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Nicolo Jommelli

Nicolò [Niccolò] Jommelli • Jomelli

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Geboren
Montag, September 10, 1714
Aversa
Italien
Gruppen
Italien
Classical era composers
♂
Gestorben
Donnerstag, August 25, 1774
Napoli
Italien
Alter: 
59

Kompositionsliste

Wähle eine Kategorie um alle Kompositionen von Nicolò [Niccolò] Jommelli in dieser Kategorie zu sehen. Wähle ein Kompositionstitel für mehr Details.

Opera und lyrische Musik

Achille in Sciro • (1749) • Opern
Achille in Sciro • (1771) • Opern
Alessandro nell'Indie • (1744) • Opern
Alessandro nell'Indie • (1760) • Opern
Andromeda: pasticcio • (1750) • Opern
Antigono • (1746) • Opern
Armida Abbandonata • (1770) • Opern
Armida Placata • (1750) • Opern
Artaserse • (1749) • Opern
Artaserse • (1756) • Opern
Astianatte ou Andromaca • (1741) • Opern
Attilio Regolo • (1753) • Opern
Bajazette • (1753) • Opern
Cajo Fabrizio • (1760) • Opern
Cajo Mario • (1746) • Opern
Catone in Utica • (1747) • Opern
Catone in Utica • (1754) • Opern
Cesare in Egitto • (1751) • Opern
Ciro Riconosciuto • (1743) • Opern
Ciro Riconosciuto • (1749) • Opern
Clemenza di Tito (La) • (1753) • Opern
Clemenza di Tito (La) • (1771) • Opern
Creso • (1757) • Opern
Demetrio • (1749) • Opern
Demofoonte • (1743) • Opern
Demofoonte • (1753) • Opern
Demofoonte • (1764) • Opern
Demofoonte • (1770) • Opern
Didone Abbandonata • (1747) • Opern
Didone Abbandonata • (1749) • Opern
Didone Abbandonata • (1763) • Opern
Enea nel Lazio • (1766) • Opern
Enea nel Lazio • perdu • (1755) • Opern
Eumene • (1742) • Opern
Eumene ou Artemisia • (1747) • Opern
Ezio • (1741) • Opern
Ezio • (1748) • Opern
Ezio • (1758) • Opern
Ezio • (1771) • Opern
Fetonte • (1753) • Opern
Fetonte • (1768) • Opern
Griselda (La) • Opern
Ifigenia in Aulide • (1751) • Opern
Ifigenia in Tauride • (1771) • Opern
Incantato (L') • (1749) • Opern
Ipermestra • (1751) • Opern
Lucio Vero • (1754) • Opern
Merope • (1741) • Opern
Merope • (1749) • Opern
Nitteti • (1759) • Opern
Olimpiade (L') • (1761) • Opern
Pelope • (1755) • Opern
Re Pastore (Il) • (1764) • Opern
Ricimero Re de' Goti • (1740) • Opern
Semiramide • (1742) • Opern
Semiramide Riconosciuta • (1741) • Opern
Semiramide Riconosciuta • (1753) • Opern
Semiramide Riconosciuta • (1762) • Opern
Sofonisba • (1746) • Opern
Talestri • (1751) • Opern
Temistocle • (1757) • Opern
Temistocle • (1765) • Opern
Tito Manlio • (1742) • Opern
Tito Manlio • (1746) • Opern
Tito Manlio • (1758) • Opern
Trionfo di Clelia (Il) • (1774) • Opern
Vologeso • (1766) • Opern
Arcadia in Brenta • douteux • Opéras comiques
Avventure di Cleomede (Le) • (1771) • Opéras comiques
Cacciatore Deluso (Il) ou La Semiramide in Bernesco *-Martinelli • incomplet • (1771) • Opéras comiques
Contessina (La) • (1743) • Opéras comiques
Schiava Liberata (La) • (1768) • Opéras comiques
Tre Vecchi Innamorati (Il) • (1768) • Opéras comiques
Imeneo in Atene • (1765) • Pastorale
Pastorella Illustre (La) • (1763) • Pastorale
Trionfo d'Amore (Il) • (1763) • Pastorale
Amore in Maschera (L') • (1748) • Opera buffa
Critica (La) • (1766) • Opera buffa
Errore Amoroso (L') • (1737) • Opera buffa
Matrimonio per Concorso (Il) • (1766) • Opera buffa
Odoardo • (1738) • Opera buffa
Pellegrina (La) • Opera buffa
Villana Nobile (La) • (1751) • Opera buffa
Amante Cacciatore (L') • perdu • (1771) • After plays
Arcadia Conservata • (1765) • After plays
Asilo d'Amore (L') • perdu • (1758) • After plays
Cantata e Disfida di Don Trastullo (La): intermezzi • (1749) • After plays
Cinesi (Le) • perdu • (1765) • After plays
Conversazione (La) • (1775) • After plays
Don Chichibio • (1742) • After plays
Don Falcone • (1754) • After plays
Endimione ou Il Trionfo d'Amore: pastorale • (1759) • After plays
Euridice: pasticcio • (1750) • After plays
Giardino Incanto (Il) • perdu • (1755) • After plays
Giuoco di Picchetto (Il): intermezzo • (1772) • After plays
Isola Disabitata (L') • (1761) • After plays
Misera, Dove Mai • After plays
Paratajo (Il) ou La Pipee • (1753) • After plays
Partenza (La) • After plays
Pastorale Offerta (La) • (1753) • After plays
Reggia de'Fatti (La) • (1753) • After plays
Rivali Delusi (I) • (1752) • After plays
Uccellatrice (L') • (1751) • After plays
Unione Coronata (L') • perdu • (1768) • After plays
Betulia Liberata (La) • (1743) • Oratorios sacrés
Gioas • (1745) • Oratorios sacrés
Giuseppe Glorificato in Egitto • (1749) • Oratorios sacrés
In Questa Incolte Riva • (1751) • Oratorios sacrés
Isacco Figura del Redentore • (1742) • Oratorios sacrés
Juda Proditor • perdu • (1746) • Oratorios sacrés
Sacrifizio di Gefte • perdu • (1753) • Oratorios sacrés
Spose di Elcana (Le) • perdu • (1750) • Oratorios sacrés
Passione di Gesu (La) • (1749) • Passionen
Cantates • Cantates profanes : soli-chœur-orchestre
Cerere Placata • (1772) • Hymnes - odes - sérénades - élégies : soli-chœur-orchestre
Componimento Drammatico • (1747) • Hymnes - odes - sérénades - élégies : soli-chœur-orchestre
Componimento Drammatico • (1751) • Hymnes - odes - sérénades - élégies : soli-chœur-orchestre

Geistliche Musik

Messe "Solennelle": Sop. Alt-Tenor-Bass-Chor 4 Stimmen-Orgel • (1766) • Messen
Messe: 3 Sopranen-2 Alte-Chor 4 Stimmen-Streicher-Orgel • (1745) • Messen
Messe • Messen
Missa: 4 Solisten-Chor 5 Stimmen-Orchester-Orgel • (1769) • Messen
Credo: Chor 4 Stimmen-Orchester-Basso continuo • Ordinaire de la messe
Credo: Chor 4 Stimmen-Orchester-Orgel • Ordinaire de la messe
Credo: Sopran-Alt-Chor 8 Stimmen-Orgel • Ordinaire de la messe
Gloria: 4 Stimmen-Orchester • Ordinaire de la messe
Gloria: Chor 4 Stimmen-Orchester • Ordinaire de la messe
Kyrie: Chor 4 Stimmen-Orchester • Ordinaire de la messe
Sicut Locutus Est: 2 Sopranen-Alt-Orgel • Ordinaire de la messe
Graduels • Propre de la messe
Offertoires • Propre de la messe
Messe pour les Defunts: Chor 4 Stimmen-Streicher-Orgel • (1756) • Messes des défunts
Requiem: 4 Solisten-Chor 4 Stimmen-Orchester-Orgel • (1764) • Requiems
De Profundis: Vokalquartett-Chor 4 Stimmen-Streicher • De profundis
Magnificat: 2 Sopranen-Alt-Tenor-2 Bässe-Chor 8 Stimmen-Orgel • (1750) • Magnificat
Magnificat: 2 Sopranen-Bass-Orgel • Magnificat
Magnificat: 4 Solisten-Chor 4 Stimmen-Orchester-Orgel • Magnificat
Magnificat: Chor 4 Stimmen • (1750) • Magnificat
Magnificat: Chor 4 Stimmen-Orchester • Magnificat
Lamentations du Prophete Jeremie pour le Mercredi Saint • Offices de la Semaine Sainte
Lecons de la Semaine Sainte • Offices de la Semaine Sainte
Repons pour la Semaine Sainte: Chor 4 Stimmen-Orgel Répons • Offices de la Semaine Sainte
Miserere • Miserere
Duos sacrés: 2 Sopranen-b.c. • Religiöse Lieder
Antiphones • Antiennes - Antiphones - Répons
Psaumes • Psalmen
Te Deum: 2 Sopranen-Alt-Bass-Chor 4 Stimmen-Orchester • (1746) • Te Deum
Te Deum: Alt-Chor 4 Stimmen-Orchester • (1763) • Te Deum
Te Deum: Chor 5 Stimmen-Orchester • Te Deum
Hymnes • Hymnes
Cantates sacrées • Cantates sacrées
Che Impetuoso E Questo Torrente • (1740) • Cantates sacrées
Gerusalemme Convertita • perdu • (1755) • Cantates sacrées
Non Piu: l'Attesto Istante • Cantates sacrées
Ove Son ? Chi Mi Guida ? • (1747) • Cantates sacrées
Reconciliazione della Virtu e della Gloria (La) • perdu • (1754) • Cantates sacrées
Sancta Elena al Calvario • perdu • Cantates sacrées
Sogno di Nabucco (Il) • perdu • (1755) • Cantates sacrées

Kammermusik

Divertimento: 2 Violinen-Bratsche-b.c. • Kammermusik Streicher
Quartette: 2 Violinen-Violoncello-b.c. • Kammermusik Streicher
Concerto da Camera: 2 Violinen-b.c. • Trios 2 instruments avec B.C.
Sonate: 2 Violinen-b.c. • Trios 2 instruments avec B.C.
Sonate: 2 Violinen-b.c. • Trios 2 instruments avec B.C.
Sonate: 2 Violinen-Kontrabass • Trios 2 instruments avec B.C.
Sonate: 2 Flöten-b.c. • Trios 2 instruments avec B.C.
Sonaten: 2 Flöten-b.c. • (1753) • Trios 2 instruments avec B.C.
Napolitano: Flöte-2 Violinen-b.c. • Kammermusik Streicher-Bläser
Divertimento: 2 Violinen-Bratsche-Horn-b.c. • Kammermusik Streicher-Bläser

Sinfonische Musik

Chaconne: Orchester • Danses de salon
Sinfonia: salterio-Streicher-Basso continuo • Sinfonie concertante

Vokalmusik

Armida • perdu • (1746) • Chorwerke isoliert
Melodie 'La Calandrina' • Mélodies isolées
Solfeggi: Sopran-Tenor-Basso continuo • Recueil oeuvres vocales : 2 voix et plus

Instrumentalmusik

Duo: Klavier 4 hände • Pièces
Sonate: Cembalo • “Sonates”

Konzertante Musik

Konzert: Cembalo-Orchester • Concertos pour clavecin
Konzert: Cembalo-Orchester-Basso continuo • Concertos pour clavecin
Konzert: Cembalo-Orchester-Basso continuo • Concertos pour clavecin
Konzert: Flöte-Orchester • Flötenkonzerte
Konzert: Flöte-Orchester • Flötenkonzerte

Compositions sorted on opus (if available)

douteux

Arcadia in Brenta • Opéras comiques

incomplet

Cacciatore Deluso (Il) ou La Semiramide in Bernesco *-Martinelli • (1771) • Opéras comiques

perdu

Sancta Elena al Calvario • Cantates sacrées
Juda Proditor • (1746) • Oratorios sacrés
Armida • (1746) • Chorwerke isoliert
Spose di Elcana (Le) • (1750) • Oratorios sacrés
Sacrifizio di Gefte • (1753) • Oratorios sacrés
Reconciliazione della Virtu e della Gloria (La) • (1754) • Cantates sacrées
Enea nel Lazio • (1755) • Opern
Giardino Incanto (Il) • (1755) • After plays
Gerusalemme Convertita • (1755) • Cantates sacrées
Sogno di Nabucco (Il) • (1755) • Cantates sacrées
Asilo d'Amore (L') • (1758) • After plays
Cinesi (Le) • (1765) • After plays
Unione Coronata (L') • (1768) • After plays
Amante Cacciatore (L') • (1771) • After plays

Sheet music for Nicolo Jommelli

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JOMMELLI Niccol√≤: Care Deus si respiro, an aria from motet, arranged for Voice and Piano (C minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 7 pages. Published by Really Good Music, LLC. (S0.752751).
Price: $5.00

JOMMELLI Niccol√≤: Care Deus si respiro, an aria from motet, arranged for Voice and Piano (A minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 7 pages. Published by Really Good Music, LLC. (S0.752763).
Price: $5.00

JOMMELLI Niccol√≤: Sponsa cara, recitative and aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (E flat major) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 6 pages. Published by Really Good Music, LLC. (S0.752767).
Price: $5.00

JOMMELLI Niccol√≤: Sponsa cara, recitative and aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (C major) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 6 pages. Published by Really Good Music, LLC. (S0.752783).
Price: $5.00

JOMMELLI Niccol√≤: Alleluja, an aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (C minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 4 pages. Published by Really Good Music, LLC. (S0.752787).
Price: $5.00

JOMMELLI Niccol√≤: Alleluja, an aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (A minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 4 pages. Published by Really Good Music, LLC. (S0.752791).
Price: $5.00

JOMMELLI Niccol√≤: Care Deus si respiro, motet, arranged for Voice and Piano (C minor‚ÄìE flat major‚ÄìC minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 15 pages. Published by Really Good Music, LLC. (S0.752815).
Price: $15.00

JOMMELLI Niccol√≤: Care Deus si respiro, motet, arranged for Voice and Piano (A minor‚ÄìC major‚ÄìA minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 15 pages. Published by Really Good Music, LLC. (S0.752825).
Price: $15.00

Niccol√≤ Jommelli - Beatus vir a 4 — Niccol√≤ Jommelli

Organ,Tenor Voice,Bass Voice,SATB — Score — Baroque Period,Sacred
Composed by Niccolò Jommelli. Arranged by Guido Menestrina. Baroque Period, Sacred. Score. 21 pages. Published by Guido Menestrina (S0.157395).
Price: $34.00

Betulia Liberata. Arias for Tenor — Nicolo Jommelli

Tenor voice — vocal score — Early Music
Composed by Nicolo Jommelli (1714-1774). Early Music. Vocal score. Ut Orpheus #OP 07. Published by Ut Orpheus (UT.OP-07).
Price: $15.00

Find scores for Nicolo Jommelli at Sheet Music Plus.
Links: 
http://en.wikipedia.org/wiki/Niccol%C3%B2_Jommelli

Orte für dieser Komponist

Kommentare

Anonym (nicht überprüft)

Do, 2010-08-26 05:52

The first name is actually "Niccolò".
To fill the minimum length I repeat this To fill the minimum length I repeat this

jpgadmin

Fr, 2010-08-27 05:15

I find in the New Grove that his name is spelled in more than one way. The accent should be to the left, it can be Nicolò or Niccolò, and Jommelli or Jomelli.

Geschrieben von Jean-Paul Giraudet am 2010-08-27 10:51.
Zuletzt geändert: 
2014-06-05 16:19