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Compositions sorted on opus (if available)
Sheet music for Klaus Miehling
organ — —
21 choral preludes. Composed by Klaus Uwe Ludwig. Edition Breitkopf.
21 organ preludes on popular Christmas carols and hymns you will find in Klaus Uwe Ludwig's Engel und HirtenBreitkopf and Haertel #EB-8836. Published by Breitkopf and Haertel (BR.EB-8836).
Flute,String Orchestra — Score,Set of Parts —
Composed by Klaus Silbernagl. Score, Set of Parts. 14 pages. Published by Published by Klaus Silbernagl (S0.318879).
— — Baroque
Composed by Klaus-Peter Koch. Edited by Klaus-Peter Koch. Buchverlag Breitkopf & Hartel (Music Books). The Samuel Scheidt Work Catalogue (SSWV) reflects the current state of Scheidt scholarship. It describes all of Samuel Scheidt's works which can be documented in prints and manuscripts. Baroque. Breitkopf and Haertel #BV-332. Published by Breitkopf and Haertel (BR.BV-332).
violin, organ — — Romantic
Composed by Max Reger (1873-1916). Edited by Klaus Uwe Ludwig. Arranged by Klaus Uwe Ludwig. Edition Breitkopf. Klaus Uwe Ludwig found in the original score a highly colorful, variegated orchestral work that was practically asking to be transferred to the organ. The result is virtually a new orchestration. Romantic. Breitkopf and Haertel #EB-8725. Published by Breitkopf and Haertel (BR.EB-8725).
organ — — Romantic
Composed by Richard Wagner (1813-1883). Edited by Klaus Uwe Ludwig. Arranged by Klaus Uwe Ludwig. Edition Breitkopf.
Romantic. Breitkopf and Haertel #EB-8726. Published by Breitkopf and Haertel (BR.EB-8726).
Klaus Uwe Ludwig found in the original score a highly colorful, variegated orchestral work that was practically asking to be transferred to the organ. The result is virtually a new orchestration.
strings — —
(Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber (1924-). Arranged by Klaus Huber. Edition Breitkopf.
You will need a copy of BG 1002 for each player to perform the version for variable instrumentation (BG 1004).Breitkopf and Haertel #EB-8424. Published by Breitkopf and Haertel (BR.EB-8424).
guitar (with lyrics) — — Classical
Leicht gesetzt. Composed by Klaus Buhe. Edited by Klaus Buhe. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 28 pages. Schott Music #ED 6808. Published by Schott Music (HL.49006673).
TBarB — — Romantic Period
Composed by Klaus Breuninger. Romantic Period. 1 pages. Published by Published by Klaus Breuninger (S0.552637).
Choir,TBarB — Score — Romantic Period,Funeral
Composed by Klaus Breuninger. Romantic Period, Funeral. Score. 1 pages. Published by Published by Klaus Breuninger (S0.553445).
Piano Accompaniment,Flute,String Orchestra — Score,Set of Parts — Pop
Composed by Klaus Silbernagl. Pop. Score, Set of Parts. 9 pages. Published by Published by Klaus Silbernagl (S0.568897).
Klaus Miehling’s work list contains presently (July 2013) 210 compositions, vocal and instrumental, for historical as well as for modern instruments.
In 2002 he was a finalist in the international choral composition competition of the city of Harelbeke, Belgium, in 2008 in the composition competition of the Comunità Evangelica Luterana di Napoli. In 2009 his song Endymion op. 150/7 received the Longfellow Chorus Award of Distinction 2008/09 (Portland/Maine, USA). In 2010 he won the 3d prize in the composition competition Einheit durch Vielfalt - Kirche macht Musik of the Deutscher Musikrat. In 2012 at the composition contest of Corale Monteverdi Cles (Italy) the Lectio Domenicae Secundae Adventus op. 193/2 obtained a recommendation as only work in the category mixed choir and organ, where no prizes were awarded.
Miehlings works have been published by the Goldbach-Verlag St. Ingbert, the Tonger-Verlag Köln, the Moeck-Verlag Celle, www.epubli.de and www.musicalion.com. Most of his compositions with recorders are available at the Flautando Manuskriptearchiv.
Klaus Miehling was born in 1963 and received a diploma in early music (harpsichord) in 1988 from the Schola Cantorum Basiliensis. In 1993 he earned his doctorate in musicology, art history and historical paramedical sciences from the University of Freiburg. He is the author of Das Tempo in der Musik von Barock und Vorklassik (Wilhelmshaven 1993, 3. edition 2003), Handbuch der frühneuenglischen Aussprache für Musiker (Hildesheim 2002) and Gewaltmusik - Musikgewalt (Würzburg 2006 - abridged and updated as Gewaltmusik. Populäre Musik und Werteverfall and Lautsprecher aus! Zwangsbeschallung contra akustische Selbstbestimmung, Berlin 2010) as well as of numerous essays mostly on historical performance practice. Klaus Miehling lives as a freelance musician and musicologist in Freiburg/Germany.