). strings (16/14/12/10/8) -
Concerto no. 1 for violin and orchestra Op. 56 2000/03
Dedicated to Philippe Quint
Commissioned by the American Youth Symphony
1. Grandioso
2. Moderato
3. Andante religioso
4. Allegro
Duration: 23’
1(picc).1(cor anglais).1(bass cl).1(db b) - 2.0.0.0 - perc (timp, tgl, chimes,tempel bl, tambourine, snare dr, bass dr, cym, gong, glsp, xyl, vibr, musical saw). harp. cel. strings
First performance: 22 February 2004, Los Angeles
Philippe Quint, violin - American Youth Symphony - Alexander Treger,
conductor -
Suite Op. 60 2001
for violin, piano and string orchestra
Dedicated to Gidon Kremer
Commissioned by Gidon Kremer and Kremerata Musica for the 20th anniversary
of the Lockenhaus Festival
1. In the Beginning
2. Con spirito
3. Scherzo-noir
4. The Unreachable
5. After the War
6. Dream from Childhood.
7. Toccata of Life and the Silence of the Past
Duration: 30’
strings (minimum 8/7/5/4/2)
First performance: 13 July 2001, Lockenhaus.
Gidon Kremer, violin - Lera Auerbach, piano - Kremerata Baltica -
Serenade for a melancholic sea Op. 68 2002
for violin, violoncello, piano and string orchestra
Dedicated to Gidon Kremer
Commissioned by Orchestra Ensemble Kanazawa
Duration: 10’
strings: divisi 7(14)/6(12)/4(8)/4(8)/2(4)
First performance: 12 September 2002, Kanazawa
Michael Dauth, violin - Marta Sudraba, violoncello - Andrius Zlabys - Orchestra
Ensemble Kanazawa - Hiroyuki Iwaki, conductor
CHAMBER MUSIC
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Piano trio Op. 28 1992/96
Dedicated to Vadim Gluzman, Angela Yoffe, Wendy Warner
Duration: 12’
First performance: 2 June 1999, Schwetzingen
Vadim Gluzman, violin - Wendy Warner, cello - Angela Yoffe, piano -
Twenty-four preludes for violin and piano Op. 46 1999
Dedicated to Vadim Gluzman and Angela Yoffe
Commissioned by Herbert and Beverly Gelfand
1. C major Adagio
2. A minor Andante (Tempo di valse)
3. G major Andantino misterioso
4. E minor Allegro
5. D major Allegro moderato
6. B minor Allegro marcato
7. A major Allegro moderato
8. F sharp minor Andante
9. E major Allegro
10. C sharp minor Allegro
11. B major Allegretto
12. G sharp minor Adagio
13. F sharp major Allegro moderato
14. E flat minor Presto
15. C sharp major Adagio sognando
16. B flat minor Misterioso
17. A flat major Vivo
18. F minor Agitato
19. E flat major Moderato
20. C minor Tragico
21. B flat major Andante
22. G minor Moderato serioso
23. F major Andante
24. D minor Presto
Duration: 59’
First performance: 22 June 2003, Hamburg
Vadim Gluzman, violin - Angela Yoffe, piano
CD: BIS 1242 (Vadim Gluzman, violin - Angela Yoffe, piano) -
Suite for violin and piano Op. 46a 1999
Ten preludes from Op. 46
1. Adagio (No.1)
2. Allegro marcato (No.6)
3. Andante (No.8)
4. Adagio (No.12)
5. Presto (No.14)
6. Adagio sognando (No.15)
7. Misterioso (No.16)
8. Tragico (No.20)
9. Andante (No.23)
10. Presto (No.24)
Duration: 22’
First performance: 15 November 2001, New York
Vadim Gluzman, violin - Angela Yoffe, piano -
Twenty-four preludes for violoncello and piano Op. 47 1999
1. C major Andante
2. A minor Allegro
3. G major Andante misterioso
4. E minor Allegro obsessivo
5. D major Moderato
6. B minor Tragico
7. A major Vivo ma non troppo
8. F sharp minor Grave
9. E major Vivace
10. C sharp minor Adagio sognando
11. B major Allegro
12. G sharp minor Adagio
13. G flat major Moderato
14. E flat minor Scherzando
15. D flat major Allegro con brio
16. B flat minor Tempo di valzer
17. A flat major Allegro ritmico
18. F minor Andantino
19. E flat major Allegro appassionato
20. C minor Giocoso
21. B flat major Dialogo
22. G minor Andante nostalgico
23. F major Adagio sognando
24. D minor Vivo
Duration: 46’
First performance: 22 June 2003, Hamburg
Ani Aznavoorian (violoncello) - Lera Auerbach (piano) -
Suite for violoncello and piano Op. 47a 1999
Nine preludes from Op. 47
1. Andante (No. 1)
2. Allegro (No. 2)
3. Andante misterioso (No. 3)
4. Allegro appassionato (No. 19)
5. Tragico (No. 6)
6. Allegro con brio (No. 15)
7. Tempo di valzer (No. 16)
8. Adagio (No. 12)
9. Vivo (No. 24)
Duration:17’
First performance: 1 June 2000, Baltimore
Wendy Warner, violoncello - Lera Auerbach, piano -
Postlude Op. 47b 1999
encore for violin and piano
Dedicated to the memory of Saul Barnett
Duration: 2’30"
CD: BIS 1242 (Vadim Gluzman, violin - Angela Yoffe, piano) -
Three dances in the old style Op. 54 2000
encores for violin and violoncello
Dedicated to Eugene Kalnitsky
Duration: 5’
First performance (Nos. 1 and 2): 14 July 2001, Lockenhaus
Sandis Steinberg, violin - David Geringas, violoncello
First performance (No. 3): 18 May 2002, Schwetzingen
Gidon Kremer, violin - Marta Sudraba, violoncello -
Sonata no. 1 for violin and piano Op. 57 2000
Dedicated to Philippe Quint
1. Grandioso
2. Moderato
3. Andante religioso
4. Allegro
Duration: 23’
First performance: 7 February 2001, Mexico City
Philippe Quint, violin - Tatiana Goncharova, piano -
Shostakovich preludes 2000
Five Preludes from Shostakovich’s Op. 34 arranged for violin and piano by Lera Auerbach. They were conceived, together with Dmitri Tsyganov’s existing arrangement of 19 preludes, to complete the 24 preludes cycle in a version for violin and piano.
Commissioned by Grigory Kalinovsky
1. Moderato (No. 4)
2. Andante (No. 7)
3. Adagio (No. 14)
4. Moderato (No. 23)
5. Presto (No. 9)
Duration: 8’
First performance: 5 September 2001 Jerusalem
Grigory Kalinovsky (violin) - Tatiana Stepanova (piano) -
Oskolki (Broken pieces) Op. 61 2001
for violin and piano
Dedicated to Gidon Kremer
1. Agitato
2. Allegro moderato
3. Adagio
4. Moderato
5. Andante
6. Vivo
7. Andante
8. Allegro moderato
9. Andante
10. Vivo
Duration: 14’30" -
Sonata no. 2 for violin and piano (September 11) Op. 63 2001
in one movement
Duration: 11’
13 -
Sonata no. 1 for violoncello and piano Op. 69 2002
Dedicated to David Finckel and Wu Han
Co-commissioned by Hancher Auditorium / The University of Iowa and the
Music in the Park Series, St. Paul, MN
1. Allegro moderato
2. Lament (Adagio)
3. Allegro assai
4. With extreme intensity
Duration: 24’
First performance: 19 February 2003, Iowa City
David Finckel, violoncello - Wu Han, piano
SOLO WORKS
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Monologue for flute Op. 19 1990
Dedicated to Adik Abdurahmanov
Duration: 7’ -
After the end of time Op. 27 1992
for electronic tape
Duration: 9’
First performance (as a ballet): 21 March, 1998, New York
Choreographed by the Juilliard Dance Group -
Chorale, fugue and postlude Op. 31 1994/99
for piano
Duration: 10’
First performance (Fugue and Postlude): 29 December 1994, Chelyabinsk
Lera Auerbach
CD: Lyric Records 101 - only Fugue and Postlude (Lera Auerbach) -
T’filah Op. 33 1996
for violin solo
Dedicated to Vadim Gluzman
Duration: 6’30"
First performance: 1 September 1996, Stresa
Vadim Gluzman
CD: BIS 1242 (Vadim Gluzman) -
Prayer Op. 33a 1996
for english horn solo
Commissioned by Candis Threlkeld
Duration: 7’
First performance: Aspen, 1997
Candis Threlkeld -
Monologue for double bass Op. 34 1996
Commissioned by and dedicated to Rafael Agudelo
Duration: 7’
First performance: 1996, New York
Rachel Calin -
Monologue for viola Op. 38 1997
Duration: 5’ 30"
First performance: 14 July 2001, Lockenhaus
Vladimir Mendelssohn -
Twenty-four preludes for piano Op. 41 1999
Dedicated to Tom and Vivian Waldeck
Co-commissioned by Tom and Vivian Waldeck and the Caramoor International
Music Festival
1. C major Moderato
2. A minor Presto
3. G major Moderato
4. E minor Allegro appasionato
5. D major Andantino
6. b minor Corale
7. A major Andante
8. F sharp mionor Presto
9. E major Allegro ma non troppo
10. C sharp minor Largo
11. B major Misterioso
12. G sharp minor Allegro
13. F sharp major Andante
14. E flat minor Allegretto
15. D flat majjor Moderato
16. B flat minor Moderato - Allegro ma non troppo
17. A flat major Adagio
18. F minor Grave
19. E flat major Andante
20. C minor Misterioso
21. B major Allegro moderato
22. G minor Andante
23. F major Allegretto
24. D minor Grandioso
Duration: 39’
First performance: 23 July 1999, New York
Lera Auerbach -
Suite for piano Op. 41a 1999
Nine preludes from Op. 41
1. Andantino (No.5)
2. Allegretto (No.14)
3. Presto (No.8)
4. Grave (No.18)
5. Allegro moderato (No.21)
6. Misterioso (No.20)
7. Moderato - Allegro ma non troppo (No.16)
8. Adagio (No.17)
9. Grandioso (No.24)
Duration: 15’
First performance: 12 July 2001 Lockenhaus
Lera Auerbach -
Ten dreams Op. 45 1999
for piano
Dedicated to Robert von Bahr
Co-commissioned by Tom and Vivian Waldeck and the Queens Chamber Ensemble
1. Allegro moderato (As in a nightmare)
2. Tempo di valse
3. Andante misterioso
4. Tempo di marcia
6. Lento
7. Energico
8. Moderato
9. Allegro misterioso
10. Allegro
Duration: 16’ -
Memory of a tango Op. 64 2002
encore piece for double bass solo
Commissioned by Rafael Agudelo
Duration: 1’40"
First performance: 17 August 2002, New York
Rafael Agudelo -
Prelude, toccata and postlude Op.65 2002
for carillon
Duration: 7’ -
Lonely suite (Ballet for a lonely violinist) Op. 70 2002
for violin solo
Dedicated to Vadim Gluzman
1. Dancing with Oneself
2. Boredom
3. No Escape
4. Imaginary Dialogue
5. Worrisome Thought
6. Question
Duration: 9’
CHORAL WORKS
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Psalm 23 Op. 42 1999
for mixed choir (in Hebrew)
Dedicated to Tom Waldeck
Duration: 3’20"
PSALM 100 Op. 43 1999
for boys (or children) choir (in Hebrew)
Dedicated to the memory of Melanie Silverman
Duration: 3’ -
Psalm 130 Op. 44 1999
for mixed choir (in Latin)
Dedicated to Page and Elizabeth Johnson
Duration: 4’ 30" -
The blind Op. 58 2001
a-capella opera for 12 singers. Libretto (in English) by Lera Auerbach based on
Maurice Meaterlinck’s "Les Aveugles"
2 sopranos, 2 mezzo-sopranos, 2 altos, 2 tenors, 2 baritones, 2 basses (6
leading voices and supporting chorus)
Duration: 55’ -
Seventy-two preludes for Moses Op. 59 2001
for soprano, alto, countertenor, tenor, baritone, bass and mixed choir
text: 72 names of angels of the Bible
Co-commissioned by Tom and Vivian Waldeck, Herbert and Beverly Gelfand
and Film and Video Workshop (NY)
Duration: 57’ -
Lullaby Op. 66 2002
for mixed choir
text: William Blake’s "Cradle song" (in English)
Duration: 3’
Songs
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Two songs Op. 10 1986/88
for soprano and piano
Text: Federico Garcia Lorca (in Russian)
Dedicated to Ludmila Schenderova
1. Song of Solitude (1988)
2. When I Die (1986)
Duration: 5’
First performance: Chelyabinsk, 1988
Ludmila Schenderova, soprano - Lera Auerbach, piano -
Sad birch Op. 15 1990
for soprano (f minor) or mezzo-soprano (c minor) and piano
Text: Afanasy Fet (in Russian)
Dedicated to Lina Tetruashvili
Duration: 3’
First performance: 1 April 1996, New York
Lina Tetruashvili, soprano - Lera Auerbach, piano -
Butterfly Op. 22 1992
Encore for soprano and piano
Text: Joseph Brodsky (in Russian)
Duration: 3’
First performance: 23 July 1999, New York
Lina Tetruashvili, soprano - Lera Auerbach, piano -
October tune Op. 23 1992
for tenor or mezzo-soprano and piano
Text: Joseph Brodsky (in Russian)
Dedicated to the memory of Alichka
Duration:4’
First performance: 18 March 2003, Chicago
Julia Bentley (mezzo-soprano) - Andrea Swan (piano) -
We cannot remember them Op. 26 1992
for soprano and piano
Text: Mark Strand (in English).
Duration: 5’15"
First performance: 1 April 1996, New York
Lina Tetruashvili, soprano - Lera Auerbach, piano - Songs of rebirth --
-
Poetry Op. 36 1997
for soprano and piano
Text: Hilan Dov Warshaw (in English)
Dedicated to Sonia Simmenauer
Duration: 5’
First performance: 1997, New York
Lina Tetruashvili, soprano - Lera Auerbach, piano -
To the world Op. 71 2003
for soprano and piano
Text: Hilan Dov Warshaw (in English)
Dedicated to Sonia Simmenauer
Duration: 4’
First performance: 18 March 2003, Chicago
Julia Bentley (mezzo-soprano) - Andrea Swan (piano) -
Prayer Op. 37 1997
for soprano and piano
Text: Hilan Dov Warshaw (in English)
Dedicated to Sonia Simmenauer
Commissioned by the Aspen Jewish Congregation
Duration: 3’
First performance: 7 October 1997, Aspen
Lisa Layman, soprano - Lera Auerbach, piano - Two songs --
-
Poor fisherman Op. 51 2000
for boy-soprano or soprano and piano
Text: Arseny Tarkovsky (in Russian)
Duration: 2’
First performance: 14 July 2001, Lockenhaus
Yulia Korpacheva, soprano - Lera Auerbach, piano -
Dance of David Op. 50 2000
for boy-soprano or soprano and piano
Text: Arseny Tarkovsky (in Russian)
Duration: 2’
First performance: 14 July 2001, Lockenhaus
Yulia Korpacheva, soprano - Lera Auerbach, piano
PROPHECY Op. 67 2002
for tenor and organ
Text : Bible, Acts 2:17-21 (in English)
Commissioned by and dedicated to Elyssa Lindner
Duration: 7’
Music for the young
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Images from childhood Op. 52 2000
Twelve pieces for piano
1. The Question
2. What a Story!
3. Dialogue
4. Quarrel
5. An Old Photograph from Grandparents’ Childhood
6. After the War (The field of the dead)
7. Decision
8. Family Holiday
9. Stubborn
10. E-Creatures
11. Shadows on the Wall
12. Prayer
Duration: 11’
First performance: 8 April 2001, Boston
New England Conservatory Pre-college, Class of Ramon Rivera
Ms. Auerbach is published by Internationale Musikverlage Hans Sikorski, Hamburg.
Lera Auerbach continues the great tradition of pianist-composers of the 19th and 20th centuries. Still in her twenties, she has already appeared as a solo pianist at such prestigious venues as New York’s Carnegie Hall and Lincoln Center, Munich’s Herkulessaal, Oslo’s Konzerthaus, Chicago Symphony Hall, Washington’s Kennedy Center. Her original compositions have been commissioned for Gidon Kremer, Vadim Gluzman, Philip Quint, David Finckel and Wu Han, Hamburg Ballet, Kremerata Baltica, Orchestra Ensemble Kanazawa and others. Her works have been performed at international festivals including Aspen, Ravinia, Caramoor, Stresa, Schwetzingen, Moscow Autumn and Lockenhaus.
On May 1, 2002, she made her Carnegie Hall debut performing her own Suite for Violin, Piano and Chamber Orchestra, Op. 60, with violinist Gidon Kremer and the Kremerata Baltica. Lera Auerbach’s piano playing is characterized as intensely expressive, poetic and virtuosic; her compositions are equally communicative. Her repertoire includes the masterworks of the literature as well as her own compositions.
Born in Chelyabinsk, a city in the Urals bordering Siberia, Lera Auerbach started to play the piano at a very early age and gave her first public performance when she was only six years old. At eight she made her first appearance as a soloist with orchestra. She was twelve when she composed an opera. This was staged, and the production toured throughout the former Soviet Union. In 1991, as the winner of several competitions, Lera Auerbach was invited to undertake a concert tour in the USA. She decided to remain in America, becoming one of the last artists to defect from the Soviet Union.
In a 1998 New York Times feature about Lera Auerbach, Johanna Keller quoted composer Robert Beaser as saying, "Her versatility is almost unbelievable. She is a passionate pianist with huge amounts of temperament, a natural composer and performer, quick to absorb and utilize everything around her." In the same article, pianist Joseph Kalichstein stated that his first impression of her talent was "staggering." The Washington Post describes Ms. Auerbach as "a pianistic powerhouse," and her performances as "a fine balance of sensitivity and virtuosity."
Lera Auerbach received her Bachelor and Master’s degrees from the The Juilliard School in New York, where she studied both piano and composition. She also studied comparative literature at Columbia University. In 2002 she graduated from the Hannover Hochschule für Musik (Konzertexamen). Her piano teachers included Einar Steen-Nøkleberg, Joseph Kalichstein and Nina Svetlanova and she studied composition with Milton Babbitt and Robert Beaser.
In 2000, Ms. Auerbach was invited by the International Johannes Brahms Foundation to live and work at the composer’s former home in Baden-Baden as artist-in-residence. In 2001, at the invitation of Gidon Kremer, she was composer-in-residence and guest artist at the Lockenhaus Festival in Austria, where twelve of her works were premiered.
Lera Auerbach’s recognition is attributed not only to her musical activities but also to her writings. In 1996, she was named Poet of the Year by the International Pushkin Society and was awarded the poetry prize of the Novoye Russkoye Slovo, the largest Russian-language newspaper in the West. Her literary works include five volumes of poetry and prose, two novels, and numerous contributions to Russian-language literary newspapers and magazines. She was president of the jury for the 2000 International Pushkin Poetry Competition and was invited to serve on the selection panel for the 2002 Paul and Daisy Soros Fellowship for New Americans. She herself was the first artist-recipient of this fellowship in 1998.
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