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Sheet music for Andrew March
George Frederic Handel: Messiah — Erin Wall; Elizabeth DeShong; Andrew Staples; John Relvea; Toronto Mendelssohn Choir; Toronto Symphony Orchestra; Sir Andrew Davis; Sir Andrew Davis
— hybrid super audio CD (2 discs) — Classical
By Erin Wall; Elizabeth DeShong; Andrew Staples; John Relvea; Toronto Mendelssohn Choir; Toronto Symphony Orchestra; Sir Andrew Davis; Sir Andrew Davis. By George Frideric Handel (1685-1759). Classical. Hybrid super audio CD (2 discs). Published by Chandos (NX.CHSA-5176-2-).
Piano Solo — Score — Classical Period,Contemporary Classical,Neo-Classical
Composed by Andrew Dela Calzada. Arranged by Andrew Dela Calzada. Classical Period, Contemporary Classical, Neo-Classical. Score. 4 pages. Published by Andrew Dela Calzada (S0.437181).
Piano with String Ensemble — Performance — Contemporary Classical,Modern,Neo-Classical
Composed by Andrew March. Contemporary Classical, Modern, Neo-Classical. Performance. Published by Andrew March (S0.591941).
Piano with String Ensemble — Score — Contemporary Classical,Neo-Classical
Composed by Andrew March. Contemporary Classical, Neo-Classical. Score. 29 pages. Published by Andrew March (S0.591959).
Piano part,Violin I,Violin II,Viola,Violoncello,Double Bass — Set of Parts — Contemporary Classical,Neo-Classical
Composed by Andrew March. Contemporary Classical, Neo-Classical. Set of Parts. 43 pages. Published by Andrew March (S0.591969).
Tenor Saxophone — Concert Band Method —
Composed by Carl Teike, Ed Bagley, Frederick Bigelow, Geraro Codina, Kenneth Alford, W. Purdy, John Philip Sousa (1854-1932), Henry Fillmore (1881-1958), Arthur Willard Pryor (1870-1942), Andrew Balent, and Harold Bennett. Edited by Andrew Balent. Arranged by Andrew Balent. This edition: Tenor Saxophone in Bb. Concert Band Method. Carl Fischer Band Books Series. Concert Band Method. With Standard notation. 16 pages. Carl Fischer Music #JB40. Published by Carl Fischer Music (CF.JB40).
Trombone,Brass Quartet,Brass Choir or Ensemble — Score,Set of Parts — Romantic Period,Contemporary Classical,Christian,Sacred
Composed by Andrew Schneider. Arranged by Andrew Schneider. Romantic Period, Contemporary Classical, Christian, Sacred. Score, Set of Parts. 13 pages. Published by Andrew Schneider (S0.654287).
Piano Solo,Soprano Sax,Trombone,Brass Choir or Ensemble,Violin,Xylophone,Voice,Choir,Marching Band,Harmonica — Individual Part — 21st Century,Jazz,World,R&B
Composed by Andrew Iorpuu. Arranged by Andrew Iorpuu. 21st Century, Jazz, World, R&B. Individual Part. 1 pages. Published by Andrew Iorpuu (S0.582015).
Piano Solo — — 21st Century,Contemporary Classical,Post-Romantic,Modern
Composed by Andrew Lee. 21st Century, Contemporary Classical, Post-Romantic, Modern. 6 pages. Published by Composed by Andrew Lee (S0.585873).
Piano Solo — Score — 21st Century
Composed by Andrew Cannestra. 21st Century. Score. 17 pages. Published by Andrew Cannestra (S0.703941).
- Lament (2020) for SSAATTBB a cappella choir
- Amber of Solitude (2020) piano solo
- Our God at Hand (2019)
- Piano Concerto No. 1 (2013–19)
- Seven Pieces (2017) for bass clarinet and piano
- Dragonfly (2017) for clarinet, bass clarinet and piano
- Two Pieces (2017) for bass clarinet duo ("A Cross-Breeze Surges" and "Tumult of Amber and Rain")
- Your Mercy, O Lord (2016) for SSAA choir with piano accompaniment
- Dragonfly (2016) for flute, viola and harp
- Spring Tide Arabesque (2016) for bass clarinet duo
- Nightwind (2016) for flute, violin and cello
- Amoration (2016) for piano and strings
- Nymphéas for Clarinet Choir (2016)
- Ante Faciem Dei (2015)
- Your Eyes Fall Upon Us "Anthem for Remembrance" (2015); Text (adaptation): Sue Threakall
- Laudate Dominum (2015)
- Psalm 22 (2015) for SSATB choir
- Ephemeral Nymphs (2015) for cello and piano
- Solo Piano Album "14 pieces" (2014)
- Cellular Automata Orchestral Suite (2009–13)
- Spera in Domino "Psalm 36" (2012)
- Dixit Iniustus "Psalm 35" (2012)
- Dies Quoque "Day of Narrow Anguish" (2012)
- De Profundis (2011), for SAATBB choir
- Three Pieces for Solo Cello (2011)
- Phoenix Trail (2010) for violin and piano (2010)
- And It Shall Be (2010)
- May We Who Share His Table (2009) for SSA choir with piano accompaniment
- Sanguis Venenatus (2009) for string orchestra
- String Quartet Cycle "Birds of Prey'' (2009)
- Two Lovers (2009) for baritone and piano. Text: George Eliot
- May We Who Share His Table (2009) for SSA choir with piano accompaniment
- How Long, O Lord? (2008)
- My Voice is Unto God (2008), with organ accompaniment
- Un Grand Sommeil Noir (2008) for baritone and piano. Text: Paul Verlaine
- Somnia (2007) Text: Petronius Arbiter; Translation: Helen Waddell
- Psalm 57 (2007)
- 25 Choral Collects (2006); Text: Common Worship, Additional Collects
- May We Who Share His Table (2006)
- Creator of the Heavens "Choral Collect for Epiphany" (2006) Text: Common Worship, Additional Collects
- Equipoise (2005) for bass clarinet and piano
- Marian Antiphon No.3 "Regina Caeli" (2005)
- Marian Antiphon No.2 "Ave Regina Coelorum" (2005)
- Spiritus (2004)
- Thou Art Worthy (2004)
- Nunc Dimittis "The Song of Simeon" (2004)
- Phos Hilaron "Song of the Light" (2004)
- Five Songs of Pindar (2003) for soprano, choir and orchestra
- In Memoriam (2002)
- Boy in Ice (2002) (reworked for soprano)
- Nymphéas for 2 Pianos (2001)
- Be Still and Know (2001)
- Alto Flute and Harp Book (2000)
- A Stirring in the Heavenlies (2000)
- Adagio Assonnato (2000) for oboe, harp, strings
- Irish Reel (2000)
- Marine — à travers les arbres (1997)
- Easdale (1996)
- Poem I from Chamber Music by James Joyce (1996)
- Music for Film Credits (1996) for 9 players
- Ten Little Pieces (1995) for 8 players
- Nymphéas (1995) for 8 players
- Two Songs of Laurie Lee; [Black Edge, Invasion Summer] (1993)
- Boy in Ice (1992) for mezzo–soprano and piano
- Transient Moods (1992) for guitar solo
Andrew March (b.1973) was born in Nuneaton, Warwickshire. A composition student at the Royal College of Music from 1992-1996, Andrew Studied with Jeremy Dale Roberts, While at the RCM, Andrew won numerous prizes, including the English Song Prize, Cobbett & Hurlstone Prize, United Music Publishers Prize, and the prestigious Constant & Kit Lambert Award. He had his works performed by the Twentieth Century and Composers’ Ensembles. His graduation work, Easdale, for orchestra, received its first performance by the RCM Symphony Orchestra and Edwin Roxburgh, and was awarded the Royal Philharmonic Composition Prize in 1996.
Since graduating from the RCM, and has achieved world-wide acclaim as a composer. His orchestral piece, Marine - à travers les arbres, was the winning work in the 1998 Masterprize International Composing Competition. The work has received 13 performances throughout the world including Zurich, Diisseldorf, Moscow and at the Proms at the Royal Albert Hall in London in 1998. The work has been recorded by the BBC for the European Broadcasting Union, and by the London Symphony Orchestra for the EMI Debut Series (CDZ5 72826-2). The recording by the LSO was released on the cover-mount CD of the BBC Music Magazine in March 1998.
Following a commission to celebrate the Quincentenary of the Worshipful Company of Musicians, Andrew’s 16-minute orchestral piece, A Stirring in the Heavenlies was premièred by the London Symphony Orchestra at the Barbican in December 2000.
In 2001, Nymphéas for Two Pianos was written for pianist brothers duo Peter & Patrik Jablonski, who gave the World première in the Royal Palace, Stockholm, in the Autumn of 2002, and then followed with a tour that programmed the piece in and around Scandinavia. Andrew was involved in another collaborative project, in 2005, to write a number of bespoke choral pieces for the Chapel Choir of Corpus Christi College, Cambridge. A CD, Regina Caeli (LAMM188D) was later released by Lammas Records.
In 2009, Andrew composed an elegy for strings, Sanguis Venenatus which was recorded by PARMA Recordings in 2011 in Olomouc in the Czech Republic and released on CD towards the end of 2012. The elegy has subsequently been broadcast on BBC Radio 3’s "Late Junction" and internationally on Estonia’s Klassikaraadio and Hungary’s Rádió Bartók, with repeat airings during drive-time programmes on stations such as Sweden’s P2 Klassiskt and South Africa’s Classic FM. More recently, Sanguis Venenatus has been accepted for streaming by Pandora.
In June 2013, a setting of De Profundis was published by Paraclete Press and later that year, Andrew visited New York City to attend rehearsals and introduce his Three Pieces for Solo Cello which were premièred at Weill Hall, Carnegie by Romanian-born cellist Ovidiu Marinscu. In 2014, Indianapolis publisher Colla Voce Music Inc. published two sacred choral settings, Psalm 13: How Long, O Lord? and the evening vesper, Marian Antiphon No. 3.
In January 2016, Amoration for Piano and Strings was recorded at the MRTV studios in Skopje with the Macedonian Radio Symphonic Orchestra. The piece has since been broadcast on the UK’s Classic FM, Central New York's WCNY 91.3, Canada’s Radio-Classique, and on Classic FM Netherlands. Later that year, four pieces were published by Alea Publishing and Recording in the USA; Equipoise for Bass Clarinet and Piano, Nymphéas for Clarinet Choir, Dragonfly for Flute, Viola and Harp, and Spring Tide Arabesque for Bass Clarinet Duo. Towards the end of 2016, Alliance Publications, Inc. (API) signed 6 of Andrew's sacred choral pieces.