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Douglas Knehans
Douglas | Knehans |
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Sheet music for Douglas Knehans
Unfinished Earth‚Äîfor orchestra — Douglas Knehans
Full Orchestra — Score — 21st Century,Contemporary Classical
Composed by Douglas Knehans. 21st Century, Contemporary Classical. Score. 108 pages. Published by Armadillo Edition (S0.640601).
Price: $95.00
Temple‚Äîfor solo flute — Douglas Knehans
Flute — — 21st Century,Contemporary Classical
Composed by Douglas Knehans. 21st Century, Contemporary Classical. 11 pages. Published by Armadillo Edition (S0.640603).
Price: $19.00
Lumen‚Äîfor cello and piano — Douglas Knehans
Piano Accompaniment,Cello — Score,Solo Part — 21st Century,Contemporary Classical
Composed by Douglas Knehans. 21st Century, Contemporary Classical. Score, Solo Part. 35 pages. Published by Armadillo Edition (S0.640617).
Price: $32.00
Tempest‚ÄîConcerto for Flute and Orchestra (Piano Reduction) — Douglas Knehans
Piano Accompaniment,Flute — Piano Reduction — 21st Century,Contemporary Classical
Composed by Douglas Knehans. 21st Century, Contemporary Classical. Piano Reduction. 68 pages. Published by Armadillo Edition (S0.641109).
Price: $35.00
Tremor‚Äîfor double bass and piano — Douglas Knehans
Piano Accompaniment,Double Bass — Score,Solo Part — 21st Century,Contemporary Classical,Post-Romantic
Composed by Douglas Knehans. 21st Century, Contemporary Classical, Post-Romantic. Score, Solo Part. 21 pages. Published by Armadillo Edition (S0.641773).
Price: $27.00
Sonata — Douglas Knehans
clarinet solo — score and parts — Classical
Composed by Douglas Knehans. Classical. Score and parts. Alea Publishing #ALEA1212. Published by Alea Publishing (A7.ALEA1212).
Price: $12.00
Rive — Douglas Knehans
clarinet, violin, and piano — solo score — Classical
Composed by Douglas Knehans. Classical. Solo score. Alea Publishing #ALEA1211. Published by Alea Publishing (A7.ALEA1211).
Price: $30.00
Come To Me — Gloria E Douglas
Piano Solo,Piano/Vocal/Chords,Piano Accompaniment,Harpsichord,Woodwind Choir or Ensemble,Piano Trio,String Quartet,Voice Duet,Harp,Choir,Concert Band,Marching Band,Jazz Ensemble,Full Orchestra,String Orchestra,Chamber Orchestra,Jazz Combo,Little Big Band — Sheet Music Single — Contemporary Christian,Movies,World,Pop,Wedding
Composed by Gloria E Douglas. Arranged by Gloria E Douglas. Contemporary Christian, Movies, World, Pop, Wedding. Sheet Music Single. 3 pages. Published by Gloria E Douglas (S0.171361).
Price: $7.00
Come To Me — Gloria E Douglas
Piano/Vocal/Chords,Piano Accompaniment,String Quartet,Harp,Choir,Unison,Full Orchestra,String Orchestra — Sheet Music Single — Broadway,Musicals,Movies,TV,World
Composed by Gloria E Douglas. Arranged by Gloria E Douglas. Broadway, Musicals, Movies, TV, World. Sheet Music Single. 2 pages. Published by Gloria E Douglas (S0.171367).
Price: $4.00
Magnificat and Nunc Dimittis — Douglas Cook
SATB — Score,Set of Parts — 20th Century,Modern,Christian,Sacred
Composed by Douglas Cook and Douglas Cook. 20th Century, Modern, Christian, Sacred. Score, Set of Parts. 15 pages. Published by White Down Music (S0.156515).
Price: $6.00
Orchestral
- Cascade – concerto for orchestra (2011) 22 minutes 3[1.2.pic] 3[1.2.Eh] 4[1.2.Ebcl.bcl] 3[1.2.cbn] – 4 3 3 1 – timp+3 – hp – str perc: xyl, crotales, flexatone, tri, tamtam, glock, vib, chimes, cr cym, bongos(2), timbales (2), sd, tom-toms (6), bd ae 54. Dedicated to Christopher Lyndon Gee – in gratitude
- Lamentation (2004) 10 minutes for string orchestra (minimum 10,8,6,4,4) ae 42. First performance in Hobart, Australia on April 5, 2005 as part of the Ten Days on the Island International Arts Festival by the University of Tasmania Conservatorium Chamber Soloists directed by Peter Tanfield
- Ripple (2002) 14 minutes 3[1.2.3/pic] 3[1.2.3/Eh] 4[1.2.Ebcl.bcl] 3[1.2.cbn] – 4 2 3 1 – timp+4 – pno – str perc: mar, vib, sd, tri, tambn, anvil, bd ae 40. First performance in Kiev, Ukraine on April 11, 2007 by the National Symphony Orchestra of Ukraine at the Premieres of the Season Festival, Kiev, Ukraine
- Time processional (1995) 17 minutes for wind orchestra 3[1stfl.2ndfl.pics] 3[1stob.2ndob.Ehs] 4[1stcl.2ndcl.3rdcl.bcl] 3[1stbsn.2ndbsn.cbn] 3sax[alts.tens.bars] – 4 5[1sttpt.2ndtpt.3rdtpt.1stcorn.2ndcorn] 3 1+euph – pno – timp+3 – str bs perc: vib, chimes, mar, glock, xyl (2), Ch. cym., sus. cym.(2), tamtam (2 – lrg & sm), gong, maracas, wblk (3 lrg), temblks(4), bd, hi-hat, whp, ten dr, sd, tambn, sandpaper blks, lrg tri, rototom ae 28 First performance in Tuscaloosa, Alabama, USA on April 20, 1995 by the Alabama Wind Ensemble conducted by Gerald Welker. Commissioned with the assistance of the University of Alabama, Research Grants Committee. In Memoriam Witold Lutoslawski
- Winter steps (1983) 11 minutes for orchestra 3[1.2.pic] 3[1.2.Eh] 3[1.2.bcl] 3[1.2.cbn] – 4 3 3 1 – timp+2 – pno/cel – str perc: mar, whip, cr.cym, xyl, bd ae 4. First performance in Melbourne, Australia on May 12, 1985 by the Melbourne Symphony Orchestra conducted by Michael Brimer
Concertos
- Blaze (1998) 22 minutes concerto for horn, strings, harp and percussion hp – perc (2) – solo horn – str perc: glock, mar, vib, bd, Ch. cym, siz cym, tamtam ae 33. Commissioned by Darryl Poulsen, The Australia Council Performing Arts Board and the Arts Council of Western Australia
- Concerto for guitar, orchestra and concertino (1992) 27 minutes 1[1/pic] 1 1[1/bcl] 0 – 1 1[pic tpt] 1 1 – perc (2) – hpchd – solo guitar – str perc: glock(2), vib(2), tri(4), Ch. cym, siz cym(2), sus cym(3), tamtam, thndrsht, mar(2), whip(2), wdblk, timp, fr dr(2), bongos (1 pr + 1 low), sd, conga dr, tomtoms (6), bd(2) ae 23 Commissioned by Timothy Kain, the Australia Council Performing Arts Board, and The Friends of the Canberra School of Music
- Drift (2011) 11 minutes for solo oboe and string orchestra ae 56. First Performance in Cincinnati, Ohio, USA on October 19, 2011 by Dwight Parry (oboe) and WIRED string ensemble, Awadagin Pratt, conductor
- Five orchestral songs to poems of sylvia plath (1983) 17 minutes for soprano and orchestra 3[1.2.3/pic] 3[1.2.3/Eh] 4[1.2.Ebcl.bcl] 3[1.2.cbn] – 4 2 3 1 – tmp+3 – pno/hpchd – sop solo – str perc: tri, sus cym(4), cl cym, washbd, tamtam, vib, templeblks(5), xyl, mar, sd, td, bd ae 5
- Glow (2008) 31 minutes double concerto for solo violin, solo clarinet and orchestra 2[1.2/pic] 2 2 2 – 4 2 2 1 – tmp+2 – hp – vln solo – clar solo – str perc: bd, sd, tamtam, glock, tri ae 47. First Performance in Hobart, Australia on December 6, 2008 by the Australian International Orchestra Institute Orchestra conducted by Tze Law Chan, Walter Verdehr, violin solo, Elsa Ludewig-Verdehr, Clarinet solo Commissioned by Walter Verdehr and Elsa Ludewig-Verdehr
- ...mist, memory, shadow... (2007) 10 minutes for solo violin and string orchestra (min 6,4,4,3,2) ae 46 First performance in Hobart, Australia on April 16, 2008 by the Tasmanian Symphony Orchestra with Jun-Yi Ma, violin solo on the Tasmanian Symphony Orchestra Subscription Series Commissioned by the Tasmanian Symphony Orchestra
- Soar (2006) 15 minutes for cello and orchestra 2[1.2/pic] 2 2 2 – 2 1 1 1 – tmp+1 – hp – vlc solo – str perc: xyl, glock, sd ae 43. First performance in Hobart, Australia on December 4, 2006 by the Australian International Orchestra Institute Orchestra conducted by Tze Law Chan, Christian Wojtowicz, cello solo
Choral
- Adam lay ybounden (2011) 3 minutes for TTBB choir and solo cor anglais ae 59
- Epicideum hathumode (1991) 7 minutes for a cappella SATB choir ae 21 First performance on March 14, 1996 in Tuscaloosa, Alabama by the University of Alabama University Singers, Sandra Willetts, conductor
- Missa brevis (2010) 20 minutes for SATB choir and organ ae 50
- Panis angelicus (2011) 6 minutes for a cappella SATB choir ae 57
- Shoah requiem (2000) 120 minutes Solos SATB – chorus 2[1/pic.2/pic] 2[1.2/Eh] 2 2 – 4 2 3 1 – tmp+3 – hp – str perc: tri, sus cym, cl cym, tamtam, sd, tomtom, bd, xyl, vib ae 36 First performance on December 4, 2001 in Bari, Italy by the Orchestra Sinfonica della Provincia di Taranto, Cozzoli, Sop; Beavon, Msop; Sette, Ten; Cappelluti, Bar; Kodaly Choir of Hungary; Paolo Lepore, conductor Commissioned by Incontri di Musica Sacra Contemporanea, Rome, Italy
- Song of the raven night (1984) 9 minutes for SSSAAA choir, grand organ, 2 pianos and 4 percussionists ae 6 First performance on November 12, 1984 in Melbourne, Australia by Presbyterian Ladies College Choir, Rosalind McMillan, conductor Commissioned by Presbyterian Ladies College, Melbourne and the Australia Council Performing Arts Board
- St. Luke magnificat (1986) 32 minutes for double a cappella choir (SSAA/SATB) ae 9 First performance on June 9, 1987 by the Gaudeamus Choir and the Canberra Childrens Choir, Judith Clingan, conductor Commissioned by the Gaudeamus Choir and the Australia Council Performing Arts Board
- Three psalms (2010) 12 minutes for a cappella SATB choir ae 49 Awarded third prize at the 1st International Sacred Choral Music Festival, Olomouc, Czech Republic
- Two looks at silence (2012) 8 minutes for a cappella SATB choir ae 60 To English and Latin translations of Silence by A.S. Kline
Dance & Theatre Music
- Incidental music to ‘the tempest’ (1979) 31 minutes mixed ensemble (fl, gt, pno(2), str qt, voices) on 4 track tape First performance on December 6, 1979 in Melbourne, Australia by the Melbourne University Theatre Company Commissioned by Melbourne University Theatre Company
- Le coucou sur la montagnes russes (2009) 4 minutes fl, cl, xyl, pno(2), vln(2), vla, vlc, cb ae 48 First performance on May 23, 2010 in Cincinnati, USA concert:nova and the Cincinnati Ballet Commissioned by concert:nova and the Cincinnati Ballet
- Ripple (2002) 14 minutes 3[1.2.3/pic] 3[1.2.3/Eh] 4[1.2.Ebcl.bcl] 3[1.2.cbn] – 4 2 3 1 – timp+4 – pno – str perc: mar, vib, sd, tri, tambn, anvil, bd ae 40 First performance as a ballet on May 29, 2009 in Cincinnati, USA by the CCM Ballet Ensemble of the College- Conservatory of Music, Jiang Qi, choreographer
Opera
- Backwards from winter (2011/12) 60 minutes an opera for soprano, electric cello and projections soprano, electric cello, digital effects, computer and quadraphonic sound diffusion ae 61 Libretto by Juanita Rockwell
- The ascension of Robert Flau (1990) 51 minutes chamber opera baritone, soprano and treble solo voices fl/pic/altfl, cl/bcl, sopsax/altsax, perc(1), pno/synth, vln(2), vla, vlc, cb and quad pre-recordings perc: tri, Ch. cym, sus cym (3), Balinese gng, anvil, brake drum, thndrsht, tamtam, glock, vib, bongos, tomtoms(3), td, bd, mar, gun ae 18 First performance on November 14, 1990 in Sydney, Australia by Opera Australia (then The Australian Opera) Recipient of the inaugural Victorian Council for the Arts 1987/88 $20,000.00 Composition Fellowship Recipient of the Margaret Fairbanks Jory Grant from the American Music Center
Chamber Music
- Bang (1997) 15 minutes for fl, cl, perc(1), pno, vl, vlc and electronics on compact disc perc: mar, vib, bd ae 35 First performance June 2, 2003 in Sydney, Australia by The Seymour Group, Mark Summerbell, conductor Commissioned by The Seymour Group and the Australia Council Performing Arts Board
- Cascade (2010) 20 minutes for two pianos ae 52 Commissioned by The Pridonoff Duo
- Dark dances – string quartet no. 2 (2002) 19 minutes for string quartet ae 26
- Dawn panels (1988) 15 minutes for percussion quartet perc: mar, vib(2), thndrsht, bongos(2 pr), sd, congas(2 pr), rototoms(6), xyl(2), glock(2), tomtoms(3) chimes, anvil, timp(8), wdblks(4), whip, log dr(2), songbells, bd ae 17 First performance on November 3, 1988 in Adelaide, Australia by the Adelaide Percussions Commissioned by The Adelaide Percussions and the Australia Council Performing Arts
- Exiles (1987) 15 minutes for Ebsopcl/bcl, perc(1), gt/elgt, vln, cb two stereo tapes perc: glock, vib, steel dr, almglock, sus cym(3), thndrsht, anvil, sd, bd ae 14 First performance on December 6, 1987 in Melbourne, Australia by Elision ensemble Commissioned by Elision and the Australia Council Performing Arts Board
- Five songs to poems of sylvia plath (1986) 17 minutes for soprano, fl, clar, altsax, pno, perc (1), gt/elgt, vln, vlc perc: tomtoms(3), tri, glock, sm. cym, bd, xyl, sus cym, vib, tamtam, sdr ae 11 First performance on December 20, 1986 in Melbourne, Australia by Ariel New Music, Merlyn Quaife, soprano, Mark Summerbell, conductor
- Hell cantos (1993) 15 minutes for 14 solo players fl, ob, clar, bsn, trpt, horn, bs. trom, perc (1), pno, 2 vlns, vla, vlc, cb perc: vib, mar, crotales, tri, sus cym (2), Ch. cym, tamtam, wdblk, frdr, tomtoms (4), bd ae 24 First performance at Yale University, New Haven, USA on April 29, 1993 by Yale New Music Ensemble, Christopher Theofanidis, cond. Awarded the Yale School of Music Woods Chandler Memorial Prize for best composition in a larger form
- Image shift (1988) 15 minutes for fl, vln, vlc, pno ae 16 Commissioned by The University of Tasmania and the Australia Council Performing Arts Board
- Orichalcum fanfare (1986) 10 minutes (withdrawn) for double trombone choir ae 10 Commissioned by the International Trombone Association and the Australia Council Performing Arts Board
- Rive (2002) 12 minutes for violin, clarinet and piano ae 39 First performance on March 26, 2003 in Hobart, Australia by the Verdehr Trio Commissioned by the Verdehr Trio
- Seraphic ride (2001) 15 minutes for mixed nonet (fl, ob, clar, perc (1), harp, pno, vln, vla, vlc) ae 34 First performance at the Kennedy Center on July 3, 2002 in Washington DC, USA by musicians from the National Symphony Orchestra Commissioned by the National Endowment for the Arts, the National Symphony Orchestra and the Kennedy Center In Memoriam Jacob Druckman
- Soar (2005) 15 minutes for cello and piano ae 41 First performance on May 8, 2005 in Hobart, Australia by Christian Wojtowicz, cello and David Bollard, piano
- Sonata for solo clarinet (1980) 12 minutes for Bb clarinet (optional amplification) ae 1 First performance on November 27, 1979 in Canberra, Australia
- String quartet (1984) 12 minutes (withdrawn) for two violins, viola and ‘cello ae 12 Commissioned by the Bendigo Musician/Teacher Pilot Project and the Australia Council Performing Arts Board the other (2011) 20 minutes for solo cello ae 58 For Paul York First performance on October 19, 2011 in Cincinnati, Ohio, USA
- Une seule femme endormie (1991) 7 minutes for voice and singing ‘cellist ae 22 First performance on April 15, 1993 at Yale University, New Haven, USA by Lee Heuermann, soprano and Shauna Rolston, cello
Vocal Music
- A Patchen cycle (2010–11) 24 minutes for baritone and piano ae 51 For Josephine
- Five songs to poems of sylvia plath (1986) 17 minutes for soprano and piano ae 3 First performance on April 22, 1981 in Melbourne, Australia at the Melbourne Lieder Society by Merlyn Quaife, soprano and Nahama Patkin, piano
- Seven nursery songs for taliesen (1984) 6 minutes for voice and guitar ae 7
- Songs to poems of e.e. cummings (2002) 11 minutes for mezzo-soprano and piano ae 37
- The fire (1995) 9 minutes for processed soprano voice, MIDI violin, digital effects and computer ae 25 First performance on January 26, 1996 at Yale University in New Haven, USA by Painted Carp Ensemble For Josephine
- Une seule femme endormie (1991) 7 minutes for voice and singing ‘cellist ae 22 First performance on April 15, 1993 at Yale University, New Haven, USA by Lee Heuermann, soprano and Shauna Rolston, cello
Keyboard Music
- Bone vestiges (1995) 12 minutes for solo piano ae 29 First performance on October 12, 1996 at Storrs, Connecticut, USA by Fumiko Miyanoo
- Boyd panels (2002) 15 minutes for solo piano ae 38 First performance on October 16, 2005 in Hobart, Australia by Shan Deng, piano
- Cascade (2010) 20 minutes for two pianos ae 52 Commissioned by The Pridonoff Duo
- ...de la fumeé... des voix... (1999) 30 minutes for harpsichord and electronics on compact disc ae 27 Commissioned by Geoffrey Lancaster and the Australia Council Performing Arts Board
- Mist sketches (2011) 12 minutes for solo piano ae 60 For Awadagin Pratt
- Touch (1997) 7 minutes for piano and electronics on compact disc ae 32 Commissioned by Carsten Schmidt and the Volte Foundation of Amsterdam
Works with Electronics
- Bang (1997) 15 minutes for fl, cl, perc(1), pno, vl, vlc and electronics on compact disc perc: mar, vib, bd ae 35 First performance June 2, 2003 in Sydney, Australia by The Seymour Group, Mark Summerbell, conductor Commissioned by The Seymour Group and the Australia Council Performing Arts Board
- ...de la fumeé... des voix... (1999) 30 minutes for harpsichord and electronics on compact disc ae 27 Commissioned by Geoffrey Lancaster and the Australia Council Performing Arts Board
- Elegies for merilee (1988) 12 minutes for contrabass and tape ae 15 First performance on November 30, 1988 by Kees Boesma, contrabass in Melbourne, Australia Commissioned by Elision and the Australia Council Performing Arts Board
- Exiles (1987) 15 minutes for Ebsopcl/bcl, perc(1), gt/elgt, vln, cb two stereo tapes perc: glock, vib, steel dr, almglock, sus cym(3), thndrsht, anvil, sd, bd ae 14 First performance on December 6, 1987 in Melbourne, Australia by Elision ensemble Commissioned by Elision and the Australia Council Performing Arts Board night canticle (1995) 9 minutes for electric ’cello, synthesizer, digital effects and computer ae 30 First performance on January 26, 1996 at Yale University, New Haven, USA by Jeffrey Krieger, electric cello
- Night chains (1991) 15 minutes for electronic ‘cello and digital effects ae 20 First performance on June 14, 1991 in Hartford, USA by Jeffery Krieger, electric cello Commissioned by Jeffrey Krieger
- Spin (1996) 7 minutes for ’cello and pre-recorded electronic sounds on compact disc ae 31 First performance on July 17, 2000 at Dvorak Concert Hall, Prague, Czech Republic by Jiří Hošek, cello and Douglas Knehans, electronics
- Spin-off (2006) 9 minutes for clarinet and electronics on compact disc ae 46
- The fire (1995) 9 minutes for processed soprano voice, MIDI violin, digital effects and computer ae 25 First performance on January 26, 1996 at Yale University in New Haven, USA by Painted Carp Ensemble For Josephine
- Touch (1997) 7 minutes for piano and electronics on compact disc ae 32 Commissioned by Carsten Schmidt and the Volte Foundation of Amsterdam
Music For Film & Television
- Animal, Vegetable, Mineral: The Art of Frank Fleming (1999) 25 minutes Commissioned by PBS Television Music nominated for an EMMY Award
- A song of air (1987) 27 minutes film score Commissioned by Merilee Bennett and The Australian Film Commission Official Selection 1988 Un certain regard Cannes Film Festival (France) Australian Film Institute Award Best Experimental Film, 1988 Participant San Francisco International Film Festival, (USA) 1989 Participant Berlin Film Festival, (GERMANY) 1989 Participant Cork Film Festival (IRELAND), 1989 Participant Boston Film Festival, (USA) 1989 Participant Hong Kong International Film Festival, (HONG KONG) 1989 Participant Turin International Film Festival, (ITALY) 1989
- Ku-ring-gai Chase (1982) 30 minutes Music Commissioned by the Australian Broadcasting Corporation
Music For Children
- The lullaby project (2009 -) 45 minutes (projected) lullabies for voice and piano ae 55
- Le cris sombre (1990) 7 minutes for school musicians ae 19 First performance May 15, 1990, Port Washington, NY, USA by Port Washington Schools, Douglas Knehans, conductor Commissioned by Meet the Composer, Inc. and Port Washington Schools, New York
- The ratbag shearers (1986) 15 minutes SSA choir, rocks, chains, piano (staging optional) ae 8 First performance March 17, 1987 in Melbourne, Australia by the Australian Boys Choir Commissioned by The Australian Boys Choir
- Seven nursery songs for taliesen (1984) 6 minutes for voice and guitar ae 7
Douglas Knehans has recently been a special guest of the Premieres of the Season Festival in Kiev, Ukraine where the Kiev Piano Duo gave the European premiere of his two piano work cascade. This work has also been performed in Steinway Hall, New York; Tokyo, Japan, and recorded for worldwide CD release on ABLAZE Records by The Pridonoff Duo. The Verdehr Trio also recorded his work rive on Crystal Records and piano virtuoso Michael Kieran Harvey has also recorded his Boyd panels for Move Records (Australia), which also was released in fall 2008. His music for electronic cello is also featured on the CRI Emergency Music series now distributed by New World Records. A disc of his music for acoustic and electronic cello was released on Ablaze Records in the fall of 2010. His latest commissions are from concert:nova for a new short work for a collaboration with the Cincinnati Ballet; from the Tasmanian Symphony Orchestra (Australia) for ...mist, memory, shadow... a new work for string orchestra and violin solo; a new double concerto glow (clarinet and violin) for Elsa and Walter Verdehr; a new solo cello sonata the other for Paul York and a new two piano work cascade for the Pridonoff Duo. A disc of orchestral music featuring four-time GRAMMY award nominee, conductor Christopher Lyndon Gee and the Bohuslav Martinů Philharmonic Orchestra will be released in the fall of 2012 on ABLAZE records.
Knehans holds degrees from the Australian National University; Queens College, CUNY where he graduated with the Luigi Dallapiccola Composition Award (1991) for outstanding achievement in music composition and Yale University where he won the Woods Chandler Memorial Award for best composition in a larger form among others.
Knehans has been a fellow of Carnegie Hall, the Victorian Council of the Arts, MacDowell Colony and Leighton Artist Colony (Banff), has won awards from the Australian Film and Television School, American Music Centre, National Endowment for the Arts and Meet the Composer and has fulfilled commissions for a wide variety of works from orchestral, to chamber music, opera, dance, choral, electronic and film. He has been a guest of the Czech-American Summer Music Institute in Prague, Czech Republic; New Music, New Faces Festival in Krakow, Poland; the Australian International Summer Orchestra Institute in Hobart, Australia; the Premieres of the Season Festival in Kiev, Ukraine and the Accent 09 and Accent 10 Festivals in Cincinnati, USA.
His music for the short film A Song of Air commissioned by the Australian Film Institute was screened at the prestigious Un Certain Regard section of the Cannes Film Festival and over a dozen others world wide. Knehans’ works have been broadcast on Australian National Radio and T.V., PBS TV, NPR, RAI (Italy) Radio and Television and National Radio and Television of Ukraine. He has been commissioned to write specifically for Australian Broadcasting Corporation Radio and Television programs and his music to the PBS documentary Animal, Vegetable, Mineral was nominated for an EMMY award.
Knehans has taught composition, music theory and electronic music while on the faculties of the University of Alabama, the University of Tasmania (Australia) and the University of Cincinnati. He has also been a visiting professor of composition at the Australian National University (1981 and 2004) National University of Singapore (2006) and the Krakow Academy of Music, Poland (2007) and has delivered lectures on his music at New York University and Yale University. He was Director of the University of Tasmania Conservatorium of Music from 2000-2008, created and was the inaugural Artistic Director of the Australian International Summer Orchestra Institute from 2005-2008. Between 2008-2010 he was Dean of the College-Conservatory of Music (CCM) in Cincinnati and is currently the Norman Dinerstein Professor of Composition Scholar at CCM. Knehans was recently named Composer of the Year 2013 by the Ohio Music Teachers Association and was a 2011 winner of the International Music Prize for Excellence in Music Composition (Athens, Greece).
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