Jean-François Le Sueur
| Jean-François | Le Sueur • Lesueur |
Warning: images may be copyrighted. If no copyright is shown, see their site of origin for details, or contact me.
Composition list
Opera and lyrical music
Sacred music
Instrumental music
Vocal music
Sheet music for Jean-Francois Le Sueur
It Might As Well Be Spring — Richard Rodgers, Oscar Hammerstein II, Jean Gauffriau, Jean Geiringer-Tallon, Jean Sablon
SATB choir, PIANO — choir and piano part — Secular, 20th Century
Composed by Richard Rodgers, Oscar Hammerstein II, Jean Gauffriau, Jean Geiringer-Tallon, Jean Sablon. Secular, 20th Century. Choir and piano part. 8 pages. Published by Editions a Coeur Joie (CJ.A112200144).
Price: $7.00
Cantique de Jean Racine (Lobgesang des Jean Racine) — Gabriel Faure
SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, viola, cello, contrabass, harp — Full score — Sacred vocal music, Hymns
Version for choir and orchestra. Composed by Gabriel Faure (1845-1924). Edited by Jean-Michel Nectoux. This edition: paperback. Cantique De Jean Racine.Sinfon.Orch. Sacred vocal music, Hymns. Full score. Composed 1865. Op. 11. 24 pages. Duration 6 minutes. Carus Verlag #CV 70.303/00. Published by Carus Verlag (CA.7030300).
Price: $31.00
Cantique de Jean Racine (Lobgesang des Jean Racine) — Gabriel Faure
SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 violins, viola, cello, contrabass, harp — Set of Orchestra Parts — Sacred vocal music, Hymns
Version for choir and orchestra. Composed by Gabriel Faure (1845-1924). Edited by Jean-Michel Nectoux. Cantique De Jean Racine.Sinfon.Orch. Sacred vocal music, Hymns. Set of Orchestra Parts. Composed 1865. Op. 11. Duration 6 minutes. Carus Verlag #CV 70.303/19. Published by Carus Verlag (CA.7030319).
Price: $68.00
Kullervo Op. 7 — Jean Sibelius
— study score — Early modern
Symphonic Poem - Urtext based on the Complete Edition "Jean Sibelius Works" (JSW). Composed by Jean Sibelius (1865-1957). Edited by Glenda D. Goss. Symphonic poem. Partitur-Bibliothek (Score Library). With the world premiere of Kullervo in 1892, Jean Sibelius staked his claim at the age of 27 to the front ranks of the symphonists of his day, long before he began writing his purely instrumental symphonies and tone poems. Early modern. Study score. Breitkopf and Haertel #PB 5304-07. Published by Breitkopf and Haertel (BR.PB-5304-07).
Price: $49.00
Finlandia Op. 26 — Jean Sibelius
piano — — Early 20th Century
Version for piano by the composer. Composed by Jean Sibelius (1865-1957). Arranged by Jean Sibelius. Edition Breitkopf.
Finlandia Op. 26 numbers among the most frequently played and best known works by Jean Sibelius.
Early 20th Century. Breitkopf and Haertel #EB-8176. Published by Breitkopf and Haertel (BR.EB-8176).Price: $18.00
En saga Op. 9 — Jean Sibelius
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trombones, tuba, percussion, strings — study score — Early 20th Century
Tone Poem for Orchstra - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius (1865-1957). Edited by Tuija Wicklund. Partitur-Bibliothek (Score Library).
Written in 1892, En saga takes its place at the beginning of Jean Sibelius's symphonic poems, and is also the first orchestral work by the Finnish composer to have won a lasting place in the concert repertoire.
Early 20th Century. Study score. Breitkopf and Haertel #PB-5319-07. Published by Breitkopf and Haertel (BR.PB-5319-07).Price: $19.00
Scherzo Brillante (Brilliante) — Jean-jean
Clarinet, Woodwinds — —
Clarinet. Composed by Jean-jean. Arranged by Daniel Bonade. Woodwind Solos & Ensembles - B-Flat Clarinet. Southern Music. 20 pages. Southern Music Company #SS83. Published by Southern Music Company (HL.3774495).
Price: $12.00
Cantates, Canons, Airs — Jean-Philippe Rameau
voice, flute, strings, basso continuo — score, anthology —
Composed by Jean-Philippe Rameau (1683-1764). Edited by Jean-Paul C. Montagnier and Sylvie Bouissou. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) III/1. Performing editions - BA 8946 and BA 8948. Score, anthology. Duration 2 hours, 30 minutes. Baerenreiter Verlag #BA08855. Published by Baerenreiter Verlag (BA.BA08855).
Price: $321.00
Vivaldi for Organ — Guillou, Jean Victor Arthur
— CD — Classical
By Guillou, Jean Victor Arthur. By Jean Victor Arthur, Johann Sebastian, Johann Sebastian Bach (1685-1750), and Jean Guillou (1930-). Classical. CD. Sono Luminus #DOR-90118. Published by Sono Luminus (NX.DOR-90118).
Price: $16.00
Jean- Baptiste Robin: Once Upon a Time... At the Walt Disney Concert Hall — Jean-Baptiste Robin
— — Classical
By Jean-Baptiste Robin. By Jean-Baptiste Robin, Frederic Chopin (1810-1849), Peter Ilyich Tchaikovsky (1840-1893), Jules Massenet (1842-1912), Claude Debussy (1862-1918), Maurice Ravel (1875-1937), Marcel Dupre (1886-1971), and Maurice Durufle (1902-1986). Classical. Brilliant Classics #BRI96134. Published by Brilliant Classics (NX.BRI96134).
Price: $9.00
operas
- La Caverne (1793)
- Paul et Virginie ou Le Triomphe de la Vertu (1794)
- Télémaque dans l’île de Calypso ou Le Triomphe de la Sagesse (1796)
- La Mort d’Adam et son apothéose (1809)
- Ossian ou Les Bardes (1804)
- Tyrhée
- Artaxerse
- Alexandre à Babylone
other music
- Masses and oratorios
- Oratorios, "Rachel", "Ruth et Boaz"
- Mass and Te Deum for Coronation of Napoléon I
- Cantata for the marriage of Napoléon I
- Coronation oratoro for Charles X (1825)
Le Sueur led a turbulent life, starting as a church musicien and
composer of sacred music before the French revolution. He withdraw
from the church in 1788, and after the revolution, he shifted his
focus and praised the new ideals. He became popular and received
recognition for he work. Among other things, he wrote music for the
coronation of Napoléon I, and received the Cross of the Legion of
Honor. After Napoléons defeat, Le Sueur became Superintenant and
composer to the chapel for King Louis XVIII (1814), and later wrote
music for the coronation of Charles X in 1825. In 1818, he became
professor of composition. Among his students were Berlioz and
Gounod. It is said that for the coronation music of Charles X, he
reused large portions of the coronation music he had written for
Napoléon I.