oceangoing
English

Nicolò [Niccolò] Jommelli

Nicolò [Niccolò] Jommelli • Jomelli

Warning: images may be copyrighted. If no copyright is shown, see their site of origin for details, or contact me.

Birth
Monday, September 10, 1714
Aversa
Italy
Groups
Italy
Classical era composers
♂
Death
Thursday, August 25, 1774
Napoli
Italy
Age: 
59

Composition list

Click a category to see all compositions of Nicolò [Niccolò] Jommelli in that category. Click a composition title to see more detailed information.

Opera and lyrical music

Achille in Sciro • (1749) • Operas
Achille in Sciro • (1771) • Operas
Alessandro nell'Indie • (1744) • Operas
Alessandro nell'Indie • (1760) • Operas
Andromeda: pasticcio • (1750) • Operas
Antigono • (1746) • Operas
Armida Abbandonata • (1770) • Operas
Armida Placata • (1750) • Operas
Artaserse • (1749) • Operas
Artaserse • (1756) • Operas
Astianatte ou Andromaca • (1741) • Operas
Attilio Regolo • (1753) • Operas
Bajazette • (1753) • Operas
Cajo Fabrizio • (1760) • Operas
Cajo Mario • (1746) • Operas
Catone in Utica • (1747) • Operas
Catone in Utica • (1754) • Operas
Cesare in Egitto • (1751) • Operas
Ciro Riconosciuto • (1743) • Operas
Ciro Riconosciuto • (1749) • Operas
Clemenza di Tito (La) • (1753) • Operas
Clemenza di Tito (La) • (1771) • Operas
Creso • (1757) • Operas
Demetrio • (1749) • Operas
Demofoonte • (1743) • Operas
Demofoonte • (1753) • Operas
Demofoonte • (1764) • Operas
Demofoonte • (1770) • Operas
Didone Abbandonata • (1747) • Operas
Didone Abbandonata • (1749) • Operas
Didone Abbandonata • (1763) • Operas
Enea nel Lazio • (1766) • Operas
Enea nel Lazio • perdu • (1755) • Operas
Eumene • (1742) • Operas
Eumene ou Artemisia • (1747) • Operas
Ezio • (1741) • Operas
Ezio • (1748) • Operas
Ezio • (1758) • Operas
Ezio • (1771) • Operas
Fetonte • (1753) • Operas
Fetonte • (1768) • Operas
Griselda (La) • Operas
Ifigenia in Aulide • (1751) • Operas
Ifigenia in Tauride • (1771) • Operas
Incantato (L') • (1749) • Operas
Ipermestra • (1751) • Operas
Lucio Vero • (1754) • Operas
Merope • (1741) • Operas
Merope • (1749) • Operas
Nitteti • (1759) • Operas
Olimpiade (L') • (1761) • Operas
Pelope • (1755) • Operas
Re Pastore (Il) • (1764) • Operas
Ricimero Re de' Goti • (1740) • Operas
Semiramide • (1742) • Operas
Semiramide Riconosciuta • (1741) • Operas
Semiramide Riconosciuta • (1753) • Operas
Semiramide Riconosciuta • (1762) • Operas
Sofonisba • (1746) • Operas
Talestri • (1751) • Operas
Temistocle • (1757) • Operas
Temistocle • (1765) • Operas
Tito Manlio • (1742) • Operas
Tito Manlio • (1746) • Operas
Tito Manlio • (1758) • Operas
Trionfo di Clelia (Il) • (1774) • Operas
Vologeso • (1766) • Operas
Arcadia in Brenta • douteux • Opéras comiques
Avventure di Cleomede (Le) • (1771) • Opéras comiques
Cacciatore Deluso (Il) ou La Semiramide in Bernesco *-Martinelli • incomplet • (1771) • Opéras comiques
Contessina (La) • (1743) • Opéras comiques
Schiava Liberata (La) • (1768) • Opéras comiques
Tre Vecchi Innamorati (Il) • (1768) • Opéras comiques
Imeneo in Atene • (1765) • Pastorales
Pastorella Illustre (La) • (1763) • Pastorales
Trionfo d'Amore (Il) • (1763) • Pastorales
Amore in Maschera (L') • (1748) • Opera buffa
Critica (La) • (1766) • Opera buffa
Errore Amoroso (L') • (1737) • Opera buffa
Matrimonio per Concorso (Il) • (1766) • Opera buffa
Odoardo • (1738) • Opera buffa
Pellegrina (La) • Opera buffa
Villana Nobile (La) • (1751) • Opera buffa
Amante Cacciatore (L') • perdu • (1771) • After plays
Arcadia Conservata • (1765) • After plays
Asilo d'Amore (L') • perdu • (1758) • After plays
Cantata e Disfida di Don Trastullo (La): intermezzi • (1749) • After plays
Cinesi (Le) • perdu • (1765) • After plays
Conversazione (La) • (1775) • After plays
Don Chichibio • (1742) • After plays
Don Falcone • (1754) • After plays
Endimione ou Il Trionfo d'Amore: pastorale • (1759) • After plays
Euridice: pasticcio • (1750) • After plays
Giardino Incanto (Il) • perdu • (1755) • After plays
Giuoco di Picchetto (Il): intermezzo • (1772) • After plays
Isola Disabitata (L') • (1761) • After plays
Misera, Dove Mai • After plays
Paratajo (Il) ou La Pipee • (1753) • After plays
Partenza (La) • After plays
Pastorale Offerta (La) • (1753) • After plays
Reggia de'Fatti (La) • (1753) • After plays
Rivali Delusi (I) • (1752) • After plays
Uccellatrice (L') • (1751) • After plays
Unione Coronata (L') • perdu • (1768) • After plays
Betulia Liberata (La) • (1743) • Oratorios sacrés
Gioas • (1745) • Oratorios sacrés
Giuseppe Glorificato in Egitto • (1749) • Oratorios sacrés
In Questa Incolte Riva • (1751) • Oratorios sacrés
Isacco Figura del Redentore • (1742) • Oratorios sacrés
Juda Proditor • perdu • (1746) • Oratorios sacrés
Sacrifizio di Gefte • perdu • (1753) • Oratorios sacrés
Spose di Elcana (Le) • perdu • (1750) • Oratorios sacrés
Passione di Gesu (La) • (1749) • Passions
Cantates • Cantates profanes : soli-chœur-orchestre
Cerere Placata • (1772) • Hymnes - odes - sérénades - élégies : soli-chœur-orchestre
Componimento Drammatico • (1747) • Hymnes - odes - sérénades - élégies : soli-chœur-orchestre
Componimento Drammatico • (1751) • Hymnes - odes - sérénades - élégies : soli-chœur-orchestre

Sacred music

Messe "Solennelle": Sop. Alto-Tenor-Bass-choir 4 voices-organ • (1766) • Masses
Mass: 3 Sopranos-2 Altos-choir 4 voices-strings-organ • (1745) • Masses
Masses • Masses
Missa: 4 soloists-choir 5 voices-orchestra-organ • (1769) • Masses
Credo: choir 4 voices-orchestra-basso continuo • Ordinaire de la messe
Credo: choir 4 voices-orchestra-organ • Ordinaire de la messe
Credo: Soprano-Alto-choir 8 voices-organ • Ordinaire de la messe
Gloria: 4 voices-orchestra • Ordinaire de la messe
Gloria: choir 4 voices-orchestra • Ordinaire de la messe
Kyrie: choir 4 voices-orchestra • Ordinaire de la messe
Sicut Locutus Est: 2 Sopranos-Alto-organ • Ordinaire de la messe
Graduels • Propre de la messe
Offertoires • Propre de la messe
Messe pour les Defunts: choir 4 voices-strings-organ • (1756) • Messes des défunts
Requiem: 4 soloists-choir 4 voices-orchestra-organ • (1764) • Requiems
De Profundis: vocal quartet-choir 4 voices-strings • De profundis
Magnificat: 2 Sopranos-Alto-Tenor-2 Basses-choir 8 voices-organ • (1750) • Magnificat
Magnificat: 2 Sopranos-Bass-organ • Magnificat
Magnificat: 4 soloists-choir 4 voices-orchestra-organ • Magnificat
Magnificat: choir 4 voices • (1750) • Magnificat
Magnificat: choir 4 voices-orchestra • Magnificat
Lamentations du Prophete Jeremie pour le Mercredi Saint • Offices de la Semaine Sainte
Lecons de la Semaine Sainte • Offices de la Semaine Sainte
Repons pour la Semaine Sainte: choir 4 voices-organ Répons • Offices de la Semaine Sainte
Miserere • Miserere
Duos sacrés: 2 Sopranos-b.c. • Sacred songs
Antiphones • Antiennes - Antiphones - Répons
Psaumes • Psalms
Te Deum: 2 Sopranos-Alto-Bass-choir 4 voices-orchestra • (1746) • Te Deum
Te Deum: Alto-choir 4 voices-orchestra • (1763) • Te Deum
Te Deum: choir 5 voices-orchestra • Te Deum
Hymnes • Hymnes
Cantates sacrées • Cantates sacrées
Che Impetuoso E Questo Torrente • (1740) • Cantates sacrées
Gerusalemme Convertita • perdu • (1755) • Cantates sacrées
Non Piu: l'Attesto Istante • Cantates sacrées
Ove Son ? Chi Mi Guida ? • (1747) • Cantates sacrées
Reconciliazione della Virtu e della Gloria (La) • perdu • (1754) • Cantates sacrées
Sancta Elena al Calvario • perdu • Cantates sacrées
Sogno di Nabucco (Il) • perdu • (1755) • Cantates sacrées

Chamber music

Divertimento: 2 violins-viola-b.c. • Chamber music strings
Quartets: 2 violins-cello-b.c. • Chamber music strings
Concerto da Camera: 2 violins-b.c. • Trios 2 instruments avec B.C.
Sonata: 2 violins-b.c. • Trios 2 instruments avec B.C.
Sonata: 2 violins-b.c. • Trios 2 instruments avec B.C.
Sonata: 2 violins-double bass • Trios 2 instruments avec B.C.
Sonata: 2 flutes-b.c. • Trios 2 instruments avec B.C.
Sonatas: 2 flutes-b.c. • (1753) • Trios 2 instruments avec B.C.
Napolitano: flute-2 violins-b.c. • Chamber music strings-winds
Divertimento: 2 violins-viola-French horn-b.c. • Chamber music strings-winds

Symphonic music

Chaconne: orchestra • Danses de salon
Sinfonia: salterio-strings-basso continuo • Symphony concertante

Vocal music

Armida • perdu • (1746) • Choral pieces isolated
Melodie 'La Calandrina' • Mélodies isolées
Solfeggi: Soprano-Tenor-basso continuo • Recueil oeuvres vocales : 2 voix et plus

Instrumental music

Duo: piano 4 hands • Pièces
Sonata: cembalo • “Sonates”

Concertante music

Concerto: cembalo-orchestra • Concertos pour clavecin
Concerto: cembalo-orchestra-basso continuo • Concertos pour clavecin
Concerto: cembalo-orchestra-basso continuo • Concertos pour clavecin
Concerto: flute-orchestra • Flute concertos
Concerto: flute-orchestra • Flute concertos

Compositions sorted on opus (if available)

douteux

Arcadia in Brenta • Opéras comiques

incomplet

Cacciatore Deluso (Il) ou La Semiramide in Bernesco *-Martinelli • (1771) • Opéras comiques

perdu

Sancta Elena al Calvario • Cantates sacrées
Armida • (1746) • Choral pieces isolated
Juda Proditor • (1746) • Oratorios sacrés
Spose di Elcana (Le) • (1750) • Oratorios sacrés
Sacrifizio di Gefte • (1753) • Oratorios sacrés
Reconciliazione della Virtu e della Gloria (La) • (1754) • Cantates sacrées
Gerusalemme Convertita • (1755) • Cantates sacrées
Sogno di Nabucco (Il) • (1755) • Cantates sacrées
Enea nel Lazio • (1755) • Operas
Giardino Incanto (Il) • (1755) • After plays
Asilo d'Amore (L') • (1758) • After plays
Cinesi (Le) • (1765) • After plays
Unione Coronata (L') • (1768) • After plays
Amante Cacciatore (L') • (1771) • After plays

Sheet music for Nicolo Jommelli

These are automatic search results at SheetMusicPlus.com. Not all results may be relevant.

JOMMELLI Niccol√≤: Care Deus si respiro, an aria from motet, arranged for Voice and Piano (C minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 7 pages. Published by Really Good Music, LLC. (S0.752751).
Price: $5.00

JOMMELLI Niccol√≤: Care Deus si respiro, an aria from motet, arranged for Voice and Piano (A minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 7 pages. Published by Really Good Music, LLC. (S0.752763).
Price: $5.00

JOMMELLI Niccol√≤: Sponsa cara, recitative and aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (E flat major) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 6 pages. Published by Really Good Music, LLC. (S0.752767).
Price: $5.00

JOMMELLI Niccol√≤: Sponsa cara, recitative and aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (C major) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 6 pages. Published by Really Good Music, LLC. (S0.752783).
Price: $5.00

JOMMELLI Niccol√≤: Alleluja, an aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (C minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 4 pages. Published by Really Good Music, LLC. (S0.752787).
Price: $5.00

JOMMELLI Niccol√≤: Alleluja, an aria from motet ‚ÄúCare Deus si respiro‚Äù, arranged for Voice and Piano (A minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 4 pages. Published by Really Good Music, LLC. (S0.752791).
Price: $5.00

JOMMELLI Niccol√≤: Care Deus si respiro, motet, arranged for Voice and Piano (C minor‚ÄìE flat major‚ÄìC minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Soprano Voice,Tenor Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 15 pages. Published by Really Good Music, LLC. (S0.752815).
Price: $15.00

JOMMELLI Niccol√≤: Care Deus si respiro, motet, arranged for Voice and Piano (A minor‚ÄìC major‚ÄìA minor) — Niccol√≤ JOMMELLI (1714 ‚Äì 1774)

Piano Accompaniment,Alto Voice,Baritone Voice — Piano Reduction — Baroque Period,Repertoire,General Instructional,Recital
Composed by Niccolò JOMMELLI (1714 – 1774). Arranged by Sergei LEONOV. Baroque Period, Repertoire, General Instructional, Recital. Piano Reduction. 15 pages. Published by Really Good Music, LLC. (S0.752825).
Price: $15.00

Niccol√≤ Jommelli - Beatus vir a 4 — Niccol√≤ Jommelli

Organ,Tenor Voice,Bass Voice,SATB — Score — Baroque Period,Sacred
Composed by Niccolò Jommelli. Arranged by Guido Menestrina. Baroque Period, Sacred. Score. 21 pages. Published by Guido Menestrina (S0.157395).
Price: $34.00

Betulia Liberata. Arias for Tenor — Nicolo Jommelli

Tenor voice — vocal score — Early Music
Composed by Nicolo Jommelli (1714-1774). Early Music. Vocal score. Ut Orpheus #OP 07. Published by Ut Orpheus (UT.OP-07).
Price: $15.00

Find scores for Nicolo Jommelli at Sheet Music Plus.
Links: 
http://en.wikipedia.org/wiki/Niccol%C3%B2_Jommelli

Places for this composer

Comments

Anonymous (not verified)

Thu, 2010-08-26 05:52

The first name is actually "Niccolò".
To fill the minimum length I repeat this To fill the minimum length I repeat this

jpgadmin

Fri, 2010-08-27 05:15

I find in the New Grove that his name is spelled in more than one way. The accent should be to the left, it can be Nicolò or Niccolò, and Jommelli or Jomelli.

Submitted by Jean-Paul Giraudet on 2010-08-27 10:51.
Last modified: 
2014-06-05 16:19