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Joseph Rheinberger

Joseph Rheinberger
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Birth
Sunday, 17 March 1839
Vaduz
Liechtenstein
Groups
Liechtenstein
Romantic composers
Organists, Conductors
♂
Death
Monday, 25 November 1901
München
Germany
Age: 
62

Composition list

Click a category to see all compositions of Joseph Rheinberger in that category. Click a composition title to see more detailed information.

Opera and lyrical music

Lucius Aula • Operas
Sieben Raben (Die) • Op. 20 • (1869) • Operas
Scherz, List und Rache • (1854) • Opéras comiques
Türmers Töchterlein (Des) • Op. 70 • (1873) • Opéras comiques
Wette (Die) • (1856) • Opera buffa
Arme Heinrich (Der): singspiel pour children • Op. 37 • Opéras pour enfants
Zauberwort (Das) • Op.153 • Opéras pour enfants
Christophorus • Op.120 • Autres œuvres : soli-chœur-orchestre
Montfort "Eine Rheinsaga" • Op.145 • Autres œuvres : soli-chœur-orchestre
Tal des Espingo (Das) • Op. 50 • Autres œuvres : soli-chœur-orchestre
Toggenburg • Op. 76 • Autres œuvres : soli-chœur-orchestre
Unheilbringende Krone (Die): play music • Op. 36 • Musiques de scène - Masques
Wundertätige Magus (Der): play music • Op. 30 • Musiques de scène - Masques

Sacred music

Messe "'Misericordias Domini": choir-orchestra • Op.192 • Masses
Messe "Ave Maria": male choir-organ • Op.172 • Masses
Messe "Brève": 4 voices • Op. 83 • Masses
Messe "Cantus missae": choir 8 voices • Op.109 • (1878) • Masses
Messe "Des enfants": mixed choir • Op. 62 • Masses
Messe "In nativitate Domini": 3 female voices-organ • Op.126 • Masses
Messe "Sanctissimae Crucis": 4 voices • Op.151 • Masses
Messe "Sanctissimae Reginae Rosarii": 3 female voices-organ • Op.155 • Masses
Messe "Sanctissimae Trinitatis": 4 voices • Op.117 • Masses
Messe "Sincere in memoriam": 3 female voices-organ • Op.187 • Masses
Mass: 4 voices-organ • Op.159 • Masses
Mass: male choir-organ • Op.190 • Masses
Mass: choir-orchestra - achevé par Coerne • Op.197 • Masses
Mass: soloists-choir-orchestra • Op.169 • Masses
Requiem • Op. 84 • Requiems
Requiem: mixed choir • Op. 60 • Requiems
Requiem: choir-orchestra • Op.194 • Requiems
STABAT Mater: choir-string orchestra-organ • Op.138 • Stabat mater
STABAT Mater: soloists-choir-orchestra • Op. 16 • Stabat mater
Chant de la Passion "Zur feier der charwoche": mixed choir-organ • Op. 46 • Sacred songs
Chants Spirituels: Baryton-organ • Op.157 • (1888) • Sacred songs
Chants Spirituels: choir 6 voices • Op. 69 • (1873) • Sacred songs
Pièces sacrées • Sacred songs
Salve Regina • WoO 54/ 2 • Antiennes - Antiphones - Répons
Ave Maria • WoO 71/ 1 • Hymnes
Hymne Pascal: 8 voices • Op.134 • Hymnes
Hymnes • Hymnes
Hymnes • Op.140 • (1881) • Hymnes
Hymnes: 2 Sopranos-organ • Op.118 • (1880) • Hymnes
Hymnes: 4 voices • Op.107 • Hymnes
Marianische Hymnen: female choir • Op.171 • Hymnes
Hymne "Wie lieblich sind deine wohnungen" (Ps. 84): female choir-harp-organ • Op. 35 • (1862) • Hymnes
Hymnes: Mezzo-organ • Op. 54 • (1877) • Hymnes
Stern von Bethlehem (Der) • Op.164 • Cantates sacrées
Töchterlein das Jairus (Das) • Op. 32 • Cantates sacrées

Chamber music

Quartet: piano-strings • Op. 38 • Chamber music piano-strings
Quintet: piano-strings • Op.114 • Chamber music piano-strings
Sextet: piano-flute-oboe-clarinet-French horn-bassoon • Op.191b • Chamber music piano-winds
Quartet 1: strings • Op. 89 • Chamber music strings
Quatuor 2 "Thème et variations": strings • Op. 93 • Chamber music strings
Quartet 3: strings • Op.147 • Chamber music strings
Theme et Variations: string quartet • Op. 61a • Chamber music strings
Quintet: 2 violins-2 violas-cello • Op. 82 • Chamber music strings
Suite: organ-violin-cello • Op.149 • Trios instruments identiques
Trio 1: piano-violin-cello • Op. 34 • (1862) • Trios instruments identiques
Trio 2: piano-violin-cello • Op.112 • (1878) • Trios instruments identiques
Trio 3: piano-violin-cello • Op.121 • (1880) • Trios instruments identiques
Trio 4: piano-violin-cello • Op.191a • (1898) • Trios instruments identiques
Sonata 1: violin-piano • Op. 77 • (1874) • Duos instruments différents
Sonata 2: violin-piano • Op.105 • (1877) • Duos instruments différents
Suite: violin-piano • Op.166a • Duos instruments différents
Suite 1: violin-organ • Op.150 • Duos instruments différents
Suite 2: violin-organ • Op.166 • Duos instruments différents
Sonata: cello-piano • Op. 92 • Duos instruments différents
Rapsodie: flute-piano • (1856) • Duos instruments différents
Sonata: clarinet-piano • Op.105a • (1893) • Duos instruments différents
Sonata: French horn-piano • Op.178 • Duos instruments différents
Duo: 2 pianos • Op. 15 • Duos instruments identiques
Nonet: flute-oboe-clarinet-bassoon-French horn-violin-viola-cello-double bass • Op.139 • (1884) • Chamber music strings-winds

Instrumental music

De l'Italie: piano • Op. 29 • Album à titre
Images Sonores: piano • Op. 11 • Album à titre
Des Jours de Vacances: piano 4 hands • Op. 72 • Album à titre
Meditations: organ • Op.167 • (1891) • Album à titre
Tarentelle: piano 4 hands • Op. 13 • Folk dances
Improvisation sur des Themes de "La Flute enchantée": piano • Op. 51 • Improvisations
Versets: organ • Jwv 151 • (1858) • Sacred songs
Adagio non Troppo: organ • (1864) • Mouvements de sonates
Andante: organ • (1864) • Mouvements de sonates
Prelude: organ - de Bruhns arrangement Rheinberger • Mouvements de sonates
Pieces: piano • Pièces
Pieces: piano • Op. 1 • Pièces
Pieces: piano • Op. 45 • Pièces
Pieces: piano • Op. 53 • Pièces
Pieces: piano • Op. 78 • Pièces
Pieces Caracteristiques: piano • Op. 67 • Pièces
Pieces Caracteristiques en Forme de Canon • Op.180 • Pièces
Pieces de Caractere: piano • Op. 7 • Pièces
Pieces de Concert (Petites): piano • Op. 5 • Pièces
Pieces en Forme de Fugue: piano • Op. 39 • Pièces
Pieces en Forme de Fugue: piano • Op. 68 • Pièces
Pieces: organ • s.opus • Pièces
Pieces: organ • WoO 25 • Pièces
Pieces de Caractere: organ • Op.156 • (1888) • Pièces
Pieces Diverses: organ • Op.174 • Pièces
Trio "Singmesse": organ • WoO 26/ 6 • Pièces
Trio sur "O haupt voll blut und wunden": organ • WoO 37 • Pièces
Trios: organ Nax 3 • Op. 49 • Pièces
Trios: organ Nax 4-5 • Op.189 • Pièces
Adieu: piano • Op. 59 • Pièces à titre
Monologues: organ Nax 7 • Op.162 • Pièces à titre
Prelude et Fugue la Veille du Concert: piano • Op. 33 • Pièces académiques
Toccata • Op.115 • Pièces académiques
Toccata: piano • Op. 12 • Pièces académiques
Toccata: piano • Op.104 • Pièces académiques
Toccatina: piano • Op. 19 • Pièces académiques
Caprice "Joyeux" • Op. 43 • Pièces de caractère
Etude: piano • s/n° • Pièces de caractère
Etude: piano • WoO 28 • Pièces de caractère
Etude et Fugato: piano • Op. 42 • Pièces de caractère
Etudes: piano • Op. 6 • Pièces de caractère
Etudes: piano • Op. 9 • Pièces de caractère
Etudes: piano • Op. 66 • Pièces de caractère
Etudes: piano • Op.101 • Pièces de caractère
Etudes: piano • Op.183 • Pièces de caractère
Etudes pour la Main Gauche: piano • Op.113 • Pièces de caractère
Fantaisie: piano • Op. 23 • Pièces de caractère
Humoresques: piano • Op. 28 • Pièces de caractère
Preludes en Forme d'Etudes: piano • Op. 14 • Pièces de caractère
Fantaisie: piano 4 hands • Op. 79 • Pièces de caractère
Epilogue: organ • WoO 26/ 3 • Pièces de caractère
Fugue (Grande): organ • Jwv 3 • (1853) • Pièces de caractère
Fugue: organ • WoO 10 • Pièces de caractère
Fugues (Petites): organ • s.opus • (1851) • Pièces de caractère
Fugues (Petites) dans le Style Severe: organ • Op.123a-b • (1884) • Pièces de caractère
Intermezzo: organ • WoO 26/ 2 • Pièces de caractère
Prelude: organ • WoO 26/ 1 • Pièces de caractère
Prelude: organ • WoO 56 • Pièces de caractère
Prelude: organ • WoO 77 • Pièces de caractère
Preludes et Fugues: organ • s.opus • (1854) • Pièces de caractère
Theme et Variations: piano • Op. 61 • Variations
Sonate 1 "Symphonique": piano • Op. 47 • “Sonates”
Sonata 2: piano • Op. 99 • “Sonates”
Sonata 3: piano • Op.135 • “Sonates”
Sonate 4 "Romantique": piano • Op.184 • “Sonates”
Sonata: piano 4 hands • Op.122 • “Sonates”
Sonata 1: organ Nax 1 • Op. 27 • (1869) • “Sonates”
Sonate 2 "Fantaisie": organ Nax 1 • Op. 65 • “Sonates”
Sonate 3 "Pastorale": organ Nax 1 • Op. 88 • “Sonates”
Sonata 4: organ Nax 1 • Op. 98 • “Sonates”
Sonata 5: organ Nax 2 • Op.111 • “Sonates”
Sonata 6: organ Nax 2 • Op.119 • “Sonates”
Sonata 7: organ Nax 2 • Op.127 • “Sonates”
Sonata 8: organ Nax 3 • Op.132 • “Sonates”
Sonata 9: organ Nax 3 • Op.142 • “Sonates”
Sonata 10: organ Nax 4 • Op.146 • “Sonates”
Sonata 11: organ Nax 4 • Op.148 • “Sonates”
Sonata 12: organ Nax 5 • Op.154 • “Sonates”
Sonata 13: organ Nax 5 • Op.161 • “Sonates”
Sonata 14: organ Nax 6 • Op.165 • “Sonates”
Sonata 15: organ Nax 6 • Op.168 • “Sonates”
Sonata 16: organ Nax 6 • Op.175 • “Sonates”
Sonate 17 "Fantaisie": organ Nax 7 • Op.181 • (1894) • “Sonates”
Sonata 18: organ Nax 7 • Op.188 • (1897) • “Sonates”
Sonata 19: organ Nax 8 • Op.193 • “Sonates”
Sonate 20 "Pour célébrer la paix": organ Nax 8 • Op.196 • “Sonates”

Symphonic music

Wallenstein: poème symphonique • Op. 10 • (1866) • Symphonic poems
Symphonie 2 "Florentine" • Op. 87 • (1875) • Symphony
Fantaisie - vers. orchestre • Op. 79a • Pièces

Vocal music

Choirs • Choral pieces isolated
Hymne • Op. 96 • Choral pieces isolated
Klärchen auf Eberstein • Op. 97 • Choral pieces isolated
Hymnus an die Tonkunst: male choir-orchestra • Op.179 • Choral pieces isolated with orchestra
Rosen von Hildesheim (Die) • Op.143 • Choral pieces isolated with orchestra
Vom Goldenen Horn: choir-orchestra • Op.182 • Choral pieces isolated with orchestra
Wittekind • Op.102 • Choral pieces isolated with orchestra
Lieder • Mélodies isolées
Gesänge: mixed choir-piano • Op. 95 • Choral pieces collection
Lieder: mixed choir • Op. 90 • Choral pieces collection
Lieder: mixed choir • Op.108 • Choral pieces collection
Lieder: choir • Choral pieces collection
Lieder: mixed choir • Op. 40 • Choral pieces collection
Romantische Gesänge: 4 voices-piano • Op.106 • Recueil oeuvres vocales : 2 voix et plus
Chansons d'Enfants • Op.152 • Song collections
Elegische Gesange • Op.128 • (1882) • Song collections

Concertante music

Concerto 1: organ-orchestra • Op.137 • (1884) • Organ concertos
Concerto 2: organ-orchestra • Op.177 • (1894) • Organ concertos
Concerto: piano-orchestra • Op. 94 • (1870) • Piano concertos

Compositions sorted on opus (if available)

197 numéros

Manque 44 numéros

Jwv 3

Fugue (Grande): organ • (1853) • Pièces de caractère

Jwv 151

Versets: organ • (1858) • Sacred songs

Op. 1

Pieces: piano • Pièces

Op. 5

Pieces de Concert (Petites): piano • Pièces

Op. 6

Etudes: piano • Pièces de caractère

Op. 7

Pieces de Caractere: piano • Pièces

Op. 9

Etudes: piano • Pièces de caractère

Op. 10

Wallenstein: poème symphonique • (1866) • Symphonic poems

Op. 11

Images Sonores: piano • Album à titre

Op. 12

Toccata: piano • Pièces académiques

Op. 13

Tarentelle: piano 4 hands • Folk dances

Op. 14

Preludes en Forme d'Etudes: piano • Pièces de caractère

Op. 15

Duo: 2 pianos • Duos instruments identiques

Op. 16

STABAT Mater: soloists-choir-orchestra • Stabat mater

Op. 18

Widerspenstigen Zähmung (Die): overture

Op. 19

Toccatina: piano • Pièces académiques

Op. 20

Sieben Raben (Die) • (1869) • Operas

Op. 20a

Prélude pour "Die Sieben Raben"

Op. 23

Fantaisie: piano • Pièces de caractère

Op. 27

Sonata 1: organ Nax 1 • (1869) • “Sonates”

Op. 28

Humoresques: piano • Pièces de caractère

Op. 29

De l'Italie: piano • Album à titre

Op. 30

Wundertätige Magus (Der): play music • Musiques de scène - Masques

Op. 32

Töchterlein das Jairus (Das) • Cantates sacrées

Op. 33

Prelude et Fugue la Veille du Concert: piano • Pièces académiques

Op. 34

Trio 1: piano-violin-cello • (1862) • Trios instruments identiques

Op. 35

Hymne "Wie lieblich sind deine wohnungen" (Ps. 84): female choir-harp-organ • (1862) • Hymnes

Op. 36

Unheilbringende Krone (Die): play music • Musiques de scène - Masques

Op. 37

Arme Heinrich (Der): singspiel pour children • Opéras pour enfants

Op. 38

Quartet: piano-strings • Chamber music piano-strings

Op. 39

Pieces en Forme de Fugue: piano • Pièces

Op. 40

Lieder: mixed choir • Choral pieces collection

Op. 42

Etude et Fugato: piano • Pièces de caractère

Op. 43

Caprice "Joyeux" • Pièces de caractère

Op. 45

Pieces: piano • Pièces

Op. 46

Chant de la Passion "Zur feier der charwoche": mixed choir-organ • Sacred songs

Op. 47

Sonate 1 "Symphonique": piano • “Sonates”

Op. 49

Trios: organ Nax 3 • Pièces

Op. 50

Tal des Espingo (Das) • Autres œuvres : soli-chœur-orchestre

Op. 51

Improvisation sur des Themes de "La Flute enchantée": piano • Improvisations

Op. 53

Pieces: piano • Pièces

Op. 54

Hymnes: Mezzo-organ • (1877) • Hymnes

Op. 59

Adieu: piano • Pièces à titre

Op. 60

Requiem: mixed choir • Requiems

Op. 61

Theme et Variations: piano • Variations

Op. 61a

Theme et Variations: string quartet • Chamber music strings

Op. 62

Messe "Des enfants": mixed choir • Masses

Op. 65

Sonate 2 "Fantaisie": organ Nax 1 • “Sonates”

Op. 66

Etudes: piano • Pièces de caractère

Op. 67

Pieces Caracteristiques: piano • Pièces

Op. 68

Pieces en Forme de Fugue: piano • Pièces

Op. 69

Chants Spirituels: choir 6 voices • (1873) • Sacred songs

Op. 70

Türmers Töchterlein (Des) • (1873) • Opéras comiques

Op. 72

Des Jours de Vacances: piano 4 hands • Album à titre

Op. 76

Toggenburg • Autres œuvres : soli-chœur-orchestre

Op. 77

Sonata 1: violin-piano • (1874) • Duos instruments différents

Op. 78

Pieces: piano • Pièces

Op. 79

Fantaisie: piano 4 hands • Pièces de caractère

Op. 79a

Fantaisie - vers. orchestre • Pièces

Op. 82

Quintet: 2 violins-2 violas-cello • Chamber music strings

Op. 83

Messe "Brève": 4 voices • Masses

Op. 84

Requiem • Requiems

Op. 87

Symphonie 2 "Florentine" • (1875) • Symphony

Op. 88

Sonate 3 "Pastorale": organ Nax 1 • “Sonates”

Op. 89

Quartet 1: strings • Chamber music strings

Op. 92

Sonata: cello-piano • Duos instruments différents

Op. 93

Quatuor 2 "Thème et variations": strings • Chamber music strings

Op. 94

Concerto: piano-orchestra • (1870) • Piano concertos

Op. 96

Hymne • Choral pieces isolated

Op. 97

Klärchen auf Eberstein • Choral pieces isolated

Op. 98

Sonata 4: organ Nax 1 • “Sonates”

Op. 99

Sonata 2: piano • “Sonates”

Op. 90

Lieder: mixed choir • Choral pieces collection

Op. 95

Gesänge: mixed choir-piano • Choral pieces collection

Op.101

Etudes: piano • Pièces de caractère

Op.102

Wittekind • Choral pieces isolated with orchestra

Op.104

Toccata: piano • Pièces académiques

Op.105

Sonata 2: violin-piano • (1877) • Duos instruments différents

Op.105a

Sonata: clarinet-piano • (1893) • Duos instruments différents

Op.106

Romantische Gesänge: 4 voices-piano • Recueil oeuvres vocales : 2 voix et plus

Op.107

Hymnes: 4 voices • Hymnes

Op.108

Lieder: mixed choir • Choral pieces collection

Op.109

Messe "Cantus missae": choir 8 voices • (1878) • Masses

Op.110

Demetrius: overture

Op.111

Sonata 5: organ Nax 2 • “Sonates”

Op.112

Trio 2: piano-violin-cello • (1878) • Trios instruments identiques

Op.113

Etudes pour la Main Gauche: piano • Pièces de caractère

Op.114

Quintet: piano-strings • Chamber music piano-strings

Op.115

Toccata • Pièces académiques

Op.117

Messe "Sanctissimae Trinitatis": 4 voices • Masses

Op.118

Hymnes: 2 Sopranos-organ • (1880) • Hymnes

Op.119

Sonata 6: organ Nax 2 • “Sonates”

Op.120

Christophorus • Autres œuvres : soli-chœur-orchestre

Op.121

Trio 3: piano-violin-cello • (1880) • Trios instruments identiques

Op.122

Sonata: piano 4 hands • “Sonates”

Op.123a-b

Fugues (Petites) dans le Style Severe: organ • (1884) • Pièces de caractère

Op.126

Messe "In nativitate Domini": 3 female voices-organ • Masses

Op.127

Sonata 7: organ Nax 2 • “Sonates”

Op.128

Elegische Gesange • (1882) • Song collections

Op.132

Sonata 8: organ Nax 3 • “Sonates”

Op.133

Motets: 6 voices • (1881)

Op.134

Hymne Pascal: 8 voices • Hymnes

Op.135

Sonata 3: piano • “Sonates”

Op.137

Concerto 1: organ-orchestra • (1884) • Organ concertos

Op.138

STABAT Mater: choir-string orchestra-organ • Stabat mater

Op.139

Nonet: flute-oboe-clarinet-bassoon-French horn-violin-viola-cello-double bass • (1884) • Chamber music strings-winds

Op.140

Hymnes • (1881) • Hymnes

Op.142

Sonata 9: organ Nax 3 • “Sonates”

Op.143

Rosen von Hildesheim (Die) • Choral pieces isolated with orchestra

Op.145

Montfort "Eine Rheinsaga" • Autres œuvres : soli-chœur-orchestre

Op.146

Sonata 10: organ Nax 4 • “Sonates”

Op.147

Quartet 3: strings • Chamber music strings

Op.148

Sonata 11: organ Nax 4 • “Sonates”

Op.149

Suite: organ-violin-cello • Trios instruments identiques

Op.150

Suite 1: violin-organ • Duos instruments différents

Op.151

Messe "Sanctissimae Crucis": 4 voices • Masses

Op.152

Chansons d'Enfants • Song collections

Op.153

Zauberwort (Das) • Opéras pour enfants

Op.154

Sonata 12: organ Nax 5 • “Sonates”

Op.155

Messe "Sanctissimae Reginae Rosarii": 3 female voices-organ • Masses

Op.156

Pieces de Caractere: organ • (1888) • Pièces

Op.157

Chants Spirituels: Baryton-organ • (1888) • Sacred songs

Op.159

Mass: 4 voices-organ • Masses

Op.161

Sonata 13: organ Nax 5 • “Sonates”

Op.162

Monologues: organ Nax 7 • Pièces à titre

Op.163

Motets: 5 voices

Op.164

Stern von Bethlehem (Der) • Cantates sacrées

Op.165

Sonata 14: organ Nax 6 • “Sonates”

Op.166

Suite 2: violin-organ • Duos instruments différents

Op.166a

Suite: violin-piano • Duos instruments différents

Op.167

Meditations: organ • (1891) • Album à titre

Op.168

Sonata 15: organ Nax 6 • “Sonates”

Op.169

Mass: soloists-choir-orchestra • Masses

Op.171

Marianische Hymnen: female choir • Hymnes

Op.172

Messe "Ave Maria": male choir-organ • Masses

Op.174

Pieces Diverses: organ • Pièces

Op.175

Sonata 16: organ Nax 6 • “Sonates”

Op.176

Motets (Nouveaux) de l'Avent

Op.177

Concerto 2: organ-orchestra • (1894) • Organ concertos

Op.178

Sonata: French horn-piano • Duos instruments différents

Op.179

Hymnus an die Tonkunst: male choir-orchestra • Choral pieces isolated with orchestra

Op.180

Pieces Caracteristiques en Forme de Canon • Pièces

Op.181

Sonate 17 "Fantaisie": organ Nax 7 • (1894) • “Sonates”

Op.182

Vom Goldenen Horn: choir-orchestra • Choral pieces isolated with orchestra

Op.183

Etudes: piano • Pièces de caractère

Op.184

Sonate 4 "Romantique": piano • “Sonates”

Op.187

Messe "Sincere in memoriam": 3 female voices-organ • Masses

Op.188

Sonata 18: organ Nax 7 • (1897) • “Sonates”

Op.189

Trios: organ Nax 4-5 • Pièces

Op.190

Mass: male choir-organ • Masses

Op.191a

Trio 4: piano-violin-cello • (1898) • Trios instruments identiques

Op.191b

Sextet: piano-flute-oboe-clarinet-French horn-bassoon • Chamber music piano-winds

Op.192

Messe "'Misericordias Domini": choir-orchestra • Masses

Op.193

Sonata 19: organ Nax 8 • “Sonates”

Op.194

Requiem: choir-orchestra • Requiems

Op.195

Ouverture pour une Fete Academique en Forme de Fugue

Op.196

Sonate 20 "Pour célébrer la paix": organ Nax 8 • “Sonates”

Op.197

Mass: choir-orchestra - achevé par Coerne • Masses

s.opus

Pieces: organ • Pièces
Fugues (Petites): organ • (1851) • Pièces de caractère
Preludes et Fugues: organ • (1854) • Pièces de caractère

s/n°

Etude: piano • Pièces de caractère

WoO 10

Fugue: organ • Pièces de caractère

WoO 25

Pieces: organ • Pièces

WoO 26/ 1

Prelude: organ • Pièces de caractère

WoO 26/ 3

Epilogue: organ • Pièces de caractère

WoO 56

Prelude: organ • Pièces de caractère

WoO 26/ 2

Intermezzo: organ • Pièces de caractère

WoO 26/ 4

Canzonetta: organ

WoO 26/ 6

Trio "Singmesse": organ • Pièces

WoO 28

Etude: piano • Pièces de caractère

WoO 37

Trio sur "O haupt voll blut und wunden": organ • Pièces

WoO 54/ 2

Salve Regina • Antiennes - Antiphones - Répons

WoO 71/ 1

Ave Maria • Hymnes

WoO 77

Prelude: organ • Pièces de caractère
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Sheet music for Joseph Rheinberger

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Rheinberger: Complete edition Vol. 33; chamber music V, Complete Edition Vol. 33 — Josef Gabriel Rheinberger

— full score (complete edition / selected edition) — Josef Gabriel Rheinberger. Complete Works
Composed by Josef Gabriel Rheinberger. Edited by Astrid Bauer. This edition: Complete edition, linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Soloinstrument Und Orgel Bauer. Josef Gabriel Rheinberger. Complete Works. Full score (complete edition / selected edition). 184 pages. Carus Verlag #CV 50.233/00. Published by Carus Verlag (CA.5023300).
Price: $162.00

Rheinberger: Chamber music III, Complete Edition Vol. 31 — Josef Gabriel Rheinberger

— full score (complete edition / selected edition) — Josef Gabriel Rheinberger. Complete Works
Composed by Josef Gabriel Rheinberger. Edited by Han Theill. This edition: Complete edition, linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Klavierquartett, -Quintett, -Sextet. Josef Gabriel Rheinberger. Complete Works. Full score (complete edition / selected edition). 256 pages. Carus Verlag #CV 50.231/00. Published by Carus Verlag (CA.5023100).
Price: $220.00

Rheinberger (Gesamtausgabe, Bd. 24) — Josef Gabriel Rheinberger

Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 horns, 2 Trumpets, 3 Trombones, tuba, timpani, 2 Violins, viola, cello, contrabass — full score (complete edition / selected edition) — Josef Gabriel Rheinberger. Complete Works
Florentiner Sinfonie. Composed by Josef Gabriel Rheinberger. Edited by Werner Aderhold. This edition: Complete edition, linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Sinfonie In F 20. Josef Gabriel Rheinberger. Complete Works. Full score (complete edition / selected edition). Composed 1875. Op. 87. 320 pages. Duration 53 minutes. Carus Verlag #CV 50.224/00. Published by Carus Verlag (CA.5022400).
Price: $276.00

Rheinberger: Chamber music IV for solo instrument and piano, Complete Edition Vol. 32 — Josef Gabriel Rheinberger

solo instrument and piano — full score (complete edition / selected edition) — Josef Gabriel Rheinberger. Complete Works
Composed by Josef Gabriel Rheinberger. Edited by Bernd Edelmann. This edition: Complete edition, linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Soloinstrument Und Klavier Edelmann. Josef Gabriel Rheinberger. Complete Works. Full score (complete edition / selected edition). 296 pages. Carus Verlag #CV 50.232/00. Published by Carus Verlag (CA.5023200).
Price: $248.00

Rheinberger: Complete Edition 28: Organ Concertos — Josef Gabriel Rheinberger

organ solo — full score (complete edition / selected edition) — Josef Gabriel Rheinberger. Complete Works
Composed by Josef Gabriel Rheinberger. Edited by Wolfgang Hochstein. This edition: Complete edition, linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Orgelkonzerte Hochstein. Josef Gabriel Rheinberger. Complete Works. Full score (complete edition / selected edition). 232 pages. Carus Verlag #CV 50.228/00. Published by Carus Verlag (CA.5022800).
Price: $206.00

Rheinberger (Gesamtausgabe, Bd. 24) — Josef Gabriel Rheinberger

Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 horns, 2 Trumpets, 3 Trombones, tuba, timpani, 2 Violins, viola, cello, contrabass — Set of Orchestra Parts — Josef Gabriel Rheinberger. Complete Works
Florentiner Sinfonie. Composed by Josef Gabriel Rheinberger. Edited by Werner Aderhold. This edition: Complete edition. Josef Gabriel Rheinberger - Complete Works. German title: Sinfonie In F 20. Josef Gabriel Rheinberger. Complete Works. Set of Orchestra Parts. Composed 1875. Op. 87. Duration 53 minutes. Carus Verlag #CV 50.087/19. Published by Carus Verlag (CA.5008719).
Price: $420.00

Rheinberger (Gesamtausgabe, Bd. 24) — Josef Gabriel Rheinberger

Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 horns, 2 Trumpets, 3 Trombones, tuba, timpani, 2 Violins, viola, cello, contrabass — Single Part, Violin 1 — Josef Gabriel Rheinberger. Complete Works
Florentiner Sinfonie. Composed by Josef Gabriel Rheinberger. Edited by Werner Aderhold. This edition: Complete edition. Josef Gabriel Rheinberger - Complete Works. German title: Sinfonie In F 20. Josef Gabriel Rheinberger. Complete Works. Single Part, Violin 1. Composed 1875. Op. 87. 20 pages. Duration 53 minutes. Carus Verlag #CV 50.087/11. Published by Carus Verlag (CA.5008711).
Price: $11.00

Rheinberger (Gesamtausgabe, Bd. 24) — Josef Gabriel Rheinberger

Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 horns, 2 Trumpets, 3 Trombones, tuba, timpani, 2 Violins, viola, cello, contrabass — Single Part, Violin 2 — Josef Gabriel Rheinberger. Complete Works
Florentiner Sinfonie. Composed by Josef Gabriel Rheinberger. Edited by Werner Aderhold. This edition: Complete edition. Josef Gabriel Rheinberger - Complete Works. German title: Sinfonie In F 20. Josef Gabriel Rheinberger. Complete Works. Single Part, Violin 2. Composed 1875. Op. 87. 20 pages. Duration 53 minutes. Carus Verlag #CV 50.087/12. Published by Carus Verlag (CA.5008712).
Price: $11.00

Rheinberger (Gesamtausgabe, Bd. 24) — Josef Gabriel Rheinberger

Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 horns, 2 Trumpets, 3 Trombones, tuba, timpani, 2 Violins, viola, cello, contrabass — Single Part, Viola — Josef Gabriel Rheinberger. Complete Works
Florentiner Sinfonie. Composed by Josef Gabriel Rheinberger. Edited by Werner Aderhold. This edition: Complete edition. Josef Gabriel Rheinberger - Complete Works. German title: Sinfonie In F 20. Josef Gabriel Rheinberger. Complete Works. Single Part, Viola. Composed 1875. Op. 87. 20 pages. Duration 53 minutes. Carus Verlag #CV 50.087/13. Published by Carus Verlag (CA.5008713).
Price: $11.00

Rheinberger (Gesamtausgabe, Bd. 24) — Josef Gabriel Rheinberger

Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 horns, 2 Trumpets, 3 Trombones, tuba, timpani, 2 Violins, viola, cello, contrabass — Single Part, Cello — Josef Gabriel Rheinberger. Complete Works
Florentiner Sinfonie. Composed by Josef Gabriel Rheinberger. Edited by Werner Aderhold. This edition: Complete edition. Josef Gabriel Rheinberger - Complete Works. German title: Sinfonie In F 20. Josef Gabriel Rheinberger. Complete Works. Single Part, Cello. Composed 1875. Op. 87. 20 pages. Duration 53 minutes. Carus Verlag #CV 50.087/14. Published by Carus Verlag (CA.5008714).
Price: $11.00

Music: 

No opus number or unknown opus number

  • Ave Maria; B-dur
  • Ave Maria; f-moll
  • "Der arme Heinrich"
    • Capriccio, menuet and fugue for piano
    • Omnes de Saba
    • The chase for piano
    • Vater unser für zwei Chöre

Werke ohne Opuszahl (according to WoO numbering)

  • 7 Drei Gesänge für Frauenchor und Orgel
    • 1 Ave Maria
    • 2 Ad hoc templum
    • 3 Venite populi
  • 10 Fuge für Orgel; g-moll
  • 26 Sechs kurze Stücke für Orgel
    • 1 Prelude; a-moll
    • 2 Intermezzo; e-moll
    • 3 Epilogue; Es-dur
    • 4 Canzonetta; E-dur
    • 5 Consolation; B-dur
    • 6 Trio; d-moll

Joseph Rheinberger Werke Verzeichnis (JWV)

  • 3 Große Fuge für Orgel; f-moll
  • 10 Präludium und Fuge für Orgel; d-moll
  • 13 Präludium und Fuge für Orgel; e-moll
  • 16 Präludium und Fuge für Orgel; c-moll

Werke mit Opuszahl

  • 1
  • 2
  • 3
  • 4
  • 5 for piano (in Pianoforte-Werke, edition Breitkopf & Härtel nr. 1433)
  • 6 Idyl für eine Singstimme und Klavier
  • 7 1 Ballade für Klavier
  • 8
  • 9
  • 10 Wallenstein; Ein Symphonischer Dichtung für Orchester
  • 11
  • 12 Tokkata für Klavier
  • 13
  • 14
  • 15 Duo für zwei Klaviere; a-moll
  • 16 Stabat Mater
  • 17
  • 18 Die widerspenstigen Zahmung
  • 19
  • 20 Die sieben Raben: Oper 1860-1863
  • 20a Ouvertüre zu "Die Sieben Raben" für Orchester
  • 21
  • 22 Nachtblume: Gesänge für Singstimme und Klavier
  • 14 Lockung
  • 23
  • 24 Media Vita für gemischter Chor
  • 25
  • 26
  • 27 Sonate nr. 1 für Orgel; c-moll (1869): Präludium (grave) / Andante sostenuto / Finale Fuge (alla breve)
  • 28 Humoresken für Klavier
    • 1 Humoreske nr.1; e-moll
    • 2 Humoreske nr.2; f-moll
    • 3 Humoreske nr.3; g-moll
    • 4 Humoreske nr.4; F-dur
  • 29 Aus Italien für Klavier
    • 1 Dolce far niente
    • 2 Rimembranza
    • 3 Serenata
  • 30
  • 31 Fünf Chorlieder
    • 1 Es glänzt die laue Mondennacht
    • 2 Ein Stündlein wohl vor Tag
    • 3 Um Mitternacht
    • 4 Zum neuen Jahr
    • 5 Denk es, o Seele
  • 32
  • 33
  • 34 Trio für Klavier und Streicher nr.1; d-moll
  • 35 Hymne nach dem 84. Psalm "Wie lieblich sind deine Wohnungen" für Frauenchor, Harfe und Orgel
  • 36
  • 37
  • 38 Klavierquartett; Es-dur
  • 39 Sechs Tonstücke in fugierter Form für Klavier
    • 1 Tonstück nr.1; d-moll
    • 2 Tonstück nr.2; A-dur
    • 3 Tonstück nr.3; b-moll
    • 4 Tonstück nr.4; e-moll
    • 5 Tonstück nr.5; Des-dur
    • 6 Tonstück nr.6; c-moll
  • 40 Fünf Chorlieder
    • 1 Ich liebe, weil erhört der Herr
    • 2 Warum toben die Heiden
    • 3 Der Herr erhöre dich
    • 4 Es spricht der Tor in seinem Herzen
    • 5 Frohlocket, ihr Gerechten
  • 41
  • 42 Etüde und Fugato für Klavier
  • 43
  • 44
  • 45 Zwei Klaviervorträge
    • 1 Scherzoso
    • 2 Capriccio über ein Thema von Händel
  • 46 Zur Feier der Charwoche: Passionsgesang für gemischten Chor und Orgel
  • 47 Sinfonische Sonate für Klavier: Allegro / Menuetto / Intermezzo / Tarantelle
  • 48
  • 49 Zehn Trios für Orgel
    • 1 Andante
    • 2 Moderato
    • 3 Adagio
    • 4 Allegretto
    • 5 Con moto
    • 6 Alla breve
    • 7 Andantino
    • 8 Adagio non troppo
    • 9 Moderato
    • 1 0Andante molto
  • 50 Das Tal des Espingo
  • 51 Improvisation über Motive aus der Zauberflöte für Klavier
  • 52
  • 53 for piano (in Pianoforte-Werke, edition Breitkopf & Härtel nr. 1433)
  • 54
  • 55
  • 56
  • 57
  • 58
  • 59 for piano (in Pianoforte-Werke, edition Breitkopf & Härtel nr. 1433)
  • 60 Requiem für gemischter Chor
  • 61
  • 62 Missa Puerorum für gemischter Chor
  • 63
  • 64
  • 65 Sonate nr. 2 für Orgel (Fantasie-Sonate); As-dur (1871): Grave / Allegro / Adagio espressivo / Finale (Fuga)
  • 66
  • 67
  • 68 Sechs Tonstücke in fugierter Form für Klavier (II. Folge)
    • 1 Tonstück nr.7; C-dur
    • 2 Tonstück nr.8 nach "Verdrai carino" von Mozart; As-dur
    • 3 Tonstück nr.9; f-moll
    • 4 Tonstück nr.10; E-dur
    • 5 Tonstück nr.11; h-moll
    • 6 Tonstück nr.12; D-dur
  • 69 Drei Geistliche Lieder für sechsstimmigen Chor a capella
    • 1 Morgenlied: Die Sterne sind erbl.
    • 2 Hymne: Dein sind die Himmel
    • 3 Abendlied: Bleib bei uns, denn es will Abend werden
  • 70 Des Thürmers Töchterlein: Oper 1872
  • 71
  • 72
  • 73
  • 74
  • 75
  • 76
  • 77 Sonate für Violine und Pianoforte; Es-dur
  • 78
  • 79 Fantasie für Klavier zu vier Händen
  • 80
  • 81
  • 82 Quintett für 2 Violinen, 2 Violen und Violoncello; a-moll
  • 83 Missa Brevis; d-moll
  • 84 Requiem; Es-dur
  • 85
  • 86
  • 87 Florentiner Sinfonie für Orchester; F-dur
  • 88 Sonate nr. 3 für Orgel (Pastorale-Sonate); G-dur: Pastorale / Intermezzo / Fuga
  • 89 Streichquartett nr.1; C-dur
  • 90 Lieder für gemischter Chor
    • 3 Rheinfahrt
  • 91 Johannisnacht: Gedicht für gemischten Chor mit Orchester oder Pianoforte
  • 92 Sonate für Violoncello und Klavier; C-dur
  • 93 Thema mit Veränderungen für 2 Violinen, Viola und Violoncello; g-moll
  • 94 Konzert für Klavier und Orchester; As-dur
  • 95 Zwei Gesänge für gemischten Chor mit Orchester oder Pianoforte
    • 1 Mummelsee
    • 2 Maientau
  • 96 Drei Gesänge für Frauenchor
    • 1 Regina coeli
    • 2 Ave vivens hostia
    • 3 Adoramus te
  • 97
  • 98 Sonate nr. 4 für Orgel; A-moll (1876): Tempo moderato / Intermezzo / Fuga Cromatica
  • 99 Sonate für Klavier; Des-dur: Non troppo mosso / Romanze / Finale
  • 100
  • 101
  • 102 Wittekind: Ballade für Männerchor und Orchester oder Pianoforte
  • 103
  • 104
  • 105? Toccata für Klavier; c-moll
  • 105 Sonate für Violine und Pianoforte nr.2; e-moll
  • 105a Sonate für Klarinette und Klavier; e-moll
  • 106 Zwei Romantische Gesänge für vier Singstimmen mit Orchester oder Pianoforte
    • 1 Harald
    • 2 Der Weidenbaum
  • 107 Fünf Hymnen für Gemischten Chor
    • 1 Pater noster (Vater unser)
    • 2 Jam sol recedit (Schon weicht der Sonne Flammenstrahl)
    • 3 Salvete flores martyrum (Euch Martyrblüthen, Gruss!)
    • 4 Salve Regina (Gruss! Himmelskönigin)
    • 5 Christus factus est (Christus ward für uns geboren)
  • 108 Sechs Lieder für gemischter Chor
    • 1 Der Strom
    • 2 Wiegenlied
    • 3 Bete auch du
    • 4 Falsche Bläue
    • 5 Zwei Liebchen
    • 6 Der Todesengel
  • 109 Missa "Cantus Missae"; Es-dur für zwei vierstimmige Chöre a capella
  • 110 Ouvertüre zur Schiller’s "Demitrius" für grosses Orchester
  • 111 Sonate nr. 5 für Orgel; Fis-dur (1878)
  • Grave - Allegro moderato / Adagio non troppo / Finale (allegro maestoso)
  • 112 Trio nr.2 für Klavier und Streicher; A-dur
  • 113
  • 114 Klavierquintett; C-dur
  • 115
  • 116
  • 117 Missa Sanctissima Trinitatis (Missa Brevis); F-dur
  • 118 Sechs Gesänge für Frauenchor oder Duo mit Klavier
    • 1 Salve Regina
    • 2 Memorare o piissima virgo
    • 3 Quam admirabile
    • 4 Inclina Domine
    • 5 Ave Maris Stella
    • 6 Puer natus in Bethlehem (Ein Kind in Bethlehem geborn)
  • 119 Sonate nr. 6 für Orgel; es-moll (1880): Preludio (andante) / Intermezzo (andantino amabile) / Marcia religiosa
  • 120 Christophorus
  • 121 Trio nr.3 für Klavier und Streicher; B-dur
  • 122 Grosse Sonate für Pianoforte zu vier Händen: Allegro marciale / Adagio / Allegretto (Minuetto) / Alla Tarantella
  • 123 24 Fughetten strengen Stils für Orgel
    • Heft I
      • 1 Fughette nr. 1; Es-dur
      • 2 Fughette nr. 2 (Fuga contraria)
      • 3 Fughette nr. 3; C-dur
      • 4 Fughette nr. 4
      • 5 Fughette nr. 5
      • 6 Fughette nr. 6; E-dur,
      • 7 Fughette nr. 7
      • 8 Fughette nr. 8; g-moll
      • 9 Fughette nr. 9
      • 10 Fughette nr.10; fis-moll
      • 11 Fughette nr.11
      • 12 Fughette nr.12
    • Heft II
      • 13 Fughette nr.13
      • 14 Fughette nr.14
      • 15 Fughette nr.15
      • 16 Fughette nr.16
      • 17 Fughette nr.17
      • 18 Fughette nr.18
      • 19 Fughette nr.19
      • 20 Fughette nr.20
      • 21 Fughette nr.21
      • 22 Fughette nr.22
      • 23 Fughette nr.23
      • 24 Fughette nr.24
  • 124 Waldblumen; Lieder für gemischte Chor
  • 125
  • 126 Missa in A; A-dur
  • 127 Sonate nr. 7 für Orgel; f-moll (1882): Preludio (Allegro non troppo) / Andante / Finale
  • 127b Rhapsodie über Andante aus der Orgelsonate opus 127 für oboe & orgel (WoO 27): oder: Andante Pastorale und Rhapsodie
  • 128 Elegische Lieder
    • 1 Die Seelen der Gerechten
    • 2 Herr, du mein Gott
  • 129
  • 130
  • 131
  • 132 Sonate nr. 8 für Orgel; e-moll: Introduction und Fuge / Intermezzo / Scherzoso / Passacaglia
  • 132b Passacaglia bearbeitet für grosses Orchester; e-moll
  • 133 Vier Lieder für Sechsstimmig gemischten Chor
    • 1Anima nostra
    • 2Meditabor
    • 3Laudate Dominum
    • 4Angelus Domini
  • 134
  • 135 Klaviersonate nr.3; Es-dur
  • 136
  • 137 Konzert für Orgel und Orchester nr.1; F-dur: Moderato / Andante / Con moto (Finale)
  • 138 Stabat Mater; g-moll für vierstimmigen Chor, Streicher und Orgel 1884: Stabat Mater / Quis est homo / Eja Mater / Virgo Virginum / Quando Corpus
  • 139 Nonett für Flöte, Oboe, Klarinette, Fagott, Violine, Viola, Violoncell und Kontrabaß
  • 140 Fünf Hymnen für Chor und Orgel
    • 1 Tribulationes
    • 2 Dexter Dominum fecit virtutem
    • 3 Eripe me
    • 4 Ave Regina
    • 5 Angelis suis
  • 141
  • 142 Sonate nr. 9 für Orgel; b-moll: Prelude (grave) / Romance / Fantasie und Fuge
  • 143
  • 144
  • 145 Montfort: eine Rheinsage für Soli, Chor und Orchester oder Pianoforte
  • 146 Sonate nr.10 für Orgel; h-moll 1886: Präludium und Fuge / Thema mit Veränderungen / Fantasie und Finale
  • 147 Streichquartett nr.2; F-dur
  • 148 Sonate nr.11 für Orgel; d-moll 1888: Agitato / Cantilene / Intermezzo / Fuge
  • 149 Suite für Orgel, Violine und Violoncell: Con moto / Thema mit Veränderungen / Sarabande / Finale
  • 150 Sechs Stücke für Violine und Orgel
    • 1 Thema mit Veränderungen
    • 2 Abendlied
    • 3 Gigue
    • 4 Pastorale
    • 5 Elegie
    • 6 Ouvertüre (Adagio und Fuge)
  • 151 Missa Sti. Crucis; G-dur
  • 152
  • 153 Das Zauberwort: Singspiel in 2 Akten für die Jugendliche Welt
  • 154 Sonate nr.12 für Orgel; Des-dur: Fantasia / Pastoral / Introduction und Fuge
  • 154a Fantasie aus der Zwölften Orgelsonate bearbeitet für Klavier zu vier Händen
  • 155 Missa in Es für Frauenchor; Es-dur
  • 156 Zwölf Charakterstücke für Orgel
    • 1 Praeludium
    • 2 Romanze
    • 3 Canzonetta
    • 4 Intermezzo
    • 5 Vision
    • 6 Duett
    • 7 In Memoriam
    • 8 Pastorale
    • 9 Klage
    • 10 Abendfriede
    • 11 Passacaglia
    • 12 Trauermarsch
  • 157 Sechs Geistliche Lieder oder Religiöse Gesänge
    • 1 Sehet, welche Liebe
    • 2 Ich bin des Herrn
    • 3 Wenn Alle untreu werden
    • 4 Vater Unser
    • 5 Nachtgebet ("Mit deiner Huld")
    • 6 Ave Maria
  • 158
  • 159 Missa in f; f-moll
  • 160
  • 161 Sonate nr.13 für Orgel; Es-dur: Fantasia / Canzona / Intermezzo / Fuge
  • 162 12 Monologe für Orgel 1890
    • 1 Con moto; C-dur
    • 2 Poco agitato; a-moll
    • 3 Andante tranquillo; E-dur
    • 4 Andantino; es-moll
    • 5 Andante amabile; G-dur
    • 6 Largo espressivo ("O Haupt voll Blut und Wunden"); fis-moll
    • 7 Con moto; D-dur
    • 8 Andante; Des-dur
    • 9 Allegretto; gis-moll
    • 10 Con moto; f-moll
    • 11 Lento; Fis-dur
    • 12 Maestoso; h-moll
  • 163 Fünf Motetten 1890
  • 164 Der Stern von Bethlehem: eine Weihnachtskantate für Gemischte Chor, Orchester und Bläser 1890
  • 165 Sonate nr.14 für Orgel; C-dur 1890: Präludium (und Fuge) / Idylle / Toccata
  • 166 Suite für Violine und Orgel; c-moll 1891
  • 167 12 Meditationen für Orgel
    • 1 Entrata
    • 2 Agitato
    • 3 Canzonetta
    • 4 Andantino
    • 5 Preludio
    • 6 Aria
    • 7 Intermezzo
    • 8 Alla marcia
    • 9 Tema variato
    • 10 Passacaglia
    • 11 Fugato
    • 12 Finale
  • 167b Elegischer Marsch für grosses Orchester
  • 167c Drei Stücke für Pianoforte zu vier Händen
    • 1 Marsch
    • 2 Intermezzo
    • 3 Thema mit Veränderungen
  • 168 Sonate nr.15 für Orgel; D-dur 1891: Phantasie / Adagio / Introduktion und "Ricercare"
  • 169 Orchestermesse; C-dur 1891
  • 170
  • 171 Sechs Lieder für Frauenchor mit Klavierbegleitung
    • 1 Ave Maria
    • 2 Alma redemptoris
    • 3 Salve Regina
    • 4 Ave Maris Stella
    • 5 Regina coeli
    • 6 Ave Regina
  • 172 Missa "Ave Maria" für Männerchor, Bläser, Pukor und Kontrabaß; B-dur
  • 173
  • 174 Zwölf Miszellaneen für Orgel 1893
    • 1 Romanze
    • 2 Scherzoso
    • 3 Aufschwung
    • 4 Betrachtung
    • 5 Agitato
    • 6 Improvisation
    • 7 Ernste Feier
    • 8 Zwiegesang
    • 9 Ricercare
    • 10 Abendruhe
    • 11Melodia ostinata
    • 12Finale
  • 175 Sonate nr.16 für Orgel; gis-moll 1893: Allegro moderato / Skandinavisch / Introduction und Fuge
  • 176 Neun Advents-Motetten
    • 1 Rorate coeli desuper
    • 2 Universi qui te expectant
    • 3 Ad te levavi
    • 4 Ex Sion
    • 5 Deus tu convertens
    • 6 Qui sedes
    • 7 Benedixisti
    • 8 Prope est Dominus
    • 9 Ave Maria; a-moll
  • 177 Konzert für Orgel und Orchester nr.2; g-moll
  • 178 Sonate für Horn und Klavier; Es-dur
  • 179 Hymnus an die Tonkunst für Männerchor mit Orchester oder Pianoforte
  • 180
  • 181 Sonate nr.17 für Orgel (Fantasie-Sonate); H-dur 1894: Fantasie / Intermezzo / Introduction und Fuge
  • 182 Vom goldener Horn für Chor und Orchester
  • 183 Zwölf Vortragsstudien for piano (submission by <MOehme@leytron.com>)
    • 1 Präludium B
    • 2 Humoreske (Kanon) b
    • 3 Menuett G sharp
    • 4 Romanze (Kanon) G sharp
    • 5 Impromptu B sharp
    • 6 Ermahnung (Kanon) B sharp
    • 7 Trauermarsch c
    • 8 Ungeduld (Kanon) f sharp
    • 9 Refrain C
    • 10 Elegie (Kanon) c sharp
    • 11 Rondoletto b
    • 12 Burleske (Kanon) D sharp
  • 184 Romantische Sonate für Klavier
  • 185
  • 186
  • 187 Missa "Sincere in Memoriam"; g-moll
  • 188 Sonate nr.18 für Orgel; A-dur 1897: Phantasie / Capriccio / Idylle / Finale
  • 189 Zwölf Trios für Orgel 1897
    • 1 Andante amabile
    • 2 Moderato
    • 3 Allegretto
    • 4 Quasi adagio
    • 5 Moderato
    • 6 Allegretto
    • 7 Moderato
    • 8 Alla breve; A-dur
    • 9 Con moto
    • 10 Andantino
    • 11 Adagio
    • 12 Andantino
  • 190 Missa für Männerchor; F-dur
  • 191a Trio nr.4 für Klavier und Streicher; F-dur
  • 191b Sextett für Flöte, Oboe, Klarinette, Fagott, Horn und Klavier
  • 192 Missa in E; E-dur
  • 193 Sonate nr.19 für Orgel; g-moll 1899: Präludium / Provençalisch / Introduction und Finale
  • 194 Requiem für Chor und Orchester; d-moll
  • 195 Akademische Festouvertüre
  • 196 Sonate nr.20 für Orgel (Zur Friedensfeier); F-dur 1901: Präludium / Intermezzo / Pastorale / Finale

(Contribution by Piet Bron <pcb@nigz.nl>)

Biography: 
Joseph Rheinberger

by

David C.F. Wright

Joseph Rheinberger has for a very long time been only really known for his organ music. Certainly his contribution to the organ repertoire is of great importance. The high quality of his twenty organ sonatas and shorter organ pieces has ensured that his music is frequently presented in organ recitals and his sonatas have been recorded several times over the last three decades. But the musical public probably think of Rheinberger as a stuffy Victorian organist and a pedagogue not as a composer who wrote prolifically and effortlessly in many genres whose organ music form but a small but significant part. Even in terms of the organ Rheinberger was never stuffy and it is a pity that these works are so often presented on overblown Victorian organs when the music is, in fact, to be heard at its best advantage on much smaller, clearer instruments of the kind the composer would have known in many Munich churches where he performed and where his delicate part writing can come out properly. All this has stood against him in the eyes of posterity and it is sad to think of a composer so richly gifted and with so much to offer discerning music lovers of our own time should be so woefully neglected and misunderstood. Worse than this, he never enjoyed more than a parochial reputation even in his own lifetime. An arch-conservative at a time of traumatic innovation, he won the esteem of like-minded musicians of the day, but never the universal acceptance he deserved. His retiring nature and lack of ambition for self advancement contributed to his neglect. Perhaps it was his own fault.

Joseph Gabriel Rheinberger, the greatest composer ever to emerge from the tiny principality of Liechtenstein, hemmed in between Switzerland on the one side and Bavarian and the Austrian Tyrol on the other, was born in Vaduz on 17 March, 1839. He was an infant prodigy of extraordinary precocity, holding a post of organist at Vaduz Parish Church at the tender age of seven and making a sensation with the composition of a Mass in three parts with organ accompaniment at the age of eight, yet his parents were not musical and somewhat alarmed at their son’s musical bent. His interest had been kindled by his elder sister’s piano lessons, it being considered a right and proper subject upon which young ladies should receive tuition at the time and by the age of five he himself was receiving instruction from Sebastian Pohly, a retired schoolmaster from Schanders, and absorbing the techniques not only of piano and organ but also of theory and counterpoint. From that moment there was no stopping him. His extraordinary self-confidence has been well illustrated in Harvey Grace’s important contribution on the composer published in Grove IV but ruthlessly and uneccessaily abridged in Grove V. Grace also edited Novello’s edition of the organ sonatas. The performance of the early Mass led the Bishop of Chur to invite the boy to the cathedral in order to demonstrate his gifts, asking him to accompany on the organ a Salve Regina to be sung by the Bishop and the clergy. No sooner had the performance begun than the child stopped playing and admonished the Bishop for singing out of tune! his acute critical sense, even at so early an age, was demonstrated on another occasion when he nearly smoked out the congregation at Vaduz by throwing copies of some masses by his predecessor Buhler on the stove in the church because he disapproved of them. Truly an enfant terrible.

Rheinberger’s real chance came about at the age of ten when turning the music for the leader of an amateur string quartet named Schrammel. During the tuning, the boy remarked that the A string sounded a semitone higher than his piano at home. The discovery of this acute sense of pitch encouraged Schrammel to persuade his father to allow the boy to undertake serious tuition from the choirmaster at Feldkirch, some times miles distant, as a resident pupil. The boy went to Feldkirch to study with Philipp Schmutzer for two years, yet retaining his position as organist at Vaduz and walking back home every weekend to fulfil his duties there. In 1850, when still only eleven years of age, he entered the Royal Conservatory at Munich as a student and remained there for the next four years, graduating with distinction in 1854.

It was in Munich that Rheinberger was to settle for the rest of his life. Taking on piano pupils to support himself, he studied composition with Franz Lachner, the friend of Schubert and a prolific composer of conservative bent who fundamentally influenced Rheinberger’s own style. Five years later, he succeeded his own piano teacher, Emil Leonard, at the conservatory as professor and the following year became professor of composition as well. In 1865 the Conservatory was reorganised and Rheinberger was appointed coach to the court theatre where he astonished everybody by sight-reading and transposing Wagner’s Flying Dutchman simultaneously. During this time he was also much occupied as organist at the church of St. Cajetan and later at St. Michel’s, and took up choral conducting, becoming director of the Munich Choral Society. In 1867, on the formation of the Royal Music School under the direction of Hans von Bülow, it is hardly surprising to find Rheinberger appointed as professor of organ and composition, the title of Royal Professor being conferred upon him shortly afterwards. His colleagues included Peter Cornelius and Franz Wullner. In 1877 Rheinberger succeeded the latter as director of the court church music resigning his post as conductor of the Munich Choral Society. Had ambition moved him, he could have accepted the post of director of the Hoch-Conservatorium at Frankfurt, but his loyalty to the Bavarian Court prompted King Ludwig II to bestow on him the order of knighthood of St. Michael. Other honours, too, came his way including the knighthood of Gregory the Great, conferred on him by Pope Leo XIII, to whom he had dedicated an eight part Mass, while the University of Munich bestowed on him an honorary doctorate on the occasion of his 60th birthday.

In 1867 Rheinberger married Franziska von Hoffnaass, a widow seventeen years his senior and a prominent poetess, singer and painter with social connections. She was an immense help to him not only in supplying texts for his many vocal compositions, but also in handling his extensive correspondence in foreign languages, in copying his compositions and acting as an astute critic of his works. Her open rejection of Wagner both as a man and musician was not without consequence. Rheinberger as director of the Royal Court Theatre between 1864–7 had enjoyed Wagner’s esteem. From then onward he aligned himself with the more reactionary elements which rejected Wagnerian aesthetics and “the music of the future” and he turned away from opera although during his tenure at the Court theatre he had already made his mark with two notable dramatic works — Die sieben Raben and Turmers Tochterlein.

Hans von Bülow proclaimed Rheinberger to be an ideal composition teacher “unequalled anywhere in or near Germany”, and some six hundred composition students flocked to Munich from all over the world to study with him during the last forty years of his life, most notable among them being Humperdinck, Wolf-Ferrari, Furtwängler and Chadwick, not to mention the physicist Max Planck. But his high reputation as a teacher has tended to overshadow his achievement as a composer. His compositions — and we may include his organ works among them — combine the then current traditions of Munich church music with that of the Viennese classics of an earlier age. Their clarity and classic structure and lack of emotional content mitigated against popularity at a time when not to worship at the shrine of Bayreuth was tantamount to mutiny. In 1892 his wife died and ill-health forced him more and more to retire from public life. He suffered from a lung complaint brought on by a mountaineering expedition. In his last years he became increasingly aware that his compositions had become outdated and unwanted. When he died on 25 November 1901, his remains were carried back to his native Liechtenstein and buried in the cemetery at Vaduz not far distant from the house where he was born sixty two years earlier.

Works by Rheinberger have become known such as the Romantic Sonata in F sharp minor, Op. 184, the magnificent Piano Concerto in A flat, Opus 94. There is also a Symphonic Sonata and two Organ Concertos as well as an early Symphony named Wallstein, op. 10, after Schiller. There is also a 53 minute Florentine Symphony, Op. 87. Two of his Masses have been singled out for special praise, the Mass in C for soloists, chorus and orchestra, Op. 169 and the Mass in F minor, Op. 159 for four voices and organ. His enchanting Christmas cantata Der Stern von Bethelehem, op. 164, to a text by his wife was recorded by the Bavarian Radio Symphony Orchestra under Robert Heger with no less soloists than Rita Streich and Dietrich Fischer-Deskau. The Cello Sonata in C, Op. 92 was also recorded as were these other items more than two decades ago. Happily today there are many other recordings available including most of his chamber music, masses and concertos not to mention the organ works. The Nonet in E flat, Op. 139 also had an “early” recording together with a Nonet by Lachner and a piece by Cannabich.

The combination of flute, oboe, clarinet, horn, bassoon, violin, viola, cello and double bass is extremely rare and the number of significant works written for it can almost be counted on the fingers of one hand. The serenade-like quality of this combination is at all times most attractive and it is very surprising that composers have not be tempted to write for this medium. The first and most familiar example is Spohr’s Nonet in F, Op. 31 which dates from 1813 which seems to have stood in splendid isolation until Franz Lachner’s Nonet in F minor appeared in 1875. Rheinberger’s Nonet dates from nine years later and is a gay, charming and tuneful piece, yet expertly crafted with a perfect understanding of the capabilities of the instruments in the scoring.

The stuffy organist and pedagogue of popular imagination wrote shortly before his death, “There is no justification for music without melodiousness and beauty of sound… music never ought to sound brooding, for, basically, it is the outpouring of joy and even in pain knows no pessimism.”

© Copyright David C F Wright 2001. This article, or any part of it, however small, must not be copied, downloaded, stored in any mechanical or retrieval system without the prior permission of the author. Failure to comply is theft and in breach of International Copyright Law and will render any offender liable to action at law. However, the author may be prepared to grant permission upon written application.

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