His most notable work is the six part "Opus musicum", a collection of motets that would eventually cover the liturgical needs of the entire ecclesiastical year in 1577. The motet "O magnum mysterium" comes from the first volume (printed in 1586) which covers the period from the first Sunday of Advent to the Septuagesima. This motet for 8 voices gives evidence of Venetian influence in its use of the coro spezzato technique (= polychorality).

His wide-ranging, eclectic style blends archaism and modernity. He rarely used cantus firmus, preferring the then-new Venetian polychoral manner, yet he was equally conversant with earlier imitative techniques. Some of his
chromatic transitions foreshadowed the breakup of modality; his five-voice motet "Mirabile mysterium" contains chromaticism worthy of Don Carlo Gesualdo. He enjoyed word painting in the style of the madrigal, yet he could write the simple "Ecce quomodo moritur justus" later used by G.F. Händel in his funeral anthem "The Ways of Zion Do Mourn".

Contribution by Jan Vavra <janvavra@tiscali.cz>.

In his collection of music published in Prague he uses Italian and Netherlands techniques with skilful use of counterpoint. Many of his polychoral pieces illustrate the influence of Willaert and Lassus.

Work:

• Opus Musicum (Collection of Masses and Mottets, published in Prague)
• Moralia, Harmoniae motslrd (Collection of madrigals, published in Prague)