Born in 1967, he graduated in Pure Mathematics. After his academic studies, he developed his interests in music and poetry, which he had already shown since his childhood and further developed at the beginning of the ‘90s, when his writings were published in some independent cultural magazines.

In 1994, he created the multimedia project Autunna et sa Rose, focusing primarily on the interrelationship between poetry and musical composition. Around 2006, he began working intensively on video production, creating videos to use in a synchronised way during the Autunna et sa Rose shows, with the specific aim of conveying feelings more reflectively, distinct from those expressed by music.

Over the years, it is worthwhile to mention the collaboration with the American musician Steven Brown (Tuxedomoon) for the music-theatre opus 'Sturm' (2002) and the one with Ataraxia in 2005 in a live album. In the following years, several concept works were issued: 'L’Art et la Mort' (2006), a sort of homage to Surrealism and Artaud’s theatre, and 'Phalène d’onyx' (2012), born from a choice among several poems written since 2004; in these works, it is worth mentioning the relevant collaboration (continuing since then) with the excellent soprano Sonia Visentin, a renowned interpreter of contemporary music. In 2018, a composition for soprano and mezzosoprano, titled 'S’engouffrer dans ces nœuds...' and already issued on the CD 'Entrelacs du rêve' (2017), was the subject of the paper 'Dreamlinks: Link Theory Meets Music Composition. An Introduction to Compositional Methods Related to Primary Links', presented at the 21st Bridges Conference in Stockholm.

Currently, the forthcoming work entitled Stalker/Zone (SZ, LP - 100 numbered copies, out in December 2023) is being issued, a sort of experimental “psychological soundtrack” for the film Stalker (1979) by Andrej Tarkovskij.