You are here
Gerard van Turnhout
Sheet music for Gerard van Turnhout
Voice (a cappella)
Barbershop Quartets. This edition: Barbershop Quartets. P/V/C Mixed Folio. Family/Group, Barbershop. Book. 40 pages. Alfred Music #00-SF0175. Published by Alfred Music (AP.SF0175).
Piano Solo - Intermediate - Digital Download
Composed by Ludwig van Beethoven (1770-1827). Arranged by Gerard Willmes. Christian, Contemporary Christian, Sacred, General Worship, Jazz. Score. 4 pages. Published by Gerard Willmes (S0.206613).
Brass Quintet - Intermediate - Digital Download
Composed by Adriaan Valerius. Arranged by Keith Terrett. Renaissance, World, European, Patriotic. Score, Set of Parts. 8 pages. Published by Music for all Occasions (S0.119137).
Concert Band (Score & Parts) - Grade 5
Overture KV 620. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Gerard Posch. De Haske Concert Band. Classical. Score Only. Composed 1991. De Haske Publications #0910248. Published by De Haske Publications (HL.44001640).
Concert Band (Score) - Grade 5
Score Only. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Gerard Posch. De Haske Concert Band. Classical. Score Only. Composed 1991. 52 pages. De Haske Publications #0910248. Published by De Haske Publications (HL.44001641).
Composed by Gerard van Amstel. Harmonia-Mixed Choir. Part. Harmonia #HU 3620-250. Published by Harmonia (BT.HU-3620-250).
Gerard van Turnhout, also known (in French) as Gérard de Turnhout, is a Flemish Polyphonist, belonging to the so-called Fifth generation (championed by Orlando Lassus).
He published in 1569 his ouvre in a single volume, comprising his many 3-part chansons (such as “Je prens en gré” and “Jouyssance vous donneray”; like Chansons a2, mostly popular with the rising bourgeoise, which often performed them in private with a few vocal and/or instrumental soloists) and motets in Leuven (Louvain); in 1564 he wrote a Te Deum for the entry of Margaret of Parma (a Habsburg princess, the very crown-loyal Spanish governor in the Spanish Low Countries) into Antwerp. One Mass and some 2- and 3-part chansons also appeared in anthologies. As a musician of the royal Habsburg Court since 1571, he apparently composed very little, nothing being preserved.
He was born circa 1520 in Turnhout (so his surname may not be inherited), the first of a series of cities where he worked in the Habsburg duchy of Brabant (all in the central part, presently the Flemish (Belgian) province of Antwerp). Gerard worked in and around Antwerp, a wealthy port city, from 1545 as singer and choirmaster (working at the cathedral before 1559), becoming in 1559 maître de chapelle at Saint-Gommarus of Lier(re). He entered holy orders, but no date for his ordination is established. In 1562, he became music director of the (Marian) Confrérie de Notre-Dame at Antwerp Cathedral, and was maître de chant there in 1563–71; after the “Beeldenstorm” (a violent phase of the rebellion against the Spanish persecution of protestantism which systematically smashed Catholic ecclesiastic art) destroyed in 1566 both the church organ and the substantive collection of music, his main activity for years was to copy masses and motets for liturgical use. On May 2, 1571, recruited trough the duke of Alva, king Philip II’s trusted general and — hated — de facto governor in the rebellious Low Countries, he succeeded the little-known Jean de Bonmarché as maestro di capilla (the fourth of 7 successive “Flemish” incumbents in 77 years) to the capilla flamenca (“Flemish chapel”) at the royal Habsburg court in Spain; after his death he would be succeeded by Georges de la Hèle (qv).
Another musician, Jan-Jacob van Turnhout (or in French Jean-Jacques de Turnhout, born ca. 1545 and died after 1618, who was maître de chapelle at Brussels from 1594 to 1618, may have been related to Gérard (possibly Gerard’s much younger brother or son).