Arturo Rodas
| Arturo | Rodas |
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Sheet music for Arturo Rodas
Jascha Heifetz Collection: Brahms Concerto with Toscanini, Vol. 3 — Jascha Heifetz; Arturo Toscanini; New York Philharmonic; Bell Telephone Hour Orchestra; Donald Voorhees; Donald Voorhees; Arturo Toscanini
— listening CD — Classical
By Jascha Heifetz; Arturo Toscanini; New York Philharmonic; Bell Telephone Hour Orchestra; Donald Voorhees; Donald Voorhees; Arturo Toscanini. By Johannes Brahms; Edouard Lalo; Camille Saint-Saens. Classical. Listening CD. Published by Naxos (NX.DHR-7717).
Price: $18.00
The Songs of Arturo Toscanini — Arturo Toscanini
High Voice — — Classical
High Voice. Composed by Arturo Toscanini. Classical. 74 pages. Published by Subito Music Corporation (HL.220338).
Price: $19.00
The Songs of Arturo Toscanini — Arturo Toscanini
Medium Voice, Piano Accompaniment — Softcover — Classical
Medium Voice. Composed by Arturo Toscanini. Classical. Softcover. 78 pages. Published by Subito Music Corporation (HL.220339).
Price: $19.00
Arturo Bendetti Michelangeli plays Bach, Busoni & Beethoven - Salzburg, 1965 — Arturo Benedetti Michelangeli
— CD — Classical
By Arturo Benedetti Michelangeli. By Johann Sebastian Bach (1685-1750), Ludwig van Beethoven (1770-1827), and Ferruccio Busoni (1866-1924). Classical. CD. Orfeo #ORF-C943171B. Published by Orfeo (NX.ORF-C943171B).
Price: $19.00
Arturo Toscanini Conducts Verdi (Box Set) — Arturo Toscanini
— CD — Classical
By Arturo Toscanini. By Giuseppe Verdi (1813-1901). Classical. CD. Sony Music Entertainment #88883797792. Published by Sony Music Entertainment (NX.88883797792).
Price: $32.00
Vladimir Delman conducts Orchestra Sinfonica dell'Emilia Romagna ""Arturo Toscanini"" — Orchestra Sinfoninca Dell 'Emilia Roagna ""Arturo Toscanini""
— CD — Classical
By Orchestra Sinfoninca Dell 'Emilia Roagna ""Arturo Toscanini"" and Vladimir Delman. By Anton Bruckner (1824-1896). Classical. CD. Naxos #ERM4023. Published by Naxos (NX.ERM4023).
Price: $16.00
Arturo Benedetti Michelangeli: Live from Vatican City, London, Roma, Buenos Aires, Warsaw, Prague, Milano, Lugano, Torino — Arturo Benedetti Michelangeli
— — Classical
By Arturo Benedetti Michelangeli, Los Angeles Philharmonic Orchestra, Orchestra Sinfonica di Roma della RAI, Orchestra del Teatro alla Scala di Milano, and Orchestra Sinfonica di Torino della RAI. By Domenico, Edvar Grieg, Johann Sebastian Bach (1685-1750), Baldassare Galuppi (1706-1785), Franz Joseph Haydn (1732-1809), Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827), Frederic Chopin (1810-1849), Franz Liszt (1811-1886), Cesar Auguste Franck (1822-1890), Johannes Brahms (1833-1897), Claude Debussy (1862-1918), Sergei Rachmaninoff (1873-1943), Maurice Ravel (1875-1937), and Federico Mompou (1893-1987). Classical. Profil #PH18063. Published by Profil (NX.PH18063).
Price: $41.00
Bagatelle in E minor — Arturo Albanosa
Piano — Score — Romantic Period,20th Century,21st Century
Composed by Arturo Albanosa. Romantic Period, 20th Century, 21st Century. Score. 1 pages. Published by Arturo Albanosa (S0.13620).
Price: $3.00
Fantasia in F minor — Arturo Albanosa
Piano — Score — Romantic Period,20th Century,21st Century
Composed by Arturo Albanosa. Romantic Period, 20th Century, 21st Century. Score. 2 pages. Published by Arturo Albanosa (S0.14034).
Price: $3.00
Passacaille d'Armide - Jean Baptiste Lully / Arturo Escorza — Jean-Baptiste Lully
Piano Solo — Performance — Baroque Period
Composed by Jean-Baptiste Lully (1632-1687). Arranged by Arturo Escorza. Baroque Period. Performance. Published by Arturo Escorza (S0.279399).
Price: $1.00
Main Catalogue
- Entropía, Orchestra (3 Trp, Perc, 13 Vl I, 12 Vl II, 8 Vla, 6 Vlc, 4 Cb), 9’50" Paris 1980-81. Orch de L’Ille de France-Alexandre Myrat.
This work was ‘Finalist Laureat’ at the ‘Max Deutsch’ International Contest for orquestral composition. - Movimiento, Harp solo, 10’, Paris 1983. Cité des Arts, Paris, Annie Poirier
- Arcaica Orchestra (1.2.1.2.1.2/2.3.2.1/1/7.6.5.4.4),15’, Paris 1983-84. OSN, Quito-Alvaro Manzano. Score & Recording
- Andino III, Flute solo, 11’30", Paris 1983 Guillermo Portillo Unesco Auditorium, Paris. Score & Rec. (Luciano Carrera)
- Mordente, 4 clarinets B flat, 9’50", Hungary 1984 Quartet of the Budapest’s Academy 1983, Györ. Score & Rec (Miguel Jiménez)
- Clímax Orchestra, (1.2.1.2.1.1./3.2.2./1/5.3.2.2.), 13’20", Quito 1985. OSN Quito-A. Manzano. Score & Tape.
- Espacios Invertidos, Percussion solo, 8’50", Quito, 1985. Pablo Valarezo 1985. Score & Rec.
- Ramificaciones temporales, Clarinet solo, variable time, Quito 1985, Miguel Jiménez.
- Güilli gu, Orchestra (3.3.4.2/2.3.2./3/75.4.4.), variable time, Quito 1985.
- Oh...! Trumpet, 9’25", Quito, 1986. Goethe Auditorium, Santiago de Chile, 1987, John Schroeder, Score.
- Melodías de Cámara Chamber music, 12’30", Quito 1987.
- Oh...! Piano solo 12’10", Quito, 1987. Score & Rec (Christo Iliev)
- Introitus, 6’
- Kyrie, 5’ (4 singers, 2 choirs, organ, orchestra) Quito 1987-88.
- Dies Irae, 10’
- Obsesiva, (narrator, electronic music, orchestra) 12’, Quito 1987-88. IBM Commission 1988-OSN. Score
- Obstinado, Violoncello solo, 9’10", Quito 1987. Carlos Nozzi, Teatro Colón-Bs Aires, 1988. Score.
- La, Choir & Orchestra. Work for a single pitch, 8’, 1988.
- A,B,C,D, String quartet, 30’ Guayaquil 1988-89.
- Había una vez, (voices, 1 percussion, strings), 11’, London 1990.
- Andante, Saxo, 3 Perc, Piano, Organ 16’ Valencia-London 1991.
- Obstinado II, Violoncello solo, 12’50", London 1992.
- Andino IV, Flute solo, 14’10", London 1992. St James Piccadilly 1993, Robert Aitken
- Lied, Percussion solo, 12’, London 1992. 1st performance at Bolivar Hall, London on 4/Nov/1996, Alonso Mendoza. Score.
- Mordente II, (poetry and music) 4 clarinets B flat 11’45", London 1993.
- Full Moon Business, Picc, 2 Fl, Fl Sol, Cl Mib, 2Cl Sib, Bass Cl, Bsn, Perc. 15’ London 1996. Score. Played in Freiburg, Germany in June 1997
Catalogue by formations
Soli
- Harp solo, 10’, Paris 1983. Score.
- Andino III, Flute solo, 11’30", Paris 1984. Score, Tape.
- Ramificaciones temporales, Mixed-media work (Music & painting) Work in colaboration with Ana Placencia. Clarinet solo, variable time, Quito 1985. Coloritura (Score-painting).
- Espacios Invertidos I, Percussion solo, 8’50", Quito 1985. Score & Tape.
- Oh...! Trumpet, 9’25", Quito 1986. Score.
- Oh...! Piano solo 12’10", Quito 1987. Score & Tape.
- Obstinado, Violoncello solo, 9’10", Quito 1987. Score.
- Obstinado II, Violoncello solo, 12’50", London 1992. Score.
- Andino IV, Flute solo, 14’10", London 1992. Score.
- Lied, Percussion solo, 12’, London 1992. Score.
Chamber music
- Melodías de Cámara, Chamber music (1.1.1.1/Horn/Piano, 2 Perc/1.1.1.1.1.) 12’30", Quito 1987. Score.
- Mordente, 4 clarinets B flat, 9’50", Hungary 1984. Score & Tape.
- A,B,C,D, String quartet, 30’ Guayaquil 1988-89. Score.
- Había una vez, (voices, 1 percussion, strings), 11’, London 1990. Score.
- Andante, Saxo, 3 Perc, Piano, Organ 16’ Valencia-London 1991. Score.
- Mordente II, Work in colaboration (poetry and music) with Diego de Jesús. For narrator & 4 clarinets in B flat 11’45", London 1993. Score.
- Full Moon Business, Picc, 2 Fl, Fl Sol, Cl Mib, 2Cl Sib, Bass Cl, Bsn, Perc. London 1996. Score. Played in Freiburg, Germany in June 1997
Orchestra & choir & electroacustics
- Entropía, Orchestra (3 Trp, Perc, 13 Vl I, 12 Vl II, 8 Vla, 6 Vlc, 4 Cb), 9’50" Paris 1980-81. Score.
- Arcaica, Orchestra (1.2.1.2.1.2/2.3.2.1/1/7.6.5.4.4), 15’, Paris 1983-84. Score & Tape.
- Clímax, Orchestra, (1.2.1.2.1.1./3.2.2./1/5.3.2.2.), 13’20", Quito 1985. Score & Tape.
- Güilli gu, Work in colaboration (painting & music) with Ana Placencia. Orchestra (3.3.4.2/2.3.2./3/75.4.4.), variable time, Quito 1985. Coloritura (score & painting)
- Introitus, 6’
- Kyrie, 5’
- Dies Irae, 10’ The last three pieces are for: 4 singers, 2 choirs, organ, orchestra Quito 1987-88. Score available.
- Obsesiva, Piece comisioned by IBM (narrator, electronic music, orchestra) 12’, Quito 1987-88. Score.
- La, Choir & Orchestra 8’, 1988. Score. Work for a single pitch. Score.
General
I started my studies of music in Ecuador at the Conservatorio Nacional de
M&uacyte;sica. From 1972 to 1976 I did a degree in Law at the Universidad Central del
Ecuador After graduating, I stayed six years in France where I studied
countrepoint, fugue and composition at the Ecole Normale de Musique de Paris.
While studying I was for one year assistant to the French composer Jose
Berghmans, who contributed to the revival of Ecuadorian Art Music.
I also studied electronic composition at the Centre Europeen de Recherche
Musicale in Metz, as well as concrete music and composition at the
Conservatoire National de Paris. I have followed several short courses, among
which one with Luciano Berio (Centre Acanthes Aix-en-Provence, 1983). Among my
teachers, José Berghmans, Ginete Keller, Gerardo Guevara, Mesias Maiguashca,
Michel Philipot, Guy Reibel, Yoshihisa Taira, Claude Lefebvre, Michelle Reverdy.
I was "Premier Nommé" in the study of superior counterpoint at the Ecole
Normale de Musique de Paris (1981/82) and was awarded diplomas in analysis,
scoring (1982/83) and composition (1983/84).
In 1983, I was finalist in the international competition Max Deutsche for
orchestral composition (Paris) and my work ‘Entropy’ was played by L’Orchestre
de L’Ille de France conducted by Alexandre Myrat.
Together with Petros Korelis I created the French musical group ‘Denosjours’.
We specialized in contemporary music from around the world and traveled in
France and abroad under the sponsorship of the Action Artistique Francaise and
other organizations.
Back in Quito I was editor of the magazine Opus from 1986 to 89. In 1989 a
record of my music was sponsored by the ‘Banco Central del Ecuador’. At that
time I was given one-year financial support from the Unesco for me to write
music.
Since 1990 I have been living in Europe again. This time as a free lance
composer and a teacher. Apart from a year in Rome (98-99) I have spent all
those years in London.
Commissions
Among them: IBM, Denosjours from Paris, American pianist Gary Barnett,
Mexican percussionist Alonso Mendoza, Banco Central del Ecuador, Ensems de
Cambra in Valencia, Orquesta Sinfonica Nacional del Ecuador, etc.
Some Concerts
Sala Escalante in Valencia, University of Kansas; North Recital Hall -
Louisville, Festival Por la Musica en las Americas at Teatro Colon in Buenos
Aires, Bolivar Hall in London, Sacem’s Auditorium in Paris, UNESCO Auditorium
in Paris, Agrupacion Musical Anacrusa from Santiago de Chile, South Bank
Center London, Institut für Neue Musik in Friburg, IL Punto di Svolta in Rome,
St James Church Piccadilly in London, Royal Academy of Music in London,
Gaudeamus in Amsterdam etc. Also several broadcastings among them at BBC radio 3, BBC World Service and France Musique.
Scholarships
Instituto Ecuatoriano de Credito Educativo y Becas (IECE),
French Government, Ecole Normale de Musique de Paris, Centre Europeen pour la
Recherche Musicale in Metz, UNESCO, Centre Acanthes.
Publications
Nuestros Dias a book about contemporary music, published by the Ecuadorian
Centro de Investigacion y Cultura.
Rodas, an LP album with seven compositions published by Banco Central del Ecuador;
Musica de Nuestro Tiempo, an LP album with pieces of several composers from the
Ecuador published by the DIC of the Ecuadorian Conservatorio National.
Ecuadorian Piano Music, a home-made CD by the American pianist Gary Barnett who
commissioned the compositions of "24 1/2 preludes for piano", played and
premiered them in several concert halls around the world
Opus, several articles and essays written for this magazine and published by
the Musicoteca del Banco Central in Ecuador.
Arcadia Editions, several of my compositions were published by them (ArcadiaEditions@aol.com).
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