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Daniel Palkowski
Daniel | Palkowski |
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Sheet music for Daniel Palkowski
Pritsker / Jarvis Duo — Gene Pritsker; Peter Jarvis; Dan Cooper; Daniel Palkowski
— listening CD — Classical
By Gene Pritsker; Peter Jarvis; Dan Cooper; Daniel Palkowski. By Peter Jarvis; Daniel Palkowski; Joseph Pehrson; Gene Pritsker; David Saperstein; Jessica Wells. Classical. Listening CD. Published by Naxos (NX.COMCON0032).
Price: $16.00
Daniel Morales — Daniel Morales
Piano Solo,Soprano Sax — — Baroque Period
Composed by Daniel Morales. Arranged by Daniel Morales. Baroque Period. 6 pages. Published by Daniel Morales (S0.367043).
Price: $2.00
Three William Blake Songs for Soprano and Piano - Opus 2 — Daniel Carr
Piano,Voice,Soprano Voice — Score — 21st Century,Romantic Period,Movies,Pop,Folk
Composed by Daniel Carr. 21st Century, Romantic Period, Movies, Pop, Folk. Score. 15 pages. Daniel Carr #Nikoichi2. Published by Daniel Carr (S0.24856).
Price: $7.00
Aki - Vocalise for Soprano and Piano - Opus 4 — Daniel Carr
Piano,Voice,Soprano Voice — Score — 21st Century,Romantic Period,Movies,Pop,Folk
Composed by Daniel Carr. 21st Century, Romantic Period, Movies, Pop, Folk. Score. 9 pages. Daniel Carr #Nikoichi4. Published by Daniel Carr (S0.24855).
Price: $5.00
Three Langston Hughes Songs for Soprano and Piano - Opus 12 — Daniel Carr
Piano,Piano/Vocal/Chords,Voice,Soprano Voice — — 21st Century,Jazz,Blues,Broadway,Pop
Composed by Daniel Carr. 21st Century, Jazz, Blues, Broadway, Pop. 26 pages. Daniel Carr #Nikoichi12. Published by Daniel Carr (S0.25061).
Price: $7.00
Three Sara Teasdale Songs for Soprano and Piano - Opus 15 — Daniel Carr
Piano,Piano/Vocal/Chords,Soprano Voice — — 21st Century,Romantic Period,Musicals,Folk,Pop
Composed by Daniel Carr. 21st Century, Romantic Period, Musicals, Folk, Pop. 17 pages. Daniel Carr #Nikoichi15. Published by Daniel Carr (S0.25064).
Price: $7.00
√âtude Tremolo #1 — Daniel Richard McLellan
Guitar — Individual Part,Score — Post-Romantic,Modern,Method,Etudes and Exercises,Technique Training
Composed by Daniel Richard McLellan. Arranged by Daniel Richard McLellan. Post-Romantic, Modern, Method, Etudes and Exercises, Technique Training. Individual Part, Score. 4 pages. Published by Daniel McLellan (S0.61701).
Price: $1.00
Daniel Vargas, Capriccio No. 3, for two cellos — Daniel Vargas
Cello,String Duet — Score,Set of Parts — 21st Century,Contemporary Classical,Repertoire,Technique Training,Recital
Composed by Daniel Vargas. 21st Century, Contemporary Classical, Repertoire, Technique Training, Recital. Score, Set of Parts. 9 pages. Published by Daniel Vargas (S0.564093).
Price: $7.00
Treasure Island Overture - original composition for Concert Band by Daniel Edwards — Daniel Edwards
Flute,Oboe,Clarinet,Bassoon,Alto Sax,Tenor Sax,Baritone Sax,Trumpet,Trombone,Tuba,Horn in F,Timpani,Concert Band — Score,Set of Parts — 21st Century,Modern,Recital
Composed by Daniel Edwards. 21st Century, Modern, Recital. Score, Set of Parts. 52 pages. Published by Daniel Edwards (S0.592239).
Price: $9.00
Dona Nobis Pacem (Solfege - Canon) — Anon / Daniel Steenson
Voice,Voice Duet,Choir,SAB,Unison — Score — Classical Period,Etudes and Exercises,General Instructional,Technique Training
Composed by Anon / Daniel Steenson. Arranged by Daniel Steenson. Classical Period, Etudes and Exercises, General Instructional, Technique Training. Score. 1 pages. Published by Daniel Steenson (S0.732033).
Price: $3.00
Eclecto-synthesis. Integration of vernacular styles into a broader framework.
Interest in algorithmic processes and meta-composition. Also write very
accessible, mainstream ‘gebrauchtmusik’.
Began musical training by studying piano. Was exposed to electronic instruments
while in high school in 1970, and became infatuated with a wide variety of
musical styles, progressive rock on the one hand, and Penderecki on the other.
Was swept up in the latter part of the hippie generation after high school, and
started hitchhiking around the country, landing in Texas, California, and
finally returning to Tennessee for a brief time. Was invited by an acquaintance
met while in Calif. to travel to New York to
play keyboards for a new Rock Opera called "Trilemma" in 1976/77. Soon
thereafter decided to continue with musical education, so began studies at
Manhattan School of Music with Elias Tanenbaum. Interest in electronic music
was paramount, thanks to Tanenbaum influence. Graduated in 1983. Continued
studies at Columbia University with Jack Beeson and George Edwards. Also became
interested in computer music there. Received DMA in Music Composition from
Columbia in 1992. Website has complete listing of compositions and performances. Currently working
full time for Ernst & Young, providing original music and audio services. Also
teaching at the Interactive Telecommunications Program, Tisch School of the
Arts, New York University: classes in Digital audio, MIDI, etc.
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