Alberto Nepomuceno
| Alberto | Nepomuceno |
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Kompositionsliste
Opera und lyrische Musik
Geistliche Musik
Sinfonische Musik
Kammermusik
Instrumentalmusik
Vokalmusik
Konzertante Musik
Compositions sorted on opus (if available)
Op. 6
Op. 9
Op. 11
Op. 13
Op. 27/ 2
Op. 33
Sheet music for Alberto Nepomuceno
SERENADE FOR STRINGS — Alberto Nepomuceno
Violin,Viola,Cello,Double Bass — Score — Romantic Period,Post-Romantic
Composed by Alberto Nepomuceno (1864-1920). Arranged by Luiz Islo Nantez Teixeira. Romantic Period, Post-Romantic. Score. 23 pages. Published by Globrazil Inc (S0.445609).
Price: $20.00
Suite Antiga Opus 11 — Alberto Nepomuceno
Piano Solo — — Romantic Period
Composed by Alberto Nepomuceno (1864-1920). Arranged by Islo Nantes. Romantic Period. 23 pages. Published by Globrazil Inc (S0.449687).
Price: $8.00
Nepomuceno: Symphony in G minor; O Garatuja - Prelude; Serie Brasileira — Orquestra Filarmonica de Minas Gerais
— — Classical
By Orquestra Filarmonica de Minas Gerais. By Alberto Nepomuceno (1864-1920). Classical. Naxos #8574067. Published by Naxos (NX.8574067).
Price: $11.00
Alberto Napolitano: Mutazioni — Alberto Napolitano
— — Classical
By Alberto Napolitano. By Alberto Napolitano, Georg Philipp Telemann (1681-1767), Claude Debussy (1862-1918), Giacinto Scelsi (1905-1988), and Salvatore Sciarrino (1947-). Classical, Contemporary Era. Classical. Stradivarius #STR37126. Published by Stradivarius (NX.STR37126).
Price: $16.00
Il Barbiere Di Siviglia — Alberto Zedda
Vocal and Piano Reduction — Vocal Score — Opera or Operetta
Vocal Score. By Alberto Zedda. By Gioachino Rossini (1792-1868). Edited by Alberto Zedda. Opera Vocal Score Series (Ricordi). Opera or Operetta. Vocal Score. Composed 2006. 488 pages. Ricordi #CP 13180900. Published by Ricordi (HL.50020310).
Price: $53.00
La Cenerentola Ossia La Bonta' In Trionfo — Alberto Zedda
Vocal and Piano Reduction — Vocal Score — Opera or Operetta
Riduzione Per Canto E Pianoforte (2 Voll.). By Alberto Zedda. By Gioachino Rossini (1792-1868). Edited by Alberto Zedda. Opera. Opera or Operetta. Vocal Score. Composed 2004. 658 pages. Ricordi #CP 13182100. Published by Ricordi (HL.50486324).
Price: $79.00
Il barbiere di Siviglia - The Barber of Seville — Alberto Zedda
Vocal and Piano Reduction — Vocal Score Hardcover — Opera or Operetta
Ed. Critica A. Zedda - Testo cantato italiano e inglese. By Alberto Zedda. By Gioachino Rossini (1792-1868). Edited by Alberto Zedda. Vocal Score. Opera or Operetta. Vocal Score Hardcover. Composed 1974. 548 pages. Ricordi #CP 13180901. Published by Ricordi (HL.50020300).
Price: $66.00
Il barbiere di Siviglia — Alberto Zedda
Score — Score Only — Classical, Opera
Score. By Alberto Zedda. By Gioachino Rossini (1792-1868). Edited by Alberto Zedda. Study Score. Classical, Opera. Score Only. Composed 2004. 446 pages. Ricordi #PR1380. Published by Ricordi (HL.50486067).
Price: $59.00
Il barbiere di Siviglia — Alberto Zedda
Vocal and Piano Reduction — Vocal Score — Opera or Operetta
Vocal Score based on the Critical Edition. By Alberto Zedda. By Gioachino Rossini (1792-1868). Edited by Alberto Zedda. MGB. Opera or Operetta. Vocal Score. Composed 2014. 1068 pages. Ricordi #CP 13990600. Published by Ricordi (HL.50491307).
Price: $60.00
La gazza ladra — Alberto Zedda
Vocal and Piano Reduction — Vocal Score — Opera or Operetta
Riduzione Per Canto E Pianoforte (2 Voll.). By Alberto Zedda. By Gioachino Rossini (1792-1868). Edited by Alberto Zedda. Vocal Score. Opera or Operetta. Vocal Score. Composed 1997. Ricordi #CP 13272200. Published by Ricordi (HL.50502570).
Price: $90.00
Nepomuceno wrote in many genres and styles: art songs in various languages, sacred music, secular choral music, piano pieces, organ pieces, string quartets and other chamber music, operas, lyrical comedies, a symphony, tone poems, three suites for orchestra.
The Brazilian composer and conductor Alberto Nepomuceno played an important role in the emergence of a national Brazilian musical style. From 1888 till 1895 he was in Europe. He studied composition in Berlin. After he married a Norwegian woman, he became friend with Grieg. He also lived in his house for a while. Later he also met Camille Saint-Saëns and Vincent d’Indy in Paris.
Back in Brazil he taught at the Institutio Nacional de Musica in Rio de Janeiro. In 1910 he was back in Europe for a series of concerts. Then he also met Debussy.
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